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The Ivöri Ministry of Letters On Being a Gentleman. Published by: Peter di Alessndria Issued on the 10th of Heaven’s Folly in the Year of our Lord 2010. FOREWORD On the continent of Aevos, and the lands the descendants have inhabited beforehand, there has always been a legally enforced class system amongst most nations with a rather standard array of classes with minor variations. These classes typically include the Rulers of the Realm and their heirs (Kings, Queens, Sovereign Princes, Sovereign Princesses, Grand Dukes, Grand Duchesses, etc.), the remainder of the Royal Families, The Peerage of the Realm (Dukes, Counts, Viscounts, Barons, Lords, their cultural variations, etc,) the Knightly class (sometimes augmented by Dames, High Military Officers, and prominent families in which case it is referred to as the gentry,) the Freemen, and finally the Serf class. There of course exists variations such as the Reinmarian Tribes, the Waldenian Electors, the Elven Houses, and so on, however a commonality among these classes is that each has a specific set of legal rights, privileges, addresses, and obligations by which it must abide and be presented. In this treatise, I propose not creating a new class, but a new set of behaviors by which men (and perhaps women) of these classes should abide and strive to hold themselves to. These men with such a code and the possible official place within society at some point will for this essay be referred to as Gentlemen (taken from the term Gentry, referring to the class typically between commoner and nobility.) What Embodies a Gentleman? A Gentleman, at his core, is a man who finds himself willingly shackled to his honor, courtesy, and etiquette. While a Gentleman's high birth or noble blood is not required, the pair certainly necessitates a Gentleman’s behavior and attitude towards life, for the highborn must be able to live up to their name in every sense of the word. A Gentleman must find himself honorable and courteous above all else, holding himself to the highest standards of conduct and performance no matter what he sets himself to, lest he is not worthy of the label. If a Gentleman finds himself in the guardianship of a young man, he must strive to impart Gentlemanly values and pride as well as ensure he is well educated in all aspects of life, from common to court to ensure the child continues the cycle of well educated chivalrous young men. When providing guardianship to a young woman (or in the periphery should their wife or a female relative be giving guardianship to a young woman) he shall be courteous and kind to her, ensuring she is properly instructed on how a Gentleman must behave around her so she knows when she faces mistreatment or insult. Alongside this, should a Gentleman take responsibility for a young woman with no means of her own, he finds himself responsible for ensuring she is provided a dowry and wedded to a respectable family unless the circumstances regarding the arrangement dictate otherwise. These values are most exemplified by the Ivöri people. An Ivöri Gentleman is first and foremost, a man of honor, faith, and service being bound by the tenants by which all must abide. The Ivöri spirit is that of good men from all cultures, who come together in a single unified codex and creed of honor and conduct that befits any good Canonist man and are indeed the foundations of being a Gentleman. A Short and Incomplete List of Expectations for a Gentleman: Be a good, practicing member of the Canonist Faith Uphold a high standard of Honor Be kind and courteous to all one comes across, so as not to give undeserved insult To never break one's word To be proficient at the Gentlemanly arts of swordplay and jousting to resolve any insults or violations of honor or a Gentleman’s good name relating to another Gentleman The ability to maintain respectable standards of living for himself and any who are a part of his household To ensure his obligations both legal and moral to his nation and the Church are met Always keep in mind his good name and reputation when acting and/or speaking A Gentleman shall never lie. Who Qualifies as a Gentleman? Theoretically, any man could be a Gentleman as it is dictated by his behavior. However, any man who finds himself in a place of authority be it Government, Military, Education, or otherwise would do well to uphold the standards of Gentlemanly Conduct. This goes as well for wealthy merchants and their sons, knights, and their sons, as well as nobles and their sons, also encompassing any men whose families hold the land. Royals, concerning this, shall be allowed some slack for their status, however, they should strive to be the pinnacle of Gentlemanly Conduct for it is they who society looks to for its examples. On Dueling: Dueling is a practice as old as honor itself, for dueling is the method by which one may defend their honor and innocence be it in Courts of Public Opinion or the much less severe Court of Law. While some see the practice as antiquated and barbaric, dueling serves as a practice by which to uphold order and good Canonist values. For this, we might look to the tenets of the Ivöri Creed, namely the second “Thou shall disavow chaos and champion order” a creed which Gentlemen especially should be in the highest regard as Gentlemen are the backbone of society, and if they fail to maintain order, there is no hope of maintaining it in the rest of society. The final tenet comes to embody the spirit of the Gentlemen as “thou shalt suffer no evil” for what is a Gentlemen if not a protector of the weak and innocent and shield against chaos and corruption? The method by which Gentlemen must hold to these tenets is given by the eighth tenet, “Thou shalt honor the blade and forgo witchcraft” This provides the legal basis for dueling and the backbone on which Gentlemen may rely. No true man of any race should find themselves wielding foul sorcery or witchcraft of any sort, but Gentlemen most of all must hold to steel, for it is the most honest of the metals God has seen fit to give unto his children. Though with this, there are some basic rules by which Gentlemen must abide for dueling: A Gentleman must never offer a challenge to duel unless sufficient insult or injury to honor has been dealt in return. A Gentleman must never offer a challenge to a woman, child, or invalid and it is considered exceptionally bad form for a veteran soldier or experienced duelist to offer a challenge to their lessers, as well as for a man of higher status to challenge a man of lower status. A Gentleman must never refuse a challenge offered for a valid reason. A Gentleman shall duel to first blood in all matters except for the most dire. The time and place of the duel shall be decided by the challenged. All communication after the offer of challenge shall be done either by solicitors, a neutral party, or the seconds of the Gentlemen who are dueling. Never by the Gentlemen themselves. Upon the cessation of the duel, the winner of the challenge shall be considered correct in the matter and all further disagreement, discussion, and feud between the 2 shall cease. On Gentleman Officers: Gentlemen finding themselves in positions of authority in a military context must hold themselves to a certain standard of conduct surpassing that of a normal Gentleman, for a Gentleman of command should adopt the roles of role model, educator, protector, master, and commander. A Gentleman must strive to ensure that all Gentlemen under his command uphold the highest standards of conduct and dignity and that the men under his command are on the path to becoming Gentlemen. A Gentleman Officer must maintain regular correspondence with his friends, family, and colleagues to ensure he is kept up to date on society events, for ignorance and lack of manners are never to be excused, no matter where a Gentleman finds himself stationed. Alongside this, a Gentleman shall keep a good table, befitting his rank and personal financial status as well as maintain respectable stores of wine, tea, and coffee as well as cigars to present society to his men and colleagues even in the most remote postings in the service. This being said, a Gentleman shall be responsible for feasting their men on special occasions and in the wake of major victories and other such achievements, however, should rations be running short, a Gentleman shall be the first to volunteer to adopt short rations and suffrage for the sake of morale and his integrity. One must keep in mind that a Gentleman and any Ivöri man must learn to embrace hardship, for it builds strength and character. IN NOMINE DEI, His Excellency, Peter di Alessandria, Minister of Letters, Ehrengarde of the Ivory Company

DER THE LOREMASTER’S CIRCLE DER LEHRMEISTER-KREIS | THE LOREMASTER’S CIRCLE Issued by Loremaster of the Heather Court In the year of our Lord 1995 ÖHNE UND TÖCHTER VON REINMAR, SINCE THE HEATHER COURT’S CONCEPTION, the royal prerogative of the preservation of Reinmaren culture remains strong. The court stands as a beacon of our civilization by its austere practices of long-held tradition from the times of yore, reaching back to the times of Theodric and Gelimar. The court has upheld with persistent duty the health and prevalence of the Reinmaren way of life since its formation. These efforts are most significant for the role of the Loremaster and their circle by the direction of the Fürstin and their Seneschal. The role of Loremaster was once called the Governor/Governess. The Loremaster’s circle appreciates and records happenings of history through song and stone. The crafts of a skald and shqiptar consolidate to become an ever-evolving medium of art iconic of Reinmar. With the vision of a surviving culture and tradition beyond the years of today and beyond, the Circle carries the mission dutifully so that all people willing may hear, heed, and learn. HISTORY “For when our voices die, let the stones sing for us.” Faded Runestone, (Unknown Date; Approximately over 200 years) A skald provides wisdom through an ancient story of battle to his Chieftain Since and before the times of the tribes of Theodric and Gelimar, oral storytelling was a tool of survival and unity. Showcasing virtues that promote family and camaraderie, whilst also soothing grieving hearts after battle or winter. Stories of great achievements of warriors increased the prestige of who is titular in the song, and Chieftains promoted themselves by appointing skalds to sing their praises. Skalds were chosen among the common men in these times, as most men, as hale as they were to be expected, were also expected to be orators in the gathering halls, able to sing an encouraging ditty. Men who could do so were most often adorned with the respect of their fellow warriors. The wives and women of the tribes played an enriching and solidifying role in the tradition, singing songs of their own, playing and teaching instruments to the youngs of the tribe who would grow up in the environment. In times of war, though some women were also warriors and shieldmaidens, others would also be the last line of defense as they stayed home to care for their maternal duties, and carry on the souls and memories of their fallen through stories retold. To their own children, or to the children of their captors. Popularly believed, women may have also begun the tradition of runecarving. A man’s voice was seen to be the more powerful and austere carrier of stories. Though when away for raids or wars, there would be less or none left to speak. Together as a tribe then, as an act of unity, young and old, women would call the tribe together for a runestone to be erected and carve stories for their warriors to come back to and be welcomed by. Wars and conflicts were fought over stories, claiming the victors would have their stories be grander, or truer. Or to eradicate slander or to promote their stories and claim their tribes the greater and thus demand submission. Men would also often sing and play ballads, though it must be only before his desired woman in private, to gain their affections. Promises of glory shared to her and their future children. And a woman is expected– Nay, obligated to then return their affections or scorn them with rejection, causing this event to be a rarer occurrence. In times of peace, Skalds would compete before their Chieftains and earn the honor and privilege of carving their story immortal upon a stone’s face. When all else failed, wrestling matches would ensue. And so the tradition of storytelling carried on, as winters grew shorter and peacetimes grew longer. Skalds lay in wait with their lyre and chisel, awaiting the next great battle and song. Skalds were points and carriers of pride for themselves, their tribes, their chieftains, and their way of life. Pride was everything and it may still be for some to this day. MODERN ITERATIONS A seneschal briefs her fellow court officers at a meeting With our comparatively evolved civilization and introduction of Canonism into the way of Reinmaren life, the tradition of storytelling through song and stone has found a new incarnation and place in the Heather Court. Though the process has been refined and formalized over the generations, its soul has miraculously been preserved in the core of court proceedings. With Canonistic values and virtues outlining what’s to be more emphasized in nowadays’ stories. A skald was realized as a full position in place of a Chieftain’s household and an apprentice was needed to carry on the talents and skills. Sometimes hereditary but oftentimes not, generations would carry the ways of storytelling and rune carving worth generations already. Enhanced with the technology of parchment, techniques were better recorded and maintained for teaching. Qualities and understandings of the talent became more commonplace and thus standards were raised. Chieftains expected only the best skalds lest their stories be prone to ridicule or loss of credibility. INCUMBENCIES 1968 - 1993 Gertrude Barclay Este Lehrmeisterin | First Loremaster 1993 - Present Estmund von Ehrenwald Zweite Lehrmeister | Second Loremaster Heidehof-Offizier THE CIRCLE: IN-DEPTH To keep the Reinmaren cultural tradition of teaching alive, two apprentices of a Chieftain’s Skald would be undertaken. Both apprentices would start on separate sides of the practice. One would focus upon performances of stories, whilst the other would focus upon the writing of runic script upon stone and parchment. Over time, the roles of the apprentices evolved into their own formal positions, giving the best of both fields underneath a unitary role who would be an elder-adept in both. The Loremaster learns and heeds advice from their subordinate posts of Runesinger and Runekeeper, and in turn maintains a quality of lore for there to be written and sung about. LOREMASTER By direction of the Fürstin and Seneschal of the Heather Court, the Loremaster applies and adheres to law surrounding education within Reinmar. Their duty is to maintain a source and environment for learning that parents and elders may draw inspiration or knowledge from to disseminate to their children and wards. Various facets of Reinmaren life are touched upon and cataloged by the Loremaster including but not limited to: traditional history, etiquette, and cultural practices. Additionally, techniques of shqiptars on their crafts, and the philosophies of life, death, and struggle. In collaboration with the Court Chaplain: Reinmaren-Canonistic values are also promoted in everyday learnings. Though only members of the clergy may rightfully teach on matters of religion. According to law set by Das Bildungsedikt | The Education Edict, the tenets of learning, as in topics and their priorities are already set with History set at the very top. On that principle, it’s the Loremaster’s responsibility to see that historical accuracy must always be struck in the most truthful light and that deliberate twistings of history must be corrected valiantly. The Loremaster enforces other manners of the edict by their authority on knowledge and teaching. Seeing that wards underneath the court are taught properly by also hiring specialized tutors in their fields of expertise. Still, parents hold the foremost duty and precedence in the education of their children. Though there shall be no recognition of a curriculum as dictated by law, nor shall there be a dedicated schoolhouse, the Loremaster ensures the proper areas where education may take place. A runestone circle for learnings upon runic script, for example. RUNESINGER Historically, the original manifestation of the Loremaster. Tasked with utilizing their charisma and voice to spread knowledge through entertaining performances that hopefully stay within the viewers’ hearts with lasting morals derived from the story’s lessons. They have the prerogative to organize performances at the relevant runestone. And to keep the practice of stories alive and present with their performances. A runesinger's voice must be respected and left unobstructed as they speak of sacred history, then applauded when proper diligence is provided in the performance, moving the hearts and minds of the audience. When bodies are deemed to be moved, a runesinger dances, accompanied by supporting musicians or instruments played by the runesinger themselves including the drums for the beat and a mouth harp for its mystical sounds. Current Runesinger: 1994 - Present Adelmar von Kanunsberg RUNEKEEPER Revered with diligence and intelligence, the Runekeeper rather speaks with their chisel and quill instead of their voice. Creating inaudible music upon the face of stone with shapes and scripts achieved by an aesthetic honed by only the most refined of techniques. They learn all parts of runic script to teach to others, all whilst practically living in the runestone circle, expanding the numbers of runestones and maintaining the ancient ones with transcriptions and copies upon plaques to be stored away. The Runekeeper was the first apprentice to be undertaken, as it was believed that to perform a story so wholeheartedly, one must understand the script within and without fully. WER RASTET, DER ROSTET HIS EXCELLENCY, ESTMUND von EHRENWALD, PRINCELY HERALD, LOREMASTER OF THE HEATHER COURT, LAWMAN & GEEHRTE OF REINMAR REFERENCES The Formation of the Heather Court, HRH Adalfriede von Hexenwald and HRH Frederica Barclay (1968) Officers of the Heather Court, HRH Adalfriede von Hexenwald and HRH Frederica Barclay (1968) The Education Edict, HRH Adalfriede von Hexenwald and HRH Frederica Barclay (1975) The Grand Kanun of Reinmar, HE Robert Stroheim (1988) The Reinmaren Woman, HRH Adalfriede von Hexenwald (1974)

