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Found 24 results

  1. HYSPIAN COMING-OF-AGE TRADITIONS Quinceañera and El Puente La Corte de Girasol The 15th of Javier’s Justice, 95 D.R. With the new generation of Hyspia, and our recent rise to a Sovereign state, the question has risen as to the coming-of-age traditions of our culture. As is with each generation, new traditions come to be - but this following missive is written to denote the traditions old and new to allow for a better understanding of the Hyspian people and culture alike. HYSPIAN QUINCEAÑERA [!] An image of a Hyspian woman dancing at her Quinceañera When an individual turns fifteen within Hyspia, they are to undergo coming-of-age traditions. A well-known one is the Quinceañera, which is held upon the coming of age of a child into adulthood within Hyspias culture. Traditionally, when the party is decided upon and held, invitations specify a few things. Such as, the forbidden color. A color will be listed, that only the one coming of age may wear and who they specify - and all else are forbidden from wearing that color. In the Sovereign family, that color forbidden commonly is the color blue. A theme is picked, anywhere from the ‘Hyspian Sun’ to ‘Orange Blossoms’ - but is left up to the one hosting the event. For most, the event will take place over the span of a Saint’s day - while those of royal lineage may have one that lasts up to three Saint’s days, including that of the traditional bull fight a royal must take part in for their coming of age. Each Quinceañera can vary greatly, but one item that stays unchanging throughout them all is the pinata. It is a vibrantly colored, reinforced bag that dangles from high up above - and must be broken with a pinata stick or bat. It is known to cause a tinge of chaos with the difficulty of breaking it down, but once broken, a spray of candy and trinkets come everywhere. It is during the Quinceañera that the individual can be presented with pearls, it could be a pearl necklace, bracelet or otherwise - the meaning of such is to declare one’s love and intentions to court them. A recent tradition to take place is a Quinceañera hosted by the royal family, for those less fortunate to have the means of which to host one of their own. This is covered entirely by the royal household, to provide an avenue for all within Hyspia to take part in the coming-of-age traditions. EL PUENTE FESTIVAL [!] A painting of a Hyspian man and woman enjoying El Puente. El Puente is a festival centred around celebrating the connections that are held between the people of Hyspia. During such a festival, events will take place in order to strengthen the bonds between the people of Hyspia, and encourage new ones to be formed. The Cantuta flower will also be central to El Puente, as the Cantuta symbolises the harmonious coexistence of the diverse cultures within Hyspia. [!] A depiction of the Cantuta Flower. During El Puente, the Sovereignty of Hyspia will host three annual events which will be accompanied by events hosted by Hyspia’s respective noble families. The three events will be a Grand Ball hosted by the Sovereign and Sovereign-Consort, and a Night Market promoting Hyspian goods and services, which will then be followed by a Fireworks Display. En El Nombre De Dios HIS ROYAL HIGHNESS, Dimitri Otto of Koravia, Soberano-Consort of Hyspia, Duke-Consort of Pacazu, Baron-Consort of Arenisca and Del’mar, Lord of Ladorada, Lord of Niseep, Gereon's Hold, and Ciudad de Plata, Gran Maestre of El Orden de Francisco, Protector of the Hyspian People, Protector of the Farfolk HER HIGHNESS, Renata Alba de Pelear, Infanta of Hyspia
  2. LA CORTE DE GIRASOL The Soberano’s Court Issued by the Soberano-Consort of Hyspia 11th of Carlos Strength, 92 D.R. A depiction of the Hyspian people. Within the history of Hyspia and its changing trends, brief accounts of its peoples' fashion has been given, but never anything more in-depth. This is showcased in a previous missive on the Hyspian culture and its fashion during the Hyspian schism era, the next missive to be found on Hyspias fashion being found during the Hanso-Hyspian era in which a section was touched on within a Haense fashion missive. The most recent missive is under the late Vicereine Karyna of Malkova's reign, speaking briefly on the common peoples form of dress. What the three have in common is that they are brief blurbs of what the Hyspian fashion is, in which we wish to elucidate the understanding of today in this in-depth missive of what the Hyspian people wear in today's era. Hyspian fashion today has come to be encompassed in two words, fabrics and layers. While status can change the meaning of those entirely, you would find more often than not this common denominator showcased amongst the Hyspian people. Breathable fabrics such as linen, silk and lightweight cotton are most primarily used for the underlayers of the Hyspian outfit - Gone unseen for the most part. It is the overlayers that the people see, that are paired together with vests, ponchos, shawls, belts and the like that make up the vibrant blend that is Hyspian fashion. Light, flowy clothing is seen, allowing for an ease of movement and protection from the Hyspian sun. Dyes and pigments dominate the fashion landscape, vibrant colors contrasting greatly against the desert sands, aquas, pinks and deep greens making their rounds. A depiction of a common Hyspian outfit. In the depiction above, you can see a Hyspian couple stand side by side. On the right, a common Hyspian woman is shown, donned in vibrant fabrics. The shoes worn are closed-toed, made of suede or soft leather, the materials used due to the Hyspian environment. Above this is a vibrantly patterned skirt, this one checkered or patchwork, aiding in showcasing her status