SUMMONS TO COURT VORLADUNG AN HOF | SUMMONS TO COURT Issued by the Prince and Princess in Reinmar In the year of our Lord 1990 ÖHNE UND TÖCHTER VON REINMAR, IT HAS BEEN OVER TWO DECADES since the Chieftains of the Reinmaren have held court from their princely thrones. With the ascension of Frederica, daughter of Prince Alfred, we see it fit to once again convene in the halls of der Heidepalast under the watchful eyes of our ancestors and the almighty LORD Most High. Let it be known that we shall address the tension between the Gaspardlings of Middenland and the Godwinites of Aaun, and the good state of our banners shall be declared for all to heed. We shall hear vows of fealty from those noble chieftains and vassals who we know to be obedient to their schwurs and the blood tide of Theoderic and Gelimar. We shall elevate a Reinmaren to the position of der Seneschall, and confer the status of geehrte onto another. Additionally, a title shall be entrusted to our stewardship, a testament to the unwavering trust placed upon our shoulders. In the august presence of ourselves and the consorts of Reinmar, both tribesman and outlander alike shall be granted audience to proffer their petitions. THE CROWN HEREBY SUMMONS THE TRIBESPEOPLE His Grace, NIKOLAUS VON KANUNSBERG, Duke of Kanunsberg, and his noble pedigree. His Lordship, ROBERT VON LANGENKIRCH, Burgrave of Langenkirch and his noble pedigree. His Lordship, ROLAND VON WESENBURG, Baron of Wesenburg and his noble pedigree. Her Ladyship, ALICE VON BRANDTHOF, Baroness of Brandthof and her noble pedigree. His Excellency, ANSELM BARCLAY, Lord Bailiff of Reinmar. WILHELMINA BARCLAY. The Reinmaren Peoples. THE CROWN HEREBY INVITES THE WALDENIC DIET Her Highness, JOHANNA, Elector of Merryweather-Alstreim. His Grace, AUREL VON THEONUS, Elector of Vohenheim. The Honorable, FRIEDRICH VON AUGUSTEN, Elector of Hohengarten. His Lordship, LEUFROY VON REUSS, Elector of Velen. SIR DARIS VERETHI TERES, Syndicate Envoy to the Waldenic Diet. The Waldenian Peoples. WER RASTET, DER ROSTET HIS ROYAL HIGHNESS, LEON, Prince in Reinmar and of Minitz, Count of Neu Brandthof, Viscount of Tucay, Baron of Hussen and Boriënwald, Lord of Durres, High Chieftain of the Reinmaren, Warden of the Franklands and Ferdenwald HER ROYAL HIGHNESS, FREDERICA, Princess in Reinmar and of Sutica, Countess of Freimark and Kretzen, Baroness of Madvon and Freising, Lady of Sankt Johannsburg, Wilheburg, Erwinsburg, Freiburg and Rozenfeld, Chieftess of the Reinmaren

The Language of the Yutiao Gang Li-Ren VOL III Published by The Grand Secretariat On the Year of The Pigman, 188 S.A. The Li-Ren culture re-emerges on the mainland after well over a century has passed since the fall of Yong Ping on the old continent. However, to any observant scholar of Li-Ren culture, they will note a variety of changes in the culture, most particularly the language. This is not a matter of widespread change but a matter of immigration and the movement of the Li-Ren people over the last one hundred years. Whereas the old culture of Li-Ren found in the Jade State of Yong Ping were from the land of Ai-Zho, having fled the oppressive regime led by the Li Dynasty to live in Almaris, the new wave of Li-Ren influence upon the mainland are from the land of Yutiao Gang. A simple overview of this matter is that the Li-Ren of Yutiao Gang were not fleeing an oppressive regime but a people of sailors and merchants who set about discovering a new world. The Li-Ren of Yutiao Gang were apart from those of Ai-Zho for so long that they formed their own language and culture, and now that they are the majority of the Li-Ren influence of Aevos, said differences will be more common to see. The first, and most important change for the people of Aevos to understand is the language, of which shall be explained and written out here. ───────────────────── ꕤ ───────────────────── Table of contents 1.Greetings 2.Common Words and Phrases 3. Family 4. People 5. Curse Words and Insults 6. Numbers 7. Dates and Times 8. Honourifics Yutiao Gang Li-Wen is so far from the language of Ai-Zho Li-Wen, that it is often considered its own language and not a dialect of Li-Wen. The former can be considered more modern Li-Wen whereas the latter is better described as traditional. As such the Jun-Lei Cultural Association has decided to offer up the following list of words and phrases to the people of Aevos to help understand the Li-Wen language in a simple manner. GREETINGS ENGLISH LI-WEN LI-ZI Hello (informal) hai / halou 嗨 / 哈喽 Hello (used for strangers or very formal) nihao / ninhao (formal, used for teachers) 你好 / 您好 Good Morning (semi-formal) zaoshang hao 早上好 Good Morning (informal) zao or zao a 早 / 早啊 Good Afternoon xiawu hao 下午好 Good Evening wanshang hao 晚上好 Good Night wanan 晚安 Goodbye zaijian 再见 YES AND NO There are no direct translations for “yes” or “no,” as similar terms are used in select contexts TERMS EXAMPLES LI-WEN LI-ZI Shi - I am. / It is. Bushi - I am not / It is not. Confirms something is true/false. Q: Are you from Jun Lei? A: Yes, I am. B: No, I am not. Q: Ni laizi Jun Lei ma? A: Shi. B: Bushi. Q: 你来自菌类吗？ A: 是。 B: 不是。 Dui - Correct / right. Budui - Incorrect / not right. Expresses agreement/disagreement. Q: I think flowers are beautiful. A: Yes, I agree. B: No, I disagree. Q: Wo juede hua hen mei. A: Dui. B: Budui. Q: 我觉得花很美. A: 对 B: 不对 Keyi - May / Can Bu keyi - May not / cannot Indicates permission. Q: May I take pictures here? A: Yes, you can! B: No, you cannot. Q: Zheli keyi paizhao ma? A: Keyi! B: Bu keyi. Q: 这里可以拍照吗? A: 可以! B: 不可以. Meiyou - Don’t have / Have not [done something] Also used to politely deflect compliments. Q: Do you have money? A: I do not have money. Q: Have you eaten? A: I haven’t eaten. Q: Ni you qian ma? A: Wo meiyou qian. Q: Ni chile ma? A: Wo hai meiyou chi. Q:你有钱吗？ A: 我没有钱。 Q: 你吃了吗? A: 我还没有吃. COMMON WORDS AND PHRASES ENGLISH LI-WEN LI-ZI Thank you xiexie (thank you) duoxie (many thanks) 谢谢 多谢 You’re welcome bu keqi (no need to be polite) buyong xie (no need to thank [me]!) 不客气 不用谢 Pretty/Handsome piaoliang (pretty) / shuai (handsome) mei (pretty for humans or objects/art) 漂亮 / 帅 美 Delicious VERY Delicious hao chi / meiwei hao chi jile! / hao chi juele 好吃 / 美味 好吃极了! / 好吃绝了! Multi-use exclamation aiya 哎呀 I’m Sorry bu haoyisi (less formal, can also be ‘excuse me’) duibuqi (used only when done something wrong) 不好意思 对不起 I don’t know wo bu zhidao 我不知道 Do you speak Li-Wen? ni hui jiang liwen ma? 你会讲李文吗？ I do not speak Li-Wen wo bu hui liwen 我不会李文 Not bad! bucuo 不错 Particle for yes/no questions (add to end of sentence) ma? 吗？ FAMILY ENGLISH LI-WEN LI-ZI Mother mama 妈妈 Father baba 爸爸 Grandma nainai 奶奶 Grandpa yeye 爷爷 Older sister jiejie 姐姐 Younger sister meimei 妹妹 Older brother gege 哥哥 Younger brother didi 弟弟 Daughter nüer 女儿 Son erzi 儿子 PEOPLE ENGLISH LI-WEN LI-ZI Foreigner(s) laowai (slang) 老外 Human / Humans renlei 人类 Elf / Elves jingling 精灵 High-Elf / High-Elves gaodeng jingling 高等精灵 Wood Elf / Wood Elves mu jingling 木精灵 Dark Elf / Dark Elves hei’an jinling 黑暗精灵 Dwarf / Dwarves airen 矮人 Orc / Orcs banshouren 半兽人 Halfling banshenren 半身人 Musin laoshuren 老鼠人 Kharajyr baoren 豹人 CURSE WORDS AND INSULTS ENGLISH LI-WEN LI-ZI Fool (lighthearted) “silly melon” shagua 傻瓜 “Little Devil” (For children) xiao gui 小鬼 Idiot (negative) “stupid egg” bendan 笨蛋 Jackass chun lu 蠢驴 Suck up paimapi 拍马屁 **** cao 肏 (sometimes 操) White Foreigner(s) (Chiefly High-Elves) guilao (derogatory for ‘westerner’) 鬼佬 “**** your ancestors to the eighteenth generation” cao ni zuzong shiba dai ni zuzong shiba dai 操你祖宗十八代 NUMBERS ENGLISH LI-WEN LI-ZI Zero ling 零 One yi 一 Two er 二 Three san 三 Four si 四 Five wu 五 Six liu 六 Seven qi 七 Eight ba 八 Nine jiu 九 Ten shi 十 Multiples of ten ex. twenty #shi ershi # 十 二十 One hundred yi bai 一百 DATES & TIMES ENGLISH LI-WEN LI-ZI Year nian 年 Month yue 月 Week xingqi 星期 Day ri 日 Yesterday zuotian 昨天 Today jintian 今天 Tomorrow mingtian 明天 HONORIFICS Honorifics typically follow a surname. They are not used as rigidly as in other Eastern cultures. ENGLISH LI-WEN LI-ZI EXAMPLES Lord (title) -gong -公 “Lord Jiang” jiang-gong / 蒋公 Mister -xiansheng -先生 “Mister Jiang” jiang-xiansheng / 蒋先生 Miss -nüshi -女士 “Miss Chen” chen-nüshi / 陈女士 Teacher -laoshi -老师 “Teacher Meng” meng-laoshi / 孟老师 Professor -jiaoshou -教授 “Professor Wang” wang-jiaoshou / 王教授 School Head -xiaozhang -校长 “Headmaster Xu” xu-xiaozhang / 徐校长 Doctor (informal) Doctor (formal) -dafu -yisheng -大夫 -医生 “Doctor Song” song-dafu / 宋大夫 song-yisheng / 宋医生 Master (of martial arts, of a craft, etc) -shifu -师傅 “Master Li” li-shifu / 李师傅 MARKET TERMS ENGLISH LI-WEN LI-ZI Money qian 钱 Minas yuan kuai (colloquial) 元 块 Cups (measuring word) bei 杯 Bottles (measuring word) ping 瓶 How much is [item]? [item/amount of item] duoshao qian? [item] 多少钱？ Example: How much are three cups of tea? San bei cha doushao qian? 三杯茶多少钱? [Item] is [cost]. [item + cost] kuai [item + cost]块 Example: The bread is five minas. mianbao wu kuai. 面包五块 Can it be cheaper? (Bargaining) neng pianyi dian ma? 能便宜点吗？ ───────────────────── ꕤ ───────────────────── It is the hope of the Jun Lei Village council that this missive shall help those who wish to understand both the culture and workings of Li-Ren culture. If you have any questions upon Li-Ren culture, please simply come to the Jun Lei Village and ask, we shall be more than happy to discuss culture with you. Zaijian! ───────────────────── ꕤ ───────────────────── Signed, Her Ladyship, Mochou High Elder and Koe Shoya of Jùn Lèi Her Excellency, Kato Hanako The Lady Beauty His Lordship, Jiang Chenyun The Lord Liushang

The Foods of Jùn Lèi VOL II Published by The Grand Secretariat On the Year of The Dragaar, 190 S.A. Jùn Lèi is renowned for its diverse culinary delights and dietary traditions. This informative book will guide you on your next visit to a tea house or in preparing delicious meals at home! ───────────────────── ꕤ ───────────────────── Table of contents 1. Daylong Duck 2. Boiled Chicken Fruit 3. Gold Coin Beef 4. Candied and Biting Pork 5. Wontons [!] A stall serving Li-Ren street food. Li-Ren culture boasts a wide array of dishes for everyone to enjoy. With centuries of history shaping its culinary landscape and new dishes being created every day, Li-Ren cuisine beautifully balances tradition and innovation. Each meal offers a taste of the past while embracing the flavors of the present, ensuring a dining experience that is both timeless and fresh. Daylong Duck is a dish consisting of a duck specially bred for consumers. Slaughtered 65 days after hatching, this dish afterwards is cooked in a closed oven to give it a crispy skin. The dish is meant to be carved of most of its meat leaving little left, with the main attraction being a layer of thin, crispy skin that is eaten with whatever the consumer wants or is given, common sides to accompany this dish are cucumbers and spring onions. Inside the duck can be a variety of different things typically depending on the cook. From pickled radishes to just nothing. Jīròu shuǐguǒ, roughly translates to, Boiled Chicken Fruit, is a strange dish that mixes the flavors of chicken and sweet melons into one on the fork. It starts by boiling a pot of water until it can be classified as a rolling boil (large and plentiful bubbling. Constant steam). And put pieces of chicken meat in to boil. While it boils take a honeydew melon and carve it into any kind of design you wish. Set the melons on a plate, it will act as another plate of sorts for the chicken. When the chicken has finished boiling as can be seen by its white coloration. Cut it into pieces or stringy strips and top it on the melon used as a base. Add whatever toppings to it to make the meal more enjoyable for the consumer’s palate. Gold Coin Beef is a luxurious dish featuring thin slices of beef that total up to a pound of meat in total. Start by cutting a piece of beef. Marinate beef with the following ingredients. Sugar, salt, sesame oil and wine for at least 4 hours. Marinate overnight for the best results. Put along the edge of a plate with the middle of the plate being available for a centerpiece of your choosing. This classic household recipe is just as classic comfort food in Li Ren culture. It starts off with pork shoulder being cut into one inch cubes or however close the chef can be with this measurement. Next in a medium sized bowl place these pieces and cover them with soy sauce, salt, sugar, green onions, and a single unit of egg white. Stir these well. Heat a quart of cooking oil in a saucepan. While waiting for this, cover your marinated chicken pieces in cornstarch. When your oil is hot, scrape the contents of the bowl into the pan and cook for about ten minutes in which it will evenly brown. Carefully take out the food and set aside somewhere for it to cool and dry. Finally delivered on an available plate or bowl, this dish goes well if mixed with another such as being atop rice. A recipe with a rich cultural history and even richer taste. Start off by creating the filling. Do this by combining ground pork, mushrooms, soy sauce, chopped green onions, corn starch, and seasonings. Next take spoonful's and place them in the wonton wrapping (will be covered in the next paragraph) and fold them. Afterwards place them in hot oil and cook until they turn crispy with a golden brown outside to show for it. For Wonton wrappers you only need four ingredients and they must be made first so you can even have wontons to begin with. The ingredients are; one egg, ⅓ cup of water (if it is still too dry, more can be added until you are satisfied), flour, and a pinch of salt. Beat the egg, then add the water. Combine flour and salt in a bowl, create a well in the center, and pour in the egg mixture. Mix well, increasing the water if the mixture is too dry, until a pliable dough has formed. Knead dough until elastic, cut dough into two balls. Let rest under a damp cloth for 10 minutes. Cut each ball into four equal pieces and roll the pieces into 10 squares ───────────────────── ꕤ ───────────────────── For the Li People, food is an art form, much like their tea. Each dish requires many hours to create, with a great deal of care and attention to detail. This meticulous process ensures that every meal is a masterpiece, reflecting the rich cultural heritage and culinary traditions of the Li People. ───────────────────── ꕤ ───────────────────── Signed, Her Ladyship, Mochou High Elder and Shoya of Jùn Lèi Her Excellency, Kato Hanako The Lady Beauty

THE HYSPIAN COURT COMPENDIUM A COLLECTION OF ALL HYSPIAN WORKS La Corte de Girasol The 1st of Horen’s Calling of 110 D.R. In the effort of preserving history for the coming generations of Hyspia, the courts have pulled together a compendium of Hyspian works, for the Sovereign States perusal. Songs will be noted, alongside cultural missives, for a Hyspian should know their home, culture and history. This compendium shall never be complete, added onto as more is found or comes to be. Alongside the noted missive is the person who wrote it, and their namesake and title at the time of writing it for history purposes. PERSONAL WRITINGS, LETTERS AND JOURNALS This section details a series of letters, missives, journals and personal writings written by the Hyspian people over the ages. Public Denouncement of the Canonist Church by Prince Antonio de Rivera A Letter to Owyn III by Bishop Francisco Altamirano of Hyspia The Conversion of Prince Antonio by Prince Antonio de Rivera The Hyspian Intercitude by Father Basil Moroul A Diocesan Letter to the Hyspians by Cardinal Pelagius-Albarosa A Public Letter to King Antonio de Rivera by Carlos Mendes The Attack by Father Agustin of Cordoba A Clash of Steel by Señor Caesar Einarsson Kvitran Address to the Hyspian Flock by Bishop Hernando Altamirano House of Monet by Baroness Frisket Monet Das de Esperanza by Viceroy Cesar I For the Glory of DIOS by Viceroy Cesar I A Childs Prayer by Princess Sofia of Hyspia The Hyspian Herald: Volume 1 by an Unknown Citizen The Hyspian Herald: Volume 2 by an Unknown Citizen The Hyspian Herald: Volume 3 by an Unknown Citizen The Hyspian Herald: Volume 4 by an Unknown Citizen The Hyspian Herald: Volume 5 by an Unknown Citizen The Children of Hyspia and Their Camping Trip Shenanigans by Lady Amity Morovar The Santos Family by Señorita Callista Santos A Report on the Silver Isle Smugglers by Crown Prince Francisco A Confession and Prayer by Princess Sofia of Hyspia Confession by Señor Alejandro Sands Hyspian Romance by Lady Anne von Leopold Interview of Queen Sofia by Señor Jonathan O’Kieran A Son of Hyspia by Señor Jose Fuentes A Call to all Farfolk by an Unknown Citizen The Maors Missive by the Baron Erland Maor Paladins, No Better than Bandits by a Concerned Citizen A Call for Calm by Señor Vicente Murietta II To the Government of Hyspia by Ser Jose Fuentes To Confront a Crisis by Viceroy Cesar II DIOS no Esta Muertoby Viceroy Cesar II A Crossing of Blades by Señor Vicente Murietta II A Perspective of the Happenings of the Hyspian Independence Meeting by Sovereign-Consort Dimitri of Koravia The Patriots Oath by Ser Jose Fuentes Vandalism and Principles by Sheikh Shamil Clash of Sands by Princess-Royal Renata Alba Cold by Señor Nicolas Murietta Toil and Till by Señor Luis Murietta Xiomara's Diary #1 by Grand-Princess Xiomara Araceli ON HISTORY This section includes scholarly missives on Hyspias history, alongside authentic missives of history taking place during the writing of such. A Writ of Dissolution by Archduke Cesar II A Peaceful Settlement by Prince Antonio de Rivera The Life and Times of Cesar I "the Founder" by Cardinal Francisco Altamirano The Hyspian Summitby Baron Javier de Pelear The Second Hyspian Summit by Baron Javier de Pelear To All Hyspians by Baron Javier de Pelear The Barony of Arenisca by Baron Javier de Pelear The Viceroyalty of Hyspia by Viceroy Cesar I To Daeland and Balian: A Hope for Peace by Viceroy Cesar I The Enfeoffment of the Hyspians by King Karl III The Histories of the Hyspian Schism by Viceroy Cesar I Certificate of Honorary Citizenship by Viceroy Cesar I The Passing of the Throne by Viceroy-Emeritus Cesar I The Investiture of Francisco I by Viceroy Francisco I The Hyspian Abdication by Viceroy Francisco I The Paraiso Agreement: Hyspian Independence by Viceroy Cesar II Four Canonist Princes on Marriage by Viceroy Cesar II The History of Hyspia by Vicente Murietta II An Amendment to Titles by Sovereign Ramona I A Change Long Overdue by Sovereign Ramona I The Succession of Hyspia by Sovereign Ramona I The Council of D.R. 111 by Sovereign Ramona I The Edict of D.R. 111 by Sovereign Ramona I HYSPIAN LITERATURE This section hosts a series of poetry, songs and stories of the Hyspian people. El Matador by Bishop Agustin of Cordoba Perdida Del Amor: A Hyspian Poem by Señor Vicente Murietta I Welcome to Ciudad de Plata: A Hyspian Song by Princess Sofia of Hyspia Oh, Blessed Amity!: A Hyspian Song by Princess Sofia of Hyspia Dear Analiesa: A Hyspian Song by Princess Sofia of Hyspia La Dorada: A Hyspian Song by Queen Sofia Barbanov-Bihar of Hyspia A Tale of Horse and Crow: A Hanso-Hyspian Folktale by Queen Sofia Barbanov-Bihar of Hyspia ON THE COURTS This section has varying court missives of the Hyspian peoples detailed for your perusal. The Hyspian Culture by Viceroy Cesar I A Notif of Dama de Honor for Wilhelmina Wick by Princess Sofia of Hyspia A Notif of Dama de Honor for Callista Santosby Princess Sofia of Hyspia A Notif of Dama de Honor for Isidora Antunez by Princess Sofia of Hyspia The Second Notif of Dama de Honor for Isidora Antunez by Princess Sofia of Hyspia A Notif of Dama de Honor for Anne von Leopold by Princess Sofia of Hyspia The Second Notif of Dama de Honor for Anne von Leopold by Princess Sofia of Hyspia Sobre Perfumeria by Princess Sofia of Hyspia A Notif of Trial for Albunus Alfonzo by Princess Sofia of Hyspia Corrida de Toros in Honor of Princess Sofiaby Señorita Isidora Antunez Wards of Hyspia by Vicereine-Consort Amity of Ghaestenwald Cosmeticos de Hyspia by Vicereine-Consort Amity of Ghaestenwald Idioma de Las Fans by Crown Princess Esperanza The Etiquette of Writing Letters by Queen Sofia Barbanov-Bihar of Hyspia La Dorada: Our Golden Home by Viceroy Cesar II Flowers of Hyspia by Vicereine-Consort Karyna of Malkovya Consejo de Flores by Vicereine-Consort Karyna of Malkovya Hyspian Language Guide by Vicereine-Consort Karyna of Malkovya An In-Depth Look Into Hyspian Fashion by Infanta Renata Alba The Hyspian New Player Guide by Señora Mariposa Murietta The Common People of Hyspia by Señora Mariposa Murietta El Puente: Informational Guide by Infanta Renata Alba The Coming of Age Traditions of Hyspia by Sovereign-Consort Dimitri of Koravia Courtly Changes by Sovereign-Consort Dimitri of Koravia A Handbook to Hyspian Court Etiquette by Baroness Fleur Halcourt The Hyspian Calendar by Princess-Royal Renata Alba What is an Infanta? by Princess-Royal Renata Alba Los Signos Del Zodiaco de Hyspia by Princess-Royal Renata Alba The Guide to Servantry Handbook by Princess-Royal Renata Alba The Hyspia Servantry Directory by Princess-Royal Renata Alba THE WORKS OF HOUSE DE PELEAR This section details the writings and works of the royal house of de Pelear. The Baronial House of de Pelear by Baron Javier de Pelear The Disownment of Alejandro de Pelear by Viceroy Francisco I Medical Notes of the Hyspian Crown Princessby Crown Princess Esperanza A Game of Aviary by Princess Sofia of Hyspia The Viceroyal House of de Pelear by Viceroy Francisco I THE WORKS OF HOUSE DENODADO This section details the writings and works of the noble house of Denodado. The School of Veronica by Viscount Demitrey Denodado A Writ of Disownment by Baron Demitrey Denodado The Rams Appeal by Baron Demitrey Denodado Writ of Challenge: Audo Weiss by Baron Demitrey Denodado A Retraction of Words by Baron Demitrey Denodado The Abdication of Demitrey Denodado by Viscount Demitrey Denodado Change in Denodado Family by Viscountess Maria Denodado THE WORKS OF HOUSE SALAZAR This section details the writings and works of the noble house of Salazar. The Salazar Household by Baron Joaquin Salazar THE WORKS OF HOUSE DEL MARAVILLA This section details the writings and works of the noble house of del Maravilla. The del Maravilla Household by Princess-Royal Renata Alba MISCELLANEOUS This section details miscellaneous works and writings that don’t fit in any particular section of its own. Edicto de Serria by Viceroy Cesar II Edicto de Montenno by Viceroy Cesar II El Zodiaco de Hyspia: I by Infanta Renata Alba El Zodiaco de Hyspia: II by Infanta Renata Alba El Zodiaco de Hyspia: III by Princess-Royal Renata Alba A Changing of Banners by Sovereign Ramona I Letters for the Barony of Campagnon by Sovereign Ramona I Letters for the Viscounty of Banderas by Sovereign Ramona I Letters for the Barony of Campos Salvajes by Sovereign Ramona I Letters for the Dual Barony of Soles Gemelos by Sovereign Ramona I El Zodiaco de Hyspia: IV by Infante Rafael Arsenico Signed, HER ROYAL HIGHNESS, Renata Alba del Maravilla, Princess-Royal of Hyspia, Duchess of La Dorada, Baroness of Clemente, Gran Chamberlan of the Girasol Courts

A Guide to Li-Ren Tea Ceremonies VOL I Published by The Grand Secretariat On the Year of The Pigman, 188 S.A. Tea has been grown, consumed, and traded by the Li-Ren for thousands of years. In fact, the Li-Ren people are the original producers of tea and are renowned for their skills in cultivating and crafting tea. While traditions vary across provinces, tea drinking is an integral part of all Li-Ren culture. Tea is prepared and consumed on several special occasions. For instance, tea is served at weddings and during visits to tea houses on holidays. Additionally, tea is enjoyed to celebrate family gatherings and meetups, such as when a child leaves home. ───────────────────── ꕤ ───────────────────── Table of contents 1. The Meanings of Tea 2. The Types of Tea 3. How to prepare for a Tea Ceremony [!] A group of Li-Ren women preparing for a tea ceremony. Tea holds a rich tapestry of meanings across various cultures, particularly among the Li-Ren. Each type of tea and the way it is prepared and consumed can symbolise different sentiments, traditions, and moments in life. Each type of tea and the context in which it is enjoyed reflect the values and traditions of the Li-Ren people, making tea not just a beverage, but a profound cultural symbol. Green Tea Symbolizing purity and health, green tea is often associated with new beginnings and fresh starts. It is commonly served to guests as a gesture of hospitality and respect. In Li-Ren culture, offering green tea can signify a wish for long life and prosperity. Black Tea Known for its robust flavor, black tea represents strength and endurance. It is typically consumed during significant life events, such as weddings and important meetings, symbolizing the strong bonds and serious commitments being formed. White Tea The delicate nature of white tea signifies innocence and purity. It is often associated with youthful energy and new ventures. Drinking white tea can be seen as a way to celebrate new opportunities and to cleanse the mind and spirit. Oolong Tea This tea, which falls between green and black tea in terms of oxidation, represents balance and harmony. It is commonly enjoyed during peaceful family gatherings and is believed to promote mental clarity and emotional stability. Pu-erh Tea Known for its aged and fermented quality, Pu-erh tea symbolizes wisdom and maturity. It is often reserved for special occasions and is considered a tea of deep reflection and meditation. Drinking Pu-erh tea is seen as a way to connect with the past and gain insight for the future. Herbal Teas Though not true teas, herbal infusions hold their own significance. Chamomile tea, for example, symbolizes relaxation and is often consumed to promote calm and restful sleep. Ginger tea, on the other hand, represents warmth and healing, commonly used for its medicinal properties. The Li-Ren tea ceremony, known as Gongfu Cha (功夫茶), is a time-honored tradition that emphasizes skill, precision, and mindfulness in the preparation and serving of tea. This elegant ritual transforms tea drinking into an art form, fostering a sense of tranquility and reverence for both the process and the beverage itself. To begin, the proper materials are essential for conducting a Li-Ren tea ceremony. These include a small teapot, typically made of Yixing clay or a Gaiwan (a lidded bowl), small tea cups, a tea tray with a draining system, a tea pitcher (also known as a fairness cup), a tea strainer, a tea scoop, a tea towel, tea tongs, and a kettle for boiling water. Each tool plays a crucial role in ensuring the ceremony proceeds smoothly and gracefully. The ceremony starts with preparing the space. The tea tray is set up, and all the tools are arranged neatly, creating a calm and peaceful environment. Fresh water is then boiled in the kettle, with the temperature tailored to the type of tea being used. For instance, green tea requires lower temperatures, while black tea necessitates higher heat. Once the water is ready, the next step involves warming the teaware. Hot water is poured into the teapot or Gaiwan and the tea cups, which are then emptied after a few seconds. This step helps maintain the correct temperature during brewing, ensuring the tea's flavors are fully developed. The tea is then measured using a tea scoop, with about 1 to 2 teaspoons of leaves typically used for a small teapot. The leaves are placed into the teapot or Gaiwan, and hot water is poured over them, then immediately discarded. This initial infusion, known as "washing the tea," awakens the leaves and removes any impurities. Brewing the tea involves pouring hot water over the rinsed leaves, filling the teapot or Gaiwan. The tea is left to steep for the appropriate amount of time, usually between 10 to 30 seconds for the first brew, depending on the type of tea. Subsequent brews may require slightly longer steeping times to extract more flavor. Once the tea is brewed, it is poured into a tea pitcher through a tea strainer to catch any loose leaves. The tea is then distributed evenly into the small tea cups. Serving the tea involves holding the cup with both hands as a sign of respect and presenting it to the guests. Participants are encouraged to take a moment to appreciate the tea's aroma before sipping it. High-quality teas can be infused multiple times, with each infusion revealing different nuances in flavor. Adjusting the steeping time slightly longer for each subsequent infusion ensures the optimal extraction of the tea's essence. The ceremony concludes by cleaning and drying the teaware, expressing gratitude to the guests, and enjoying the remaining time together in a relaxed manner. The focus throughout the ceremony is on the process, allowing participants to take their time and savor each step. Appreciating the color, aroma, and taste of the tea with each infusion deepens the connection to the experience. ───────────────────── ꕤ ───────────────────── The variety of teas—each with its unique symbolism and significance—adds depth to the Li-Ren tea ceremony, Gongfu Cha. This ritual, emphasizing mindfulness and precision, elevates tea drinking into an art form, fostering a profound appreciation for the flavors and traditions of Li-Ren tea culture. Whether celebrating new beginnings with green tea or reflecting with aged Pu-erh, the ceremony transforms a simple beverage into a rich, meditative experience. ───────────────────── ꕤ ───────────────────── Signed, Her Ladyship, Mochou High Elder and Shoya of Jùn Lèi Her Excellency, Kato Hanako The Lady Beauty

The Mógū Temple’s Court VOL Intro Published by The Grand Secretariat Established in the year of The Pigman, 188 S.A. The Grand Secretariat is a cherished institution within the village, akin to a queen's court, located within the purple and teal temple at the entrance to the village. While the Grand Secretariat holds no governmental power, it preserves the village's identity and cultural traditions, fostering unity and pride among the villagers. Inside, the ladies and lords uphold customs and oversee ceremonies, ensuring that the village’s rich heritage is meticulously observed and celebrated. ───────────────────── ꕤ ───────────────────── Table of Contents 1. POSITIONS Roles and Responsibilities within the Grand Secretariat 2. EXPECTATIONS Dedication, Tradition, and Excellence [!] A painting of Court Ladies playing with a Temple Pet. Members of the Grand Secretariat are expected to participate in and oversee various ceremonial duties, including the meticulous organization of festivals and cultural events. Their roles require a deep understanding of the village’s customs and a commitment to ensuring these traditions are passed down through generations. Each member, through their actions and presence, contributes to fostering unity and pride among the villagers, making the Grand Secretariat a symbol of the village's enduring spirit and cultural continuity. The Lady Beauty | Kato Hanako The leader of the Grand Secretariat, known as The Lady Beauty, is a figure of immense respect and grace, embodying the village’s cultural heritage and traditions. Renowned for her wisdom and poise, The Lady Beauty is the guardian of the village’s customs and the central figure in managing the court's operations. Her role is comprehensive and demanding, ensuring the meticulous organization and oversight of all court activities. She manages the entire court, overseeing the court ladies and lords, ensuring their roles and responsibilities are clearly defined and executed with precision. Her leadership ensures that the Grand Secretariat operates smoothly and efficiently, with each member contributing to the preservation of the village’s rich heritage. Courtiers of the Court Under the purview of the Lady Beauty are several subsidiary courtiers, each entrusted with specialized tasks and roles within the grand court. These courtiers contribute to the seamless operation of the court, ensuring that every aspect of village tradition and cultural heritage is meticulously preserved and celebrated. Madam of Rites | Faebella Reinold The Madame of Rites is the esteemed overseer of all ceremonies and rituals within the Grand Secretariat. Renowned for her deep knowledge of the village’s religious practices and cultural traditions, she leads and coordinates every ceremonial event with precision and reverence. Her responsibilities include planning and executing festivals, tea ceremonies, religious observances, and other significant rituals, ensuring they are conducted authentically and honorably. The Madame of Rites is a pillar of the village’s spiritual life, guiding the community in preserving its rich heritage and fostering a deep sense of cultural pride. Lady Liushang | VACANT The Lady Liushang, also known as the Mistress of the Wardrobe, is the esteemed guardian of the Grand Secretariat’s attire and presentation. Renowned for her exquisite taste and meticulous attention to detail, she oversees the selection, maintenance, and preparation of ceremonial garments and accessories. Her responsibilities include ensuring that each piece of attire reflects the village’s rich heritage and craftsmanship, particularly for festivals, rituals, and other significant events. The Lady Liushang plays a crucial role in preserving the visual splendor and cultural integrity of the court, making her a vital figure in the village’s enduring traditions. Lady Shangshu | Zid Al'ha The Lady Shangshu, also known as the Court Historian, is the revered custodian of the Grand Secretariat’s vast collection of documents and books. She manages the village library with meticulous care, ensuring that every historical record, manuscript, and scroll is preserved and accessible. Renowned for her extensive knowledge and scholarly dedication, The Lady Shangshu oversees the documentation of the village’s history, traditions, and cultural heritage. Her role is crucial in educating and informing the court and the village, making her an indispensable guardian of the community’s collective memory and intellectual legacy. Lady of Unions | Kato Hanako The Lady of Unions is the esteemed matchmaker within the Grand Secretariat, renowned for her skill in fostering harmonious relationships and alliances. Known for her empathy and insight into human nature, she plays a pivotal role in arranging marriages and uniting families within the village. With a deep understanding of traditional values and social dynamics, the Lady of Unions carefully considers compatibility and mutual respect in her matchmaking endeavors. Her role extends beyond mere introductions, as she delicately navigates the complexities of interpersonal relationships, ensuring that each union strengthens the fabric of the community and upholds its cultural traditions. Ladies-in-Waiting The ladies-in-waiting of the Grand Secretariat are key members, known for their grace and dedication to upholding village traditions. They assist in ceremonies, including tea rituals and festivals, ensuring each event reflects the village's cultural heritage. Beyond duties, they serve as trusted companions, embodying values of respect and loyalty, maintaining the court's dignified atmosphere and preserving its cultural legacy. The expectations of the court are meticulously defined to ensure the preservation and celebration of the village's rich cultural heritage. At its heart are the esteemed ladies-in-waiting, whose grace and attentiveness exemplify the court's dedication to tradition. They assist in organizing and participating in ceremonial duties, from elaborate tea ceremonies to the orchestration of festivals and cultural events. Their role demands a profound understanding of protocol and a commitment to upholding the court's values with poise and elegance. Alongside the ladies-in-waiting are the dedicated servants, who play a crucial role in maintaining the court's impeccable standards. They attend to the practical needs of the court, ensuring that every detail, from the cleanliness of the temple to the preparation of ceremonial attire, is executed flawlessly. Their behind-the-scenes contributions are essential in creating an environment where tradition and ceremony can flourish. At the helm of the court are the court officials, each entrusted with specific responsibilities that uphold the village's customs and administrative functions. ───────────────────── ꕤ ───────────────────── If any of the positions above interest you, please contact Lady Kato Hanako (phoebe202) or Lady Mochou (Kitomine/Kit0phobia). ───────────────────── ꕤ ───────────────────── Signed, Her Ladyship, Mochou High Elder and Shoya of Jùn Lèi Her Excellency, Kato Hanako The Lady Beauty and Lady of Unions

THE ROYAL COURT OF 1981 TO OUR ESTEEMED REALM, It has not been long since the last Royal Court was hosted within the HAND OF HOREN, overseen by King John of Aaun and the young Queen-regnant, Adalia of the Petra. The last year has allowed the united crowns to settle many state and diplomatic matters. As We are keen on continuing and reinforcing the Heartlander Confederation, the dream of Our late Royal Parents, King John of Aaun and Queen Catherine of the Petra. It is a duty of the new Monarchs to summon the Royal Court in order to receive pledges of fealty from the vassals who hold their titles within Our Provinces of Aaun and the Petra, hear those who might bring forth petitions and announce the way forward for the years to come. Thus do We hereby proclaim that in the year of our Lord 1981, all subjects of the Confederation, Aaunite and Petran alike, are summoned to come forth and attend the session of the ROYAL COURT OF THE HEARTLANDS, within the Royal Palace of Vallagne. ISSUED AND PROCLAIMED; In the Heartlander Confederation, On the 23rd of Sun’s Smile, 1980. His Royal and Apostolic Majesty, CHARLES II, King of Aaun, Prince of Alstion, Duke of Vienne, the Lowlands, Balemena and Corazon, Margrave of High Peak, Count of Whitespire, Enswerp, Florentine and Talentine, Baron of Blanchet and Virdain, Protector of the Realm Her Royal Majesty, ADALIA OF THE PETRA, Queen of the Petra, Princess of Abrana, Marquise de Val d’Estenou, Duchess of Valfleur, Countess of Temesch, Torm Marian, and Moere, Viscountess of Mies, Baroness of Garmont, Vallagne-en-Petra, Eagles Peak, Brasca, Hrenthorne, Resmore, and of the Phoenixspire

On Standing Court This piece theorizes upon the aspects and benefits of a standing court, which are by these following examinations, promoted. Chapter I: Court Hall Design Standing vs Sitting Of all the potential designs one may use for a hall of court, it is for the best interest of the courtiers that space be dynamic in its layout. For movement is naught but the essence of life itself, proven by that adage; ‘inaction is the worst action’. These things being noted, I say also, that of the arrangements in court, the worst of them is that in which people are compelled to sit down. It is not enough only for the Sovereign of the court to be present with the people in order to hold their attention; opportunity must be given for each individual to place themselves within a network of concepts, be it conversation, recreation, or occupation. Achieving the purpose Through conversation done tastefully, one’s understanding of the sovereign’s projection is increased, and more context added to it. Tasteful conversation, for the sake of clarity, is that which is only heard by it’s intended audience; whereas the distasteful can be heard by anyone; regardless of its private or irrelevant nature. Through recreation, one is able to stimulate their attention during periods of lull in the speech of the Sovereign or petitioners; thereby saving one’s limited focus for its most proper place. Through occupation, one is compelled both by duty and passion to fulfill some aspect of the formal court. Examples of these are the court scribe noting particular occurrences, court chefs and servantry passing food to its guests, and court priests accepting prayer requests before or after the convening of formal court. None of these processes can be effectively achieved while sitting. All of them however, approach the desired goal of maximizing the attention of those whos time is being requested away from other matters. Section II: When to Sit Within foreign culture It is natural and normal for the custom of a household to be upheld, even by its guests. Courts which opt instead for seated arrangements are no less regal, despite the decreased effectiveness. In such environments, a guest is bound by propriety to partake in the convention of their hosts; with the understanding that such orientations will limit the amount of possible movement, and thereby the amount of conversation and recreation in which courtiers can partake. Propriety of time & place An upright stance, aside from displaying the fortitude of one’s figure, also encourages action in the individual; as was mentioned before. Nevertheless, Godan in his infinite wisdom, gave us knees, so it must be concluded that there are proper times to sit. These, it is my understanding, are at times of leisure. One cannot enjoy a meal, however well-formed, while standing; and sleeping upright is the way of horses instead of man. Therefore despair not by my writing, the lethargic of you courtiers, for I intend only to increase the enjoyment of the people as they are called to the court of their sovereign. By this, the sovereign’s dictates will be better understood, and the people’s hearts filled with contentment. Signed, Lothair of Brabant

SCROLL OF PROCEDURE The citizens of Brabant are good and honest people, the judiciary must reflect such traits. One must hold oneself to a standard of transparency and goodness for the dignity of those who find themselves under the scrutiny of our law. To this end, the contents of this document shall elaborate on the judicial procedure of the judiciary for both civil and criminal courts, define the legal punishments, and other important judicial procedures. Section 1- Verdict Ex Curia Section 1.1- Verdict upon Arrest 1. Upon no question of guilt, the need for a trial is voided, and the arrested criminal may immediately receive judgment by a Judge. 2. This should be approved by the Chief Justice or Duke before occurring, but if necessary, it can be skipped over. 3. Upon question of guilt, a court must be convened. Section 1.1 Verdict of Bounty 1. If the subject of the bounty is wanted alive, then a verdict or court will be granted upon their return. 2. If the subject is wanted dead, the death will be verified and legal procedures for death will take place, once the body is delivered to the state. Section 2- Court Procedure Section 2.1 The Call for Court 1. Per the Scroll of Law (refer to section 2, subsections 2-3), any person who attempts, conspires or commits “high crimes” such as treason, murder, poaching, heresy, etc. be subject to immediate prosecution. a. For a crime to be deemed a “high crime”, the Judge must declare it so, after consideration. 1.1. Let any person who commits assault, theft, harassment, or vandalism only be charged if the victim of said crime or the one who accuses such an individual seeks to file charges against the accused. 2. The Judge will review the need of a case and approve or deny it based on legitimacy and need. 3. If approved, the Chief Justice will nominate a Judge to oversee the trial and letters will be sent to all parties involved to summon them to court. Section 2.2 On Legal Procedure 1. All shall rise a moment for the Judge to officially begin court. 2. The Judge, after calling order of the defendant and prosecution/plaintiff, will then announce that: “The trial of ([Defendant] v. [Plaintiff])} is now in session. How does the defendant choose to plea?” 3. 1. The defendant may choose to plead that they are either Guilty or Not Guilty. Should the defendant choose a plea of Guilty, then summary punishment may be issued without any further trial by the presiding judge in line with the guidelines espoused in the Scroll of Law. a. If there is an agreement between the prosecution and the defendant for a guilty plea bargain, the judge will move immediately to verdict. b. No judge of Brabant is required to honor a guilty plea bargain but may choose to do so if it does not violate their responsibility of a fair and just court. 3.2. In the case of a civil court, the two parties are allowed to meet before the Court and settle things out of court but must announce such a deal to the Judge or Chief Justice. 4. The plaintiff will make an opening statement, summarizing their arguments. The defendant will follow after with their opening statement. Both statements should take a maximum of 15 saints minutes. 5. The prosecution will make their first claim at which then the defense may make a claim of their own and/or refute the claim that the prosecution has made. a. All claims must be rooted in evidence or logic that achieves an argument. This must only take a maximum of 15 saint minutes. b. Since judges are not required to have extensive knowledge of all fields of study, they are allowed to ask questions of trusted state members, expert witnesses, and if need be the prosecution or defense so that they can come to a capable understanding of the case at hand c. A judge can call state members to come in as expert witnesses if the judge has a reasonable doubt of the expert witnesses brought in by the court. d. Refer to Procedure of Witnesses for the definition of an expert witness. 6. From there the plaintiff will respond and then the defense may rebutt and so on and so forth. Both parties will be allowed to make claims and counterclaims until the Judge deems the end of the argumentation and moves to closing statements. a. Any Objections by each side are to be allowed under any circumstances during and before court, but not after the verdict has been passed or during opening or closing arguments. 7.The Judge will finally render a judgment after hearing both closing statements which shall then be executed by the state. Judges must refer to the Scroll of Law on what it takes for them to reach a clear verdict in the case of civil and criminal cases. 8. The judge will then say “It is under this Legal Court that I find the defendant to be [Guilty / Not Guilty] in the matter of [Name] v. [Name].” 8.1 If a specific crime in the Scroll of Law cannot be substantiated, the Judge will recognize that the accused is innocent until guilty in accordance with section 2, subsection 3, article 1 of the Scroll of Law. 8.2 If it can be, however, the punishment is up to the presiding judge, so long as it is in line with the Scroll of Law and the legal punishments as defined in Section of this document. 9. Finally, if a verdict was issued, the Judge will make their decision. If they assign guilt or deemed the accused to be guilty, they must elaborate on why they chose guilty and what punishment they felt was best. 10. Finally, the Judge adjourns the court, and the trial will end. 11. All trials should be documented for future reference by a scribe. Procedures of Physical Evidence: 1.All bloody, liquid, or solid objects deemed of evidence to the trial must be put into an oversized and leak-proof cloth bag to avoid creating a mess in the trial. 2. All letters/manuscripts/documents and other paper-related evidence that isn’t soiled or found to dirty a crime scene will be allowed to be presented as they are. 3. Both parties must have access and ability to see the evidence but may not tamper with it anyway. Procedure of Witnesses/Testimonials Types of Witnesses: Fact witnesses are witnesses who have knowledge and testify about what happened. A fact witness is someone who can speak about what they witnessed for the case at hand or in criminal cases can also be the victims at hand. Insider/character witnesses have a direct connection with the accused or other witnesses and speak more to the accused or witness's character or personality and may or may not be Fact witnesses also. Expert witnesses testify about matters within the field of their expertise that relates to the case, i.e doctors for a point about medical injuries or wounds. If either side presents a witness or testimonial, that side will be allowed to ask as many questions until the Judge deems it unnecessary. Both sides must tell the other of the witness they intend to bring to court. After that, the other side may ask questions to examine or cross-examine the witness, until that side rests or the judge deems it unnecessary. Procedures of Demonstration: Sometimes, it can be useful to demonstrate a point or an argument and so sometimes a demonstration is allowed to take place. There is no need for either party to disclose when, how, or what type of demonstration they wish to use, only that they just make the judge aware 5 minutes prior to when they do it by either coming up to the judge during trial and approaching his bench or in private recess. Section 3-Legal Punishments The punishments listed below are not tied to any specific crime and are simply the procedure that must take place if a Judge chooses a guilty verdict and a punishment to fit it. No judge can give a punishment outside of the Legal Punishments below but will have the authority to choose how each punishment may be enacted but is not to create new ones or inventive ones of his own. Section 3.1 Punishment by Fine 1.A fine may be given out by a judge on the spot or during his verdict. 2.All fines must be executed by the state, ensuring proper dues to the state 3.If unable to pay the fine, a person will receive jail time or be forced to pay such fine in different manners not limited to seizure of personal property or mandatory labor, or payment of items of a physical nature. Section 3.2 Punishment of a Physical Nature 1. If a crime warrants such punishment of a physical nature that induces bodily harm, such as lashing, stoning, etc , a doctor must be at hand to administer healthcare to the accused afterwards. Section 3.3 Punishment by Exile 1. If a person is punished with exile, they will be given a Saint’s Day to remove their belongings from the city before they are placed in exile. 2. Following this a sketch should be made of the person. This sketch and their name will be posted in the gatehouse, for any guard to see should the person try to return. 3. Should they return before their exile is over, they will be subject to death or jail time for life. 4. Exilement can be appealed a. If this is the case, the person punished should send a letter to The Magister, who will then review the case and determine the course of action from there. b. If another court is needed to be held, then another court will take place and work on similar grounds to mistrial. c. A letter shall be sent to the exiled individual once their period of exile is over, notifying them that they are free to return should they please. Section 3.4 Punishment by Execution 1. Should a person be sentenced to death, their death will be dealt with humanely. 2. The punished may call for their last rites, as afforded to them by the canonist church, should they be a canonist. 3. Executions are to be performed by knights of the Order of the Titan, with a clergyman to oversee the execution. Section 3.5 Punishment of Repeat Offenders 1. Any criminal who has before been found guilty of doing the same crime repeatedly (typically for 3–4 counts), will have their punishment increased from the original verdicts of their previous trials. 2. Criminals who have done different but more than 1 offense of crime to the state will be left under a Judge’s purview on how to follow forward. Section 4 Legal Procedures of the Judiciary Section 4.1 On Prisoners of War 1. Should an enemy be captured in war, their fate may be decided by the Order of the Titan with a trial being overlooked due to the circumstances. 2. Should there be a disagreement about how to handle this situation, the view of the Judge or Duke will supersede the military officials. Section 4.2 Procedure on Crimes done by the Order of the Titan 1. If a member of the Order of the Titan commits an offense that is not a high crime, their case may be handled by the Head of the Order. 2. If a member of Order of the Titan commits an offense that is a higher crime like assault, mutilation, murder or treason, they will receive a Judicial investigation and a subsequent trial. a. Arrest and jail time until arraignment are to be decided by the Order or the Judiciary. 3. Any cruel or unusual punishments carried about an order of the Titan member can also be investigated judicially and receive trial. Section 4.4 Procedure of Marriage 1. The state recognizes a citizen's right to marry as stated in section 4, section 1, article 4 of the Scroll of Law. 2. Once the marriage has taken place, it shall be recognized and into recorded. Section 4.5 Procedure of Mistrial 1. The Scroll of Law guarantees that a mistrial will be held if the original trial contained a significant failure of the legal defense of the accused in accordance with section 2, subsection 3 and Section 4, Subsection 2, Subdivision 3 of the Scroll of Law. 2. Any irregularities of court that could cause a person to have been deemed guilty of doing instead of innocent are also grounds for a mistrial. a. Failure of fact witnesses to arrive, erroneous or false information by expert witnesses, incorrect evidence or false evidence that could have changed the verdict or opinion of the court count as irregularities. 3. A regular court will then take place to investigate the crimes and if the accused is deemed innocent they will be made innocent of all the crimes that he was charged with and the state will award appropriate compensation. 4. If the individual was executed, they will be posthumously declared innocent of all crimes. Section 4.6 Procedure of the False Witness 1. If a fact, insider/character, or expert witness is found to be lying, it shall be at the discretion of the judge of what they shall proceed but a charge of obstruction will be charged. 1.1 A judge may call for a verdict upon arrest, if there is no question or beyond reasonable belief any longer that the witness was lying or in any way obstructing justice. 1.2 If there exists any reasonable doubt, then a separate trial for the accused witness shall be held to determine if that accused will be charged with an obstruction of justice. Conclusion Within this document, it has contained upon itself the procedures of verdict, the establishment of punishments, and the important judicial procedures that must take place for a healthy and necessary judiciary. This document can and will be allowed to have additions and deletions, as long as both the Chief Justice and the Duke have given assent to such changes. Furthermore, all changes in the scroll of law that will directly change this document must also then be modified accordingly.

COURTLY APPOINTMENTS THE APPOINTMENTS OF COURTLY POSITIONS II La Corte de Girasol 10th of Javier’s Justice, 104 D.R. The Girasol Courts welcomes another appointed member within their ranks, looking forward to what they may show for it. Court Scribe The Señor Nicolas Murietta has been appointed as a court scribe, with a focus on history. Maestro de la Caza The Señor Nicolas Murietta has been appointed in a subsidiary role beneath our Maestro de la Caza, the Señor Alejandro Flores, in the study and care keeping of Hyspias farmlands. Signed, HIS ROYAL HIGHNESS, Dimitri Otto of Koravia, Sovereign-Consort of Hyspia, Duke-Consort of Pacazu, Baron-Consort of Arenisca, Del’mar and Monterro, Lord of La Dorada, Lord of Niseep, Gereon's Hold, and Ciudad de Plata, Protector of the Hyspian People, Protector of the Farfolk HER ROYAL HIGHNESS, Renata Alba, Princess-Royal of Hyspia, Duchess of La Dorada, Baroness of Clemente, Gran Chamberlan of the Girasol Courts

COURTLY APPOINTMENTS THE APPOINTMENTS OF COURTLY POSITIONS La Corte de Girasol 1st of Horen’s Calling, 104 D.R. With the previous Saints day missive on Courtly Changes, a series of individuals has since been appointed into our Girasol Courts. Maestra de la Modas The Baronesa Fleur Halcourt has been appointed to the role of Maestra de la Modas. Maestra de Musica The Lady Marcela Denodado has been appointed to the role of Maestra de Musica. In a subsidiary role beneath Lady Marcela, the Infante Rafael Arsenico has been appointed Master of Heraldry. In a subsidiary role beneath Lady Marcela, the Princesa Mona of Dunfarthing has been appointed as Court Jester. In a subsidiary role beneath Lady Marcela, the Baronesa Fleur Halcourt has been appointed as a musician of the courts. Maestro de la Caza The Señor Alejandro Flores has been appointed to the role of Maestro de la Caza. Infante Rafael Arsenico has been granted a subsidiary role beneath Señor Alejandro as a gardener of the courts. Señor Pedro Salazar has been granted a subsidiary role beneath Señor Alejandro as a gardener and animal caretaker of the courts. Court Astrologer Infante Rafael Arsenico has been appointed to the role of Court Astrologer. Court Alchemist Vizcondesa Maria Denodado has been appointed to the role of Court Alchemist. Señor Pedro Salazar has been granted a subsidiary role beneath Vizcondesa Maria as a herb gatherer. Court Event Runners The following individuals have been appointed as court event runners: Princesa Royal Renata Alba, Infante Rafael Arsenico, Princesa Mona of Dunfarthing, Baronesa Fleur Halcourt and Señor Alejandro Flores. Court Scribes The Señorita Amelia Miramaris has been appointed as a court scribe. We welcome each of these individuals into our Girasol courts and look forward to just how they come to fill their positions. Signed, HIS ROYAL HIGHNESS, Dimitri Otto of Koravia, Sovereign-Consort of Hyspia, Duke-Consort of Pacazu, Baron-Consort of Arenisca, Del’mar and Monterro, Lord of La Dorada, Lord of Niseep, Gereon's Hold, and Ciudad de Plata, Protector of the Hyspian People, Protector of the Farfolk HER ROYAL HIGHNESS, Renata Alba, Princess-Royal of Hyspia, Duchess of La Dorada, Baroness of Clemente, Gran Chambelan of the Girasol Courts

COURTLY CHANGES ADDITIONS & CHANGES TO THE CORTE DE GIRASOL La Corte de Girasol 15th of Francisco’s Resolve, 103 D.R. [!] A painting of a meeting of the courtiers of the Corte de Girasol. Overview The following missive will cover changes to the Corte de Girasol, the appointment of Gran Chambelán and open up recruitment for the court. Sovereign Consort (Sovereign Prince Dimitri Otto de Pelear) The sovereign consort holds all authority over the courts and will run such as they deem fit with no requirement of permission from the Sovereign of Hyspia. In such a role the Sovereign Consort will be expected to dedicate a lot of time to ensuring the courts run smoothly, and provide care and entertainment for the people. Grand Chambelán (Princesa Royal Renata Alba de Pelear) The Gran Chambelán holds the second most amount of power over the courts and can act on behalf of the Sovereign Consort with the required permission; the Gran Chambelán sees to the daily running of the courts and ensures the court runs smoothly alongside the Sovereign Consort. They can also make decisions on behalf of the Sovereign Consort, should they be given the permission to do so from the Consort themselves. Maestra/o De La Modas (Baronesa Fleur Halcourt) This position is dedicated to overseeing fashion and cultural trends within the Sovereignty of Hyspia; they see to setting a theme for different styles and aethetic trends within the Sovereignty, as such they will work with tailors, designers, and artisans to create clothing and fashion accessories that tie into the overall culture of Hyspia. The Maestra/o may appoint those beneath them to aid in the role. Maestra/o de Musica (Lady Marcela Denodado) The Maestra de Musica is responsible for overseeing all the musical aspects of the court from the creation of new musical compositions, to running performances and other musical events. It is also the role of the Maestra/o de Musica to preserve traditional music and performances of the Sovereignty. The Maestra/o may appoint those beneath them to aid in the role. Maestra/o De La Caza (Señor Alejandro Flores) The Maestra/o De La Caza is responsible for running hunting expeditions and games for the Sovereignty, as well as preserving the flora and fauna that are native to the lands of Hyspia. They are also responsible for the upkeep of any royal animals used in the hunts, such as hounds, horses and falcons. The Maestra/o may appoint those beneath them to aid in the role. Court Chaplain (Vacant) The Court Chaplain is the spiritual advisor and head clergyman for the courts and is responsible for hosting Canonist ceremonies, offering counsel to the people of Hyspia, and helping maintain healthy ties between the nation and the Canonist church. This is an integral role for also ensuring the spiritual well-being of the court and nation. Court Event Runners (Princess Royal Renata Alba) (Infante Rafael Arsenico) (Princess Mona of Dunfarthing) (Baroness Fleur Halcourt) (Señor Alejandro Flores) (Vacancies) While in the name, the role of Court Event Runners is to plan and host events for the Sovereignity of Hyspia. Their work takes place in the writing of missives, the detailed planning of what shall happen during said event and even the setting up of events beforehand. This role is a particularly important one, integral for any court and nation. Court Scribes (Princess Royal Renata Alba) (Señorita Amelia Miramaris) (Vacancies) Court Scribes are responsible for documenting the proceedings of the court, royal decrees, and historical events. They will be required to be able to write in various writing forms, from elegant calligraphy to swift shorthand, and must maintain detailed and accurate records. The scribes will also manage the royal archives. Court Alchemist (Vizcondesa Maria Denodado) The Court Alchemist holds the responsibility of conducting tasks of both scientific and alchemical importance. They will have to do such whilst upholding Canonical law, and only make concoctions that will aid the Sovereignty, such as brewing medicinal concoctions to aid the sick and injured. This role may also involve researching more functional aspects of alchemy, perhaps even being used within the military for conflicts or military strategies. Court Astrologer (Infante Rafael Arsenico) The Court Astrologer has the ability to study the stars and grow to know the Hyspian zodiacs in an more in-depth fashion. Their job is to keep track of the stars and skies movements, detailing it in a monthly report to the Sovereignty of Hyspia, all the while keeping track of the fortunes and lack thereof provided by the Zodiacs. Handmaids (Lady Sera Denodado) (Señora Gabriela Salazar) (Señorita Amelia Miramaris) (Vacancies) The court handmaids are tasked with the personal care and assistance of the royal family members; they are responsible for a range of duties such as attending to their daily needs, providing counsel and perhaps even providing protection if needed. This is position that required trust, discretion and loyalty. Conclusion To conclude the missive, I would like to congratulate Princess Royal Renata on her appointment as Gran Chambelán, and urge those who are interested in a court position to contact either Prince Dimitri or Princess Royal Renata to organize a meeting. Signed, HIS ROYAL HIGHNESS, Dimitri Otto of Koravia, Sovereign-Consort of Hyspia, Duke-Consort of Pacazu, Baron-Consort of Arenisca, Del’mar and Monterro, Lord of La Dorada, Lord of Niseep, Gereon's Hold, and Ciudad de Plata, Protector of the Hyspian People, Protector of the Farfolk

A Handbook to Hyspian Court Etiquette Written and Published by Fleur Halcourt On the 7th of Francisco’s Resolve, 103 D.R. In cultivating a splendid Hyspian society and nurturing a culture of mutual respect, it is paramount to provide our young and new members with meticulous guidance in the art of courtesy and chivalry from their earliest days. Here, we offer a handbook that presents a compendium of revered traditions and indispensable rules governing propriety and decorum among the esteemed Señores and Damas of Hyspia. The Sovereign Crown The Sovereign Crown of Hyspia are the highest ranking members of the Royal court and Government of Hyspia, All are to be addressed Formally in both public and private unless deemed otherwise by the Royal member. The Sovereign - Su Alteza Real or “His/Her Royal Highness” The Sovereign Consort - Su Alteza Real or “His/Her Royal Highness” The Crown Prince/Princess - Su Alteza Real or “His/Her Royal Highness” The Princess Royal - Su Alteza Real or “Her Royal Highness” The Royal Family Underneath the Sovereign Crown is the Royal family, this includes the children, Siblings and Aunts/Uncles of the Sovereign. All members of the Royal Family are to be treated with the same respect as the Sovereign Crown. Children of a Sovereign (past or present) Principe and Princesa’s of Hyspia are to be addressed with Su Alteza or “His or Her Highness” Nieces and Nephews of the Sovereign that bear the de Pelear name are titled Infante or Infanta, if born under the second in line and are addressed by Su Alteza or “His or Her Highness” - and if born under those further in succession, they are addressed by Lord/Lady [First Name]. Bows or Curtseys are essential to both the Sovereign Crown and the Royal Family. The Nobility Duke - Su Gracia or “Duke [House name]” Duchess - Su Gracia or “Duchess [House name]” Conde - El mas honorable, His Lordship or “Conde [House name]” Condesa - La mas honorable, Her Ladyship or “Condesa [House name]” Vizconde - El honorable, His Lordship or “Vizconde [House name]” Vizcondesa - La honorable, Her Ladyship or “Vizcondesa [House name]” Baron - Su Señorio, His Lordship or “Baron [House name] Baronesa - Su Señoria, Her Ladyship or “Baronesa [House name] Children of the Nobility are Styled as His Lordship or Her Ladyship alongside any titles they hold or “Lord/Lady [First name]” The Sovereign Council All members of the Sovereign council are addressed as His/Her Excellency unless they hold a higher title. Gentry and Commoners Though not titled, all Gentry and Commoners are still to be treated with respect and are addressed with "Señor/Señorita/Señora" Tiaras, Circlets, Diadems and Flamenco’s Only those donning the titles of “Their Royal highness” may wear tiaras. This includes children, siblings of the Sovereign. When it comes to Diadems, Infanta’s and Infante’s may be included. Circlets are allowed to be worn by those of Mainline Duchies whilst Flamenco’s may be worn by the lower peerage such as Counts. When it comes to persons outside of the Royal Family, Tiara’s, Diadems, Circlets and Flamenco relics may only be worn on special occasions, such as weddings and the debuts. Signed, HIS ROYAL HIGHNESS, Dimitri Otto of Koravia, Sovereign-Consort of Hyspia, Duke-Consort of Pacazu, Baron-Consort of Arenisca and Del’mar, and Montenno, Lord of La Dorada, Lord of Niseep, Gereon's Hold, and Ciudad de Plata, Gran Maestre of El Orden de Francisco, Protector of the Hyspian People, Protector of the Farfolk THE HONOURABLE, Fleur Angelique Halcourt Baroness du’Campagnon.

AN IN-DEPTH LOOK INTO HYSPIA On the 14th day of Maria’s Peace of 103 D.R. Infanta In-fan-ta A daughter of the second-in-line to the Hyspian throne. Infante In-fan-te A son of the second-in-line to the Hyspian throne. What Are They? The Infanta, or Infante, is a special role within Hyspian society that exists within a gray area. Considered that of lesser royalty, they can only be born from the second-in-line to the Hyspian throne, and only if the second-in-line did not marry out. Should these ambiguous conditions be met, an Infanta or Infante is born. Stylized with the honorific of ‘Your Highness’, they are considered to be above the noble-born Lord and Lady but below that of the royal-born Prince and Princess. Their role in Hyspia is to provide for the crown and citizenry, and should the worst happen to the main-line, to take on the role of Princes and Princesses and to go on to lead Hyspia. An interesting fact: The first of their title and name to be known in history, is that of twins born to the Prince Arman of Hyspia and his consort, the Princess Harmen. Born in the year 1959 was His Highness, Infante Rafael Arsenico and born shortly after him was Her Highness, Infanta Renata Alba, as evidenced in this missive, ‘The Break of Daylight | The Birth of Twin Foals’. They would go on to set the precedent of what an Infanta and Infante may do and become. What Can They Do? While the lesser royals have fewer perks than their higher-ranked cousins, they still have quite a few advantages that differentiate them from those noble-born. Much like their cousins, upon their fifteenth, they are granted a titular title to hold for their station that will go back to the crown upon death. This, more often than not, shall be a Barony. They are not granted a royal guard, and nor may they wear a tiara or crown - this honor reserved for their royal-born cousins. Instead, they may wear circlets or diadems. In case of debuts into society, or Hyspia’s El Puente, they may wear the heirlooms of their ancestors - a time in life which they may don the tiaras or crowns withheld otherwise when they debut alongside their royal-born cousins. Upon marriage, an Infanta or Infanta cannot make more of the title, but instead go on to make Lords and Ladies under their name - much like their royal-born cousins. An interesting fact: Should the work be put in by the Infanta or Infante, they can be promoted to that of a Prince or Princess, just the same as they may be demoted from their roles for a lack of work. This was showcased in the promotion of Her Highness, Infanta Renata Alba to Her Royal Highness, Princess-Royal Renata Alba circa 103 D.R, as evidenced in this missive, ‘An Amendment to Titles’. Promotion does not change their position in succession, but it does allow for the other benefits their royal-born cousins are granted, such as a royal guard and the honor of wearing tiaras and crowns. Signed, Her Royal Highness, Renata Alba, Princess-Royal of Hyspia, Duchess of La Dorada, Baroness of Clemente

THE SEARCH FOR AN APPRENTICE Issued at Year 180 of the Second Age With the lack of someone competent coming forth from my call upon mages to take up the position of High Mage within my court, it has been decided that a person of any caliber may apply for this position and if this person is without magic, they shall be taught all that they need to know. All I seek is someone who respects the balance and can remain level-headed in situations where it is needed. WHAT WE OFFER We here within Cerulia offer that which we offer to everyone who works for our Most Serene March, though due to the special nature of what we seek, we also have added additional perks. -A home to live in (Tower if wanted) -Access to a Mana Obelisk -To never worry about food -An optional stall where you may sell goods for free -A potential seat on the Cerulite council as High Mage of Cerulia if proven capable -Knowledge that you search will be searched for you -A painless and swift execution if found you use dark magic or consort with darkspawn If one is interested, send me a letter at your earliest convenience with details of what you may bring and you will be taken into consideration. ETERNAL WE MARCH signed, The Former Silver Lubba, Mika “The Resourceful” Anarion, Serene Marq of The Most Serene March of Cerulia and Minister of Defense of Lurin, Protector of the Lurinite Floodplains, Lord of Lubba’s Keep, Lubba Knight of Lurin, Founder of Lurin, Founder of Cerulia, Brickmaster of Lurin

☼ THE FIFTH ANNUAL ☼ ISSUED BY THE ☼ THE COURTA COMETA ☼ ON THE 3RD OF PETER’S GLORY, 107 B.A. The Symposia Pragma of Balian has been a tradition upheld by the nations courts for many decades now, often seen as a celebration of the life of the youth of the Kingdom and all those who attend from foreign nations. The intent of the Symposia Pragma encompasses the idea of life and coming into adulthood with a sense of purpose and confidence that is highly encouraged for all the youths of the Kingdom. Decades have passed since the last Symposia Pragma held in the dawning days of Aevos. Under the revived Courta Cometa, the Court has decided on the theme of new beginnings otherwise known as The Saturnalia of Beginnings. ✧────────────⥼☼⥽────────────✧ Like most celebrations full of pomp and circumstance, the Symposia Pragma is often seen as a way for the participants to emphasize their manners and their learned etiquette from throughout their youth. Apart from the traditional manners of imposing kindness and respect to those around them, the etiquette of Symposia Pragma chooses to push the envelope with an encompassing theme of BEGINNINGS, specifically with colors and the overall feelings of the events. I ⥼ ETIQUETTE ⥽ Rambunctious Debutantes in the Palatio Gardens The Courts have elected that with the theme of the Symposia Pragma being New Beginnings, we ask that the debutantes wear vibrant colors that represent their individual heritage. There will be many opportunities to express these colors with the year long event schedule of the Symposia, though the best opportunity will be at the Opening Ball and Debut. The Court wishes that these guidelines on etiquette will help push the ideal of BEGINNINGS. A major importance of the Symporia Pragma is understanding one’s surroundings and the respect that is due to those around them, specifically in regards to titles and the addressment of Lord’s and Lady’s who have earned their positions in society. To ignore one’s official honorific is to spurn them and their position in Balianese society so a simple guide of addressment is provided below. Should someone be unsure of one’s official title or honorific, it takes but a simple request of introduction to clarify any confusion: REGNE/REGNA - KING / QUEEN DUQUE / DUQUESA - DUKE / DUCHESS CONDE / CONDES - COUNT / COUNTESS VISCONDE / VISCONDESA - VISCOUNT / VISCOUNTESS BARON / BARONESA - BARON / BARONESS MARQUES / MARQUESA - MARQUESS / MARCHIONESS DON / DONA - LORD / LADY CAVALIER - KNIGHT. ADDRESSED AS SIR OR DAME. ✧⥼☼⥽✧ Akin to the Symposia Pragma’s of decades past, a list of eligible debutantes and suitors will be provided below for the public's perusal. This same list will be a guide to the renowned Symposia Pragma Promenade of presentations, held on the first day of the season for all to bear witness. The ideals of NEW BEGINNINGS will be dutifully expressed in etiquette and in cultural preference of fashion. II ⥼ DEBUTANTES ⥽ A Debutante’s entrance to the Palatio during the previous Symposia The Symposia Pragma Promenade, famously held as the opening ceremony of the season, is where all men and women will present themselves before the Queen of Balian, the Princess Royal of Balian and the Palatiodora of the Courta Cometa. As stated previously, this event is meant to act as a promenade where participants are encouraged to flaunt the grandeur or simplicity of their personalities to their fullest extent. There are no explicit guidelines, save for the rule of wearing a tiara only when appropriate (one being an heirloom or the wearer being of Royal standing). Lined up in order of social class, debutantes and suitors will promenade through the Palatio Arancione hall to make their presence known and to act as a ceremony for coming of age into adulthood. Weapons are only allowed if they are of cultural significance to the owner or an heirloom of their family. All other weapons are discouraged from being brought to the Promenade. THE SYMPOSIA’S CHAPTER: THE ROYAL HOUSEHOLD OF NOVELLEN His Royal Highness, Prince Elianos Hadrian Novellen Her Royal Highness, Princess Ophelia Johanna Novellen THE DUCHY OF AQUILAE The Honorable, Marcel Vuiller, Baron of San Haraldo Don Isaac Vuiller THE COUNTY OF SALIO The Right Honorable, Achillius Aurelian d’Arkent, Count of Salio Dona Tryphania Melitta d'Arkent VISCOUNTY OF BANDERAS Dona Rosaline Valerian Denodado VISCOUNTY OF PAVIA Dona Alice Aurelius Roa VISCOUNTY OF SAN ADRIANO His Excellency, August Benedict Temesch Don Paul Sebastian Temesch Don William Godfrey Temesch VISCOUNTY OF VALIO Dona Maria Giavana Henrietta Vilac BARONY OF CASCANOVA Don Esperanzo Adrian Galbraith NON-NOBLE PARTICIPANTS Segnora Amari Morozov-Tabbris ✧⥼☼⥽✧ Not faltering from tradition and past Symposia Pragma’s, a calendar of events will be provided below for all participants to mark into their calendars. Events will be new and old to keep with tradition of the Symposia Pragma all while ensuring a new and exciting opportunity for the participants of the season, all while sticking with the theme of NEW BEGINNINGS which has been selected specifically for this season. III ⥼ EVENTS ⥽ Evening feasts during the Symposia Celebrations The schedule below is intended to make clear the allotted events which will be held during the Symposia Pragma, allowing participants to clear their schedules for the time being to be able to attend. Peers of the Kingdom of Balian have graciously offered up their time and home to host events that will cater to the enjoyment of the participants. All allies and friends to the Kingdom of Balian are invited to attend these events, although the main focus will be catered towards the participants of the Symposia Pragma. APRIL 29TH (MONDAY): THE SYMPOSIA PRAGMA PROMENADE | @5:30 PM EST/10:30 PM GMT APRIL 30TH (TUESDAY): A ROYAL HUNT AND PICNIC | @5:00 PM EST/10:00 PM GMT MAY 1ST (WEDNESDAY): COOKING COMPETITION | @5:00 PM EST/10:00 PM GMT MAY 2ND (THURSDAY): THE QUEEN’S FORTUNE | @4:00 PM EST/9:00 PM GMT MAY 3RD (FRIDAY): THE GRAND TOURNEY | @5:00 PM EST/10:00 PM GMT MAY 4TH (SATURDAY): BLOSSOMING BEGINNINGS | @2:00 PM EST/7:00 PM GMT MAY 5TH (SUNDAY): SUNSET BALL | 3:00 PM EST/8:00 PM GMT ✧────────────⥼☼⥽────────────✧ At its core, the Symposia Pragma is intended to bring individuals together to meet and form relationships that will surpass just initial meetings. Whether it be a friendship, marriage or familial alliance, one’s success during the Symposia will be up to themselves and the future path they have planned to follow. On behalf of the COURTA COMETA, we hope all in attendance enjoy themselves and we look forward to celebrating the lives of those around us. May GOD guide us. Her Royal Majesty, Sybille I, by the Grace of GOD, Queen of Balian, Princess of Providence, Duchess of Helena, Reutov, Sunholdt and Lorraine, Countess of Pompourelia and Barçevina, Viscountess of Eflen and Anatis, Baroness of Renzfeld, Brucca, Valens, Malenos, Montcoure and Ciavola, Lady of Portoregne, Atrus and Monterosa, Warden of La Costa Rubinissima, Protector of the Heartlanders and the South, etcetera. His Excellency, Ser Tristan de Lyons Heir to Enderoca, Palatiodora of the Courta Cometa, Knight of the Order of Saint Michael

EL ZODIACO HYSPIA The Hyspia Zodiac Volume I La Corte de Girasol 3rd of Horen's Calling, 98 D.R. LOS SIGNOS DEL ZODIACO [!] A depiction of a star cluster. With the recent missive published on the Hyspian Zodiacs, a monthly guide to the zodiacs will be published so as to discern your luck and lot in life for the coming month. Alongside this, any anomalies will be detailed to cover just what is happening in our night sky. EL RACIMO DE GIRASOLES El Racimo de Girasoles or the Sunflower Cluster was found when studying the skies. The clustered stars form together, accumulating almost seemingly in the shape of a sunflower. This grouping of stars is believed to be particularly prosperous, forming during the week of our Crown Princess, Santana of Hyspias Quinceanera. Known to be the Garisol Princess, this cluster bids good tidings to her future and the future of Hyspia. EL TORO El Toro, i.e. the Bull. During this month, the bull will find that they need to work harder than ever to keep things going exactly as they wish. It’s not the time for hotheaded actions, but a time to put the stubbornness to use to aid their friend, the horse. EL ABANICO El Abanico, i.e. the Fan. This month will be trying for the fan, for it will be a month of secrets and trials that will try even the most graceful. When your friend comes to you, do not ignore them or you may find you regret it later. EL CABALLO El Caballo, i.e. the Horse. This month will be difficult for the horse most of all. Their tampered down emotions will come to a head, and they will need to call heavily upon their friends during this time to face the challenges ahead. LA CANTUTA La Cantuta, i.e. the Cantuta. The cantuta will be needed more than ever during this month, being called on by all friends for assistance in keeping peace and unity as they are known for. There will be hardly a quiet moment for this zodiac sign. EL MATADOR El Matador, i.e. the Matador. Unlike a majority of their fellow signs, the matadors' month will be one of ease. Much like the sandy bull pits, they will dance around any problems with ease and find success in most things they do during this month. A great time to be a go-getter! LA ARTISTA La Artista, i.e. the Performer. It is the month of the artist, the performer - for the largest zodiac is shining brightest. During this time, you should strive further than ever. Push for those projects, take on a bigger show and form bonds never to be forgotten. This is your time to shine. EL PAVO REAL El Pavo Real, i.e. the Peacock. The peacock's time to shine is now. Preen those feathers, put on your fanciest outfit and use this time to become exactly who you want to be. This is a great time to make friends, find potential love interests and even start a business or two. You were born to shine and now is the time. Signed, HIS ROYAL HIGHNESS, Dimitri Otto of Koravia, Soberano-Consort of Hyspia, Duke-Consort of Pacazu, Baron-Consort of Arenisca and Del’mar, Lord of Ladorada, Lord of Niseep, Gereon's Hold, and Ciudad de Plata, Gran Maestre of El Orden de Francisco, Protector of the Hyspian People, Protector of the Farfolk HER HIGHNESS, Renata Alba de Pelear, Infanta of Hyspia SENORITA, Amelia Miramaris, Dama de Honor

LOS SIGNOS DEL ZODIACO DE HYSPIA The Zodiac Signs of Hyspia La Corte de Girasol 3rd of Horen's Calling, 98 D.R. LOS SIGNOS DEL ZODIACO [!] An abstract depiction of the Zodiac Signs. With the Crown Princess, Santana of Hyspia’s, Quinceanera looming close, the Sovereign State of Hyspia recently approved a new, modern study of the zodiacs alongside their meanings. The theme of the Quinceanera is rumored to be of the Cosmos and with this in mind, detailed below are the seven constellations, their personalities and who they are likely to get along with. Associated colors and gemstones are written alongside this for your reading perusal. CALENDAR CONVERSION Attached is The Hyspian Calendar. By finding the month you were born, you can find your Zodiac. The commonly used months of Aevos are listed down below, alongside their conversions to the Hyspian calendar. The month of Sun’s Smile to the month of Veronica’s Strength. [Sunday] The month of The Amber Cold to the month of Javier’s Justice. [Monday] The month of The Deep Cold to the month of Laurelie’s Piety. [Tuesday] The month of Snow’s Maiden to the month of Horen’s Calling. [Wednesday] The month of Malin’s Welcome to the month of Francisco’s Blessing. [Thursday] The month of The First Seed to the month of Maria’s Peace. [Friday] The month of The Grand Harvest to the month of Sofia’s Beauty. [Saturday] EL TORO El Toro, i.e. the Bull. Born during the month of Veronica's Strength. Color: Red; Gem: Sunstone The Zodiac of the Bull is seen in the night sky, stars connecting to form its proud horns. In Hyspian culture, the Bull is heavily renowned for its strength and pride, and also infamous for its stubborn nature and hotheaded personality. Those born under this sign are known to be much the same, quick to anger while being incredibly hardworking. Naturally, much like their non-zodiac counterparts, the Bull and the Matador do not get along. Yet, with this symbolic relationship, they can be known to become unlikely friends - pushing each other to be better in their constant challenges. Just the same, the Bull and Peacock clash in personality and outlook. It is said sometime ago the Bull and the Peacock were raised by the Horse, who brought them up each with differing values. The Bull was quick to anger, and start fights - while the Peacock primped and preened. The Bull and the Peacock bickered always, each wanting their own way. The Bull interfered with the Peacock, tired of its incessant preening and so the Peacock dramatically challenged the Bull. Their feud continues even to this day. The Bull gets along with the Horse, enjoying their challenging and aloof nature. EL ABANICO El Abanico, i.e. the Fan. Born during the month of Javier’s Justice. Color: Yellow; Gem: Aquamarine The Zodiac of the Fan is seen in the night sky, stars connecting to form an arc across the sky, representing the Hyspian fan. In Hyspian culture, the fan is known primarily to the upper class. An entire language, one secret, is dedicated to the usage of the fan - each movement graceful and filled with elegance. This sign in question would be seen most often with the introvert, where one rather find solace in the quiet. They are known to be trustworthy, able to keep given secrets. The Fan doesn’t get along with the Performer or the Peacock, disliking their loud and extroverted nature. They get along well with the Cantuta, very much in tune with one another and known to be the best of friends. EL CABALLO El Caballo, i.e. the Horse. Born during the month of Laurelie's Piety. Color: Blue; Gem: Sapphire The Zodiac of the Horse is seen in the night sky, stars connecting upwards to form the horse. In Hyspian culture, the Horse is known to be the representation of the royal family. Regal in its stature, the Horse is known to be extremely loyal and challenging alike. Individuals of this Zodiac work tirelessly, never seeming to slow down and have a certain aloofness to them that makes it difficult to know just how they feel. The Horse is special in the way that they get along with all, naturally popular. LA CANTUTA La Cantuta, i.e. the Cantuta. Born during the month of Horen’s Calling. Color: Pink; Gem: Lapis Lazuli The Zodiac of the Cantuta is seen in the night sky, stars connecting in a spiral to form the symbolic flower of Hyspia. In Hyspian culture, the Cantuta is known as the flower of unity, symbolizing the bond of Hyspians. They are known to be peaceful and harmonious, bringing people together during dire times. Those with the Cantuta sign are known for their close familial bonds, and their love for socializing. While this sign can bring the others together, they don’t get along well with the louder signs of the Peacock or the Performer. Above all, they get along best with the Fan, known to be the best of friends. EL MATADOR El Matador, i.e. the Matador. Born during the month of Francisco's Blessing. Color: Green; Gem: Bloodstone The Zodiac of the Matador is seen in the night sky, stars connecting upwards to form the Matador's hat, the montera. In Hyspian culture, the Matador is an individual whose entire livelihood is based on whether their challenge with the Bull goes well. They are known to have great courage and bravery, as they dance their way about the sands of the arena, red cape swinging. At the same time, they are known to run into dangerous situations - though quick to adapt. They don’t get along well with the Bull, always challenging each other further and further. Yet, with this symbolic relationship, they can be known to become unlikely friends - pushing each other to be better. The Matador, though, gets along well with the Performer - their professions alike in a way, in which they create performances for those to enjoy. LA ARTISTA La Artista, i.e. the Performer. Born during the month of Maria’s Peace. Color: Orange; Gem: Turquoise The Zodiac of the Performer is seen in the night sky, the largest zodiac yet in that the stars connect outwards to form the flamenco dancer. In Hyspian culture, the flamenco dancer is an artist dancing to cultural music in the day to day and festivals alike. They are known to be extroverts and to have an adaptability to difficult situations as the show must always go on. The sign has a high drive, always striving to do something more and always bigger and better. The Performer likes all signs, even if all signs do not like them - though they hold a general distrust for the Fan and Cantuta for their quiet natures. They get along especially well with the Peacock, and are known to pair with them in projects and matrimony. EL PAVO REAL El Pavo Real, i.e. the Peacock. Born during the month of Sofia’s Beauty. Color: Purple; Gem: Jade The Zodiac of the Peacock is seen in the night sky, stars connecting outwards to form the Peacock. In Hyspian culture, the Peacock represents the vibrant colors and passion the Hyspian people are so well-known for. The Peacock is confident and friendly, making many friends but never terribly close with any specific person. They are known to be noisy and dramatic, their feathers ruffled when something doesn’t go their way. Extroverted by all means, the Peacock is a socialite. The Peacock doesn’t get along well with the Bull, the Fan or the Cantuta, finding them troublesome for their day to day wants and needs. Despite this, they will interact with them but never get terribly close. Unlike the previous signs, they get along especially well with the Performer, known to join together in projects and matrimony. Signed, HIS ROYAL HIGHNESS, Dimitri Otto of Koravia, Soberano-Consort of Hyspia, Duke-Consort of Pacazu, Baron-Consort of Arenisca and Del’mar, Lord of Ladorada, Lord of Niseep, Gereon's Hold, and Ciudad de Plata, Gran Maestre of El Orden de Francisco, Protector of the Hyspian People, Protector of the Farfolk HER ROYAL HIGHNESS, Santana Leya de Pelear, Crown Princess of Hyspia, Duchess of Paraiso HER HIGHNESS, Renata Alba de Pelear, Infanta of Hyspia SENORITA, Amelia Miramaris, Dama de Honor

HYSPIAN COMING-OF-AGE TRADITIONS Quinceañera and El Puente La Corte de Girasol The 15th of Javier’s Justice, 95 D.R. With the new generation of Hyspia, and our recent rise to a Sovereign state, the question has risen as to the coming-of-age traditions of our culture. As is with each generation, new traditions come to be - but this following missive is written to denote the traditions old and new to allow for a better understanding of the Hyspian people and culture alike. HYSPIAN QUINCEAÑERA [!] An image of a Hyspian woman dancing at her Quinceañera When an individual turns fifteen within Hyspia, they are to undergo coming-of-age traditions. A well-known one is the Quinceañera, which is held upon the coming of age of a child into adulthood within Hyspias culture. Traditionally, when the party is decided upon and held, invitations specify a few things. Such as, the forbidden color. A color will be listed, that only the one coming of age may wear and who they specify - and all else are forbidden from wearing that color. In the Sovereign family, that color forbidden commonly is the color blue. A theme is picked, anywhere from the ‘Hyspian Sun’ to ‘Orange Blossoms’ - but is left up to the one hosting the event. For most, the event will take place over the span of a Saint’s day - while those of royal lineage may have one that lasts up to three Saint’s days, including that of the traditional bull fight a royal must take part in for their coming of age. Each Quinceañera can vary greatly, but one item that stays unchanging throughout them all is the pinata. It is a vibrantly colored, reinforced bag that dangles from high up above - and must be broken with a pinata stick or bat. It is known to cause a tinge of chaos with the difficulty of breaking it down, but once broken, a spray of candy and trinkets come everywhere. It is during the Quinceañera that the individual can be presented with pearls, it could be a pearl necklace, bracelet or otherwise - the meaning of such is to declare one’s love and intentions to court them. A recent tradition to take place is a Quinceañera hosted by the royal family, for those less fortunate to have the means of which to host one of their own. This is covered entirely by the royal household, to provide an avenue for all within Hyspia to take part in the coming-of-age traditions. EL PUENTE FESTIVAL [!] A painting of a Hyspian man and woman enjoying El Puente. El Puente is a festival centred around celebrating the connections that are held between the people of Hyspia. During such a festival, events will take place in order to strengthen the bonds between the people of Hyspia, and encourage new ones to be formed. The Cantuta flower will also be central to El Puente, as the Cantuta symbolises the harmonious coexistence of the diverse cultures within Hyspia. [!] A depiction of the Cantuta Flower. During El Puente, the Sovereignty of Hyspia will host three annual events which will be accompanied by events hosted by Hyspia’s respective noble families. The three events will be a Grand Ball hosted by the Sovereign and Sovereign-Consort, and a Night Market promoting Hyspian goods and services, which will then be followed by a Fireworks Display. En El Nombre De Dios HIS ROYAL HIGHNESS, Dimitri Otto of Koravia, Soberano-Consort of Hyspia, Duke-Consort of Pacazu, Baron-Consort of Arenisca and Del’mar, Lord of Ladorada, Lord of Niseep, Gereon's Hold, and Ciudad de Plata, Gran Maestre of El Orden de Francisco, Protector of the Hyspian People, Protector of the Farfolk HER HIGHNESS, Renata Alba de Pelear, Infanta of Hyspia

LA CORTE DE GIRASOL The Soberano’s Court Issued by the Soberano-Consort of Hyspia 11th of Carlos Strength, 92 D.R. A depiction of the Hyspian people. Within the history of Hyspia and its changing trends, brief accounts of its peoples' fashion has been given, but never anything more in-depth. This is showcased in a previous missive on the Hyspian culture and its fashion during the Hyspian schism era, the next missive to be found on Hyspias fashion being found during the Hanso-Hyspian era in which a section was touched on within a Haense fashion missive. The most recent missive is under the late Vicereine Karyna of Malkova's reign, speaking briefly on the common peoples form of dress. What the three have in common is that they are brief blurbs of what the Hyspian fashion is, in which we wish to elucidate the understanding of today in this in-depth missive of what the Hyspian people wear in today's era. Hyspian fashion today has come to be encompassed in two words, fabrics and layers. While status can change the meaning of those entirely, you would find more often than not this common denominator showcased amongst the Hyspian people. Breathable fabrics such as linen, silk and lightweight cotton are most primarily used for the underlayers of the Hyspian outfit - Gone unseen for the most part. It is the overlayers that the people see, that are paired together with vests, ponchos, shawls, belts and the like that make up the vibrant blend that is Hyspian fashion. Light, flowy clothing is seen, allowing for an ease of movement and protection from the Hyspian sun. Dyes and pigments dominate the fashion landscape, vibrant colors contrasting greatly against the desert sands, aquas, pinks and deep greens making their rounds. A depiction of a common Hyspian outfit. In the depiction above, you can see a Hyspian couple stand side by side. On the right, a common Hyspian woman is shown, donned in vibrant fabrics. The shoes worn are closed-toed, made of suede or soft leather, the materials used due to the Hyspian environment. Above this is a vibrantly patterned skirt, this one checkered or patchwork, aiding in showcasing her status as one of the common people. Attached to the skirt is an apron of vibrant colors, embroidery and imagery upon the bottom - the imagery showcasing keeping with the fashion trends which aids in telling further of her status, being a bit more well-off. Moving towards the top, a loose long sleeve is worn, the sleeves translucent and easily able to be pinned or rolled up. Tying up the entire outfit is a vibrantly colored shawl, draped over it and pinned before her, making up the average Hyspian outfit. On the left, you have the common Hyspian man, who is not as trendy as his counterpart. He dons a pair of suede or soft leather boots, closed-toed - which leads up to a pair of breeches of a blue color, loose and soft to allow for easier movement. The breeches are high-waisted, with a vibrantly colored fabric belt cinched at the top over a simple beige underlayered vest, which has a further underlayer beneath it, a mid-sleeve top with a collar poking out. Above this all is a blue vest, made of the same fabric and color the breeches are - embroidery at the edges and simple copper buttons. The look is finished off with a draping cape, dark in color and with a lack of patterns, embroidery or imagery. “Hyspian attire can range widely depending on the wealth and social standing. While more wealthy Hyspians can afford more eloquent and traditional clothing, the more lower class Hyspians usually resort to wearing anything they can sew together.” An excerpt from the Hyspian schism era missive on fashion. A depiction of the Noble Hyspian outfit. In the depiction above, you can see a Hyspian couple stand side by side. On the right, you have the trendy noble donned in vibrant skirts, shawl and a decorative hair comb with flowers - associated with the flamenco look which has been rising in popularity. While unseen in the depiction, she dons a pair of closed-toed, crepe soled slippers with a rise to it, intricate embroidery along the edges. The skirt is bell-shaped due to the farthingale beneath it - an underskirt aiding in forming the shape the Noble lady wishes for. The overskirt, a rich green with many folds and layers is seen over top, ruffles showcased with a silver embroidery. Moving up is the square neckline along a lighter green bodice, translucent ruffles showcased along the top and a powdery fabric strung along, in which a shawl is pinned onto - the pins of a lustrous gold. The shawl is long, of a darker fabric towards the end - allowing for further drapery. The top is translucent and patterned alike, leaving it open to showcase any jewelry found beneath and the shawl left open to showcase the entirety of the outfit. On the left, you have the trendy noble man, donned in vibrant colors, embroidery and imagery, alongside that of the widely popular montera hat that the Matadors so favor. Though unseen, he wears closed-toes boots with crepe soles and golden buttons imprinted with imagery upon suede lined flaps, pinning them down. He dons vibrantly colored breeches, tighter on the bottom and looser at the top, allowing an ease of movement. A soft leather belt is worn, a buckle with imagery showcased prominently, tying the breeches together. Hidden is a simple shirt of light fabric, and above it, a doublet tailored to fit snugly. It is of a vibrant color and intricate texture, ruffles coming together in many sewn-together layers. The sleeves are long, becoming looser at the end when they flare out as bell sleeves. Tying together the entire outfit is the highly popular side-cape, of a different shade to the doublet and showcasing patterns and embroidery of flower based imagery. A depiction of the further layering of the Hyspian outfit. “Cardigans with embroidered flowers and ponchos with intricate designs became a staple, silver or aurum chains tying the pieces together. Added layers of vibrant fabrics, belts, buckles, pins, and the like became more notable in turn. Each adornment becomes a fashion statement of their own; the quality of a brooch or pin and its grandeur helps those to tell the individual's status.” An excerpt from a missive on Hanso-Hyspian fashion. In the previous section, we spoke on fabrics and the importance of layering, going in-depth as to the social classes' way of doing so. In this section, we will touch further on layers that go into creating each artistic Hyspian ensemble. Many options can be found when creating the Hyspian outfit, ranging from side-skirts to ponchos. The way of wearing each piece is open to change. The three ranges seen in skirts and capes being that of shape and length. Side, half and full. Side-skirts or capes are used as more of a statement piece, layers peeking out from beneath and of vibrant color, embroidery and imagery as it is the top-most piece seen by all. Half-skirts and capes are much the same, but allowing for a further cover and protection from the desert sun - the full lengths doing naturally as expected with these articles of clothing. Other articles of clothing often seen used are the shawl and cardigan, embroidered or with loose and translucent fabrics. Ponchos are much the same as the above, though often longer in length, with deep-set imagery of a deeper contrast of color to the base color. A depiction showcasing a particularly pious Hyspian woman. “Furthermore, Hyspian clothing holds a common theme of square necklines, various jewelry, and embroidery holding symbolism to that of the Hyspian people and of the church, and each layer of fabric is more colorful than the last.” An excerpt from the Hanso-Hyspian on fashion. Spoken of frequently during this missive is that of embroidery and imagery, which will be touched on further in this section. Each piece of embroidery and imagery holds a symbolism in the Hyspian culture, more often than not, being used to show their piety and nationalism. Religious iconography is most prevalent, imagery of Blessed Francisco, favored Saints and the Lorraine cross found most often. Alongside this, thin, aurum detailings are found in embroidery. Nationalism can be found in the beads of embroidery, and upon ones skirts, doublets or veils. Sapphires and blue based jewels are thus used to showcase the love for Hyspia, with use of its colors. Veils when used can be of varying styles, from the translucent veil growing in popularity, short and delicate - and used to better signify youth. These would be attached most often to some form of head piece, of golds or silvers. Longer veils of a non-translucent fabric tells an entire story of its own, detailed imagery and embroidery showcased upon it - jewels pocketed throughout to make up the piece. The base color is of a simpler nature most often, so as to not detract from the imagery used. Crosses, pins, buttons, belts, buckles and the like each are something added onto any Hyspian ensemble to keep the varying layers together, each adornment further telling a story of the individual in question and their livelihood. A depiction of a Hyspian bride and groom. The wedding outfits of Hyspians range and vary wildly, and cannot be pinpointed to any specific style or color. From the more pious dresses, donned in a cross and veil - the only luxury being that of a rich, pigmented color to that of the exotic, in which the grandest display the individual may ever wear is showcased, in vibrant colors, embroidery and imagery. From heirloom dresses, to ones of no expense wasted, wedding outfits - for men and women alike, range widely from one couple to the next. The one thing in common between each is the showcasing of pigmented colors, long flowing fabrics and religious iconography somewhere upon their person. A depiction of a Hyspian woman in mourning. On the opposite end of the spectrum, there is the traditional Hyspian mourning garb. This comes in blacks and yellows, with the uncommon splash of color amongst their person. It is perhaps the only time in a Hyspians wardrobe that one would see an abject lack of color, patterns and embroidery. This by no means makes the outfit simple, for what it lacks, it makes up for with intricate and lengthy veils, aurum and silver crosses, beads and pins - and deep, flowing garments. It is heavily frowned upon to wear anything vibrant during a time of mourning, and once someone is to remove the mourning garb and wear something anew, they are thus considered out of mourning. Hyspian fashion is not just about clothing; it’s a celebration of heritage, creativity, and the vibrant spirit of its people. It's an art form that interweaves tradition with modernity, functionality with elegance. As Hyspia continues to embrace its roots while looking forward, the evolution of its fashion remains a captivating journey to observe and participate in. En El Nombre De Dios HIS ROYAL HIGHNESS, Dimitri Otto of Koravia, Soberano-Consort of Hyspia, Duke-Consort of Pacazu, Baron-Consort of Arenisca and Del’mar, Lord of Ladorada, Lord of Niseep, Gereon's Hold, and Ciudad de Plata, Gran Maestre of El Orden de Francisco, Protector of the Hyspian People, Protector of the Farfolk HER HIGHNESS, Renata Alba de Pelear, Infanta of Hyspia

VORLADUNG VOR GERICHT SUMMONS TO COURT Issued by the Großfürst of Minitz in the year of our Lord 1963 Men and women of Minitz making their way towards Kanunsberg Castle https://www.youtube.com/watch?v=TZ0NWv5BjDs SÖHNE UND TÖCHTER VON MINITZ, Hear ye, O kin and loyal subjects of mine, these words that flow forth from Kanunsberg; Hark, as the tumultuous tides of war ebb away and our brethren in Haense are unbound from their solemn oaths, it behooves me to convene the Reinmaren to court. Let all Reinmaren gather forthwith to pay homage to the valorous deeds of our kin and the grandeur of our great tribe. We shall convene in the precincts of Kanunsberg Castle, as has been the custom of my forefathers and Princes past. Amidst the hallowed halls, we shall recount the triumphs of our warriors and all Reinmaren peoples. Furthermore, let it be known that doubts regarding the success of our campaign against the Franks shall be dispelled, and the good state of our banners declared for all to heed. I shall elevate two Reinmaren to the rank of Geehrte, and confer Knighthood onto another. Additionally, a title shall be entrusted to my stewardship, a testament to the unwavering trust placed upon my shoulders. In the august presence of myself and my esteemed consort, the Grand Princess, both Reinmaren and foreigner alike shall be granted audience to proffer their petitions. Let all who hear these words take heed and make haste to the appointed hour, for it is by the strength of our unity that we shall prevail. So it is decreed. The following individuals are summoned: THE ROYALTY AND NOBILITY OF AAUN. His Royal Majesty, John Alexander, King of Aaun and his royal pedigree. His Highness, Johannes von Alstreim, Prince of Merryweather and his esteemed pedigree. His Lordship, Siegmund von Reuss, Margrave of Velen and his esteemed pedigree. Her Ladyship, Olympe-Regina Dieuxmont de Rosius, Marchioness of Haute-Epine and her esteemed pedigree. His Lordship, Waclaw Jazlowiecki, Count of Warsovia and his esteemed pedigree. His Lordship, Robert Haverlock, Count of Talentine and his esteemed pedigree. His Lordship, Henri de Lewes, Baron of Virdain and his esteemed pedigree. His Lordship, Emilio Varoche, Baron of Napoliza and his esteemed pedigree. His Lordship, Grzmichuj Jazlowiecki, Baron of Triglav and his esteemed pedigree. THE PEOPLE OF MINITZ AND REINMAR. Her Serene Highness, Helena of Formindon, Grand Princess-Mother of Minitz. His Princely Grace, Alfred Barclay, Prince of Sutica and Duke of Reinmar. His Grace, Gottfried Barclay, Duke of Kanunsberg and his esteemed pedigree. His Lordship, Robert von Stroheim, Baron of Langenkirch and his esteemed pedigree. Her Ladyship, Frederica Barclay, Baroness of Sigradz. Her Ladyship, Alice Barclay, Baroness of Brandthof, and her esteemed pedigree. THE WALDENIC DIET. PERSONAL INVITATIONS. Her Majesty, Tar-Caraneth Aryantë, Queen of Numendil. Ser Wulfram Rademacher von Hexenwald. Lady Olenna Rademacher. Ser Malcolm MacKenna. Ser Hodrick Morne. Ser Galadain. WER RASTET, DER ROSTET HIS SERENE HIGHNESS, Leon Barclay, Großfürst von Minitz, GMSTSR, Count of Neu Brandthof, Viscount of Tucay, Baron of Hussen and Boriënwald, Lord of Durres, Chieftain of the Minitz Reinmaren, and Warden of the Franklands

[!] Pamphlets appear across the city of Valdev. Each one-of-a-kind piece is twenty minas, and must be purchased directly through the Curator.

Issued and averred by His Royal Highness Prince PAUL ALEXANDER in the year of our Lord 1957 As Petra popped at the seams, the infamous town crier stepped up and announced to the masses as another pinned this missive throughout various holdings of the Commonwealth; but most notably the Free City of Vallagne’s noticeboard, PAUL ALEXANDER BY the GRACE of GOD PRINCE of the PETRA A little over sixteen years ago, I was sworn in as the Lord Chamberlain of the River Court of my Royal mother, then Queen Renilde I. Throughout her reign, we hosted many events to be proud of, with the very successful Golden Jubilee bringing her time on the Throne of Garmont to a close. After serving faithfully until the end of her rule, I was then allowed to continue my work on the Court of my Royal niece Queen Catherine I, long may she reign. As I continued leading the Court I met a very competent Lady whom I trust to guide and counsel Catriona, Marisol. Almost as instantaneously as her appointment to the department of the Mistress of the Robes, she was hand-picked by myself to become someone that I regard to be the most successful Court Deputy of her time. I have thoroughly enjoyed each moment spent offering my leadership and guidance on matters dire to our success such as matrimony, court workings, Royal protocol, event planning, social and cultural enrichment, and educational initiatives through the inclusion of Wards. Though, much like my mother's time on the Throne of Garmont — all good things must come to an end. With great joy and a hopeful demeanor, I announce my impending retirement as the Lord Chamberlain of the River Court. My darling wife has birthed two beautiful heirs who I should hope will take up a majority of my time; as well as a new project that I have taken up since the successful delivery of Lord Adrian of Valfleur that will be dubbed the Royal Academy. As soon as this war comes to a close, so, too, shall the Valfleurs concern themselves with matters of construction—I am trying to say, “My cup runneth over.” On the subject of a new Grand Chamberlain, my counsel towards the good Lady Chancellor Thèresé von Theonus and the Pious Queen Catherine would be to award this honor and ability to the ever-competent Lady Deputy of the River Court, Marisol Palamo Solís. Prince Paul Alexander of the Petra The Lord Chamberlain of the River Court 1941 - 1957 86 - 102 WITNESS Ourselves at the Royal Palace on the 5th day of the Sun’s Smile in the year of Our Lord 1957 / 102 Atstana de Regne Petrére Faithfully Signed, His Royal Highness, Paul Alexander of the Petra, Prince of the Petra, the Duke of Valfleur, Patriarch of the House of the Petra de Valfleur ((thank you @tillyand @Zaerie for all of the opportunities you guys have and will continue to grant me with!))