as one of the common people. Attached to the skirt is an apron of vibrant colors, embroidery and imagery upon the bottom - the imagery showcasing keeping with the fashion trends which aids in telling further of her status, being a bit more well-off. Moving towards the top, a loose long sleeve is worn, the sleeves translucent and easily able to be pinned or rolled up. Tying up the entire outfit is a vibrantly colored shawl, draped over it and pinned before her, making up the average Hyspian outfit. On the left, you have the common Hyspian man, who is not as trendy as his counterpart. He dons a pair of suede or soft leather boots, closed-toed - which leads up to a pair of breeches of a blue color, loose and soft to allow for easier movement. The breeches are high-waisted, with a vibrantly colored fabric belt cinched at the top over a simple beige underlayered vest, which has a further underlayer beneath it, a mid-sleeve top with a collar poking out. Above this all is a blue vest, made of the same fabric and color the breeches are - embroidery at the edges and simple copper buttons. The look is finished off with a draping cape, dark in color and with a lack of patterns, embroidery or imagery. “Hyspian attire can range widely depending on the wealth and social standing. While more wealthy Hyspians can afford more eloquent and traditional clothing, the more lower class Hyspians usually resort to wearing anything they can sew together.” An excerpt from the Hyspian schism era missive on fashion. A depiction of the Noble Hyspian outfit. In the depiction above, you can see a Hyspian couple stand side by side. On the right, you have the trendy noble donned in vibrant skirts, shawl and a decorative hair comb with flowers - associated with the flamenco look which has been rising in popularity. While unseen in the depiction, she dons a pair of closed-toed, crepe soled slippers with a rise to it, intricate embroidery along the edges. The skirt is bell-shaped due to the farthingale beneath it - an underskirt aiding in forming the shape the Noble lady wishes for. The overskirt, a rich green with many folds and layers is seen over top, ruffles showcased with a silver embroidery. Moving up is the square neckline along a lighter green bodice, translucent ruffles showcased along the top and a powdery fabric strung along, in which a shawl is pinned onto - the pins of a lustrous gold. The shawl is long, of a darker fabric towards the end - allowing for further drapery. The top is translucent and patterned alike, leaving it open to showcase any jewelry found beneath and the shawl left open to showcase the entirety of the outfit. On the left, you have the trendy noble man, donned in vibrant colors, embroidery and imagery, alongside that of the widely popular montera hat that the Matadors so favor. Though unseen, he wears closed-toes boots with crepe soles and golden buttons imprinted with imagery upon suede lined flaps, pinning them down. He dons vibrantly colored breeches, tighter on the bottom and looser at the top, allowing an ease of movement. A soft leather belt is worn, a buckle with imagery showcased prominently, tying the breeches together. Hidden is a simple shirt of light fabric, and above it, a doublet tailored to fit snugly. It is of a vibrant color and intricate texture, ruffles coming together in many sewn-together layers. The sleeves are long, becoming looser at the end when they flare out as bell sleeves. Tying together the entire outfit is the highly popular side-cape, of a different shade to the doublet and showcasing patterns and embroidery of flower based imagery. A depiction of the further layering of the Hyspian outfit. “Cardigans with embroidered flowers and ponchos with intricate designs became a staple, silver or aurum chains tying the pieces together. Added layers of vibrant fabrics, belts, buckles, pins, and the like became more notable in turn. Each adornment becomes a fashion statement of their own; the quality of a brooch or pin and its grandeur helps those to tell the individual's status.” An excerpt from a missive on Hanso-Hyspian fashion. In the previous section, we spoke on fabrics and the importance of layering, going in-depth as to the social classes' way of doing so. In this section, we will touch further on layers that go into creating each artistic Hyspian ensemble. Many options can be found when creating the Hyspian outfit, ranging from side-skirts to ponchos. The way of wearing each piece is open to change. The three ranges seen in skirts and capes being that of shape and length. Side, half and full. Side-skirts or capes are used as more of a statement piece, layers peeking out from beneath and of vibrant color, embroidery and imagery as it is the top-most piece seen by all. Half-skirts and capes are much the same, but allowing for a further cover and protection from the desert sun - the full lengths doing naturally as expected with these articles of clothing. Other articles of clothing often seen used are the shawl and cardigan, embroidered or with loose and translucent fabrics. Ponchos are much the same as the above, though often longer in length, with deep-set imagery of a deeper contrast of color to the base color. A depiction showcasing a particularly pious Hyspian woman. “Furthermore, Hyspian clothing holds a common theme of square necklines, various jewelry, and embroidery holding symbolism to that of the Hyspian people and of the church, and each layer of fabric is more colorful than the last.” An excerpt from the Hanso-Hyspian on fashion. Spoken of frequently during this missive is that of embroidery and imagery, which will be touched on further in this section. Each piece of embroidery and imagery holds a symbolism in the Hyspian culture, more often than not, being used to show their piety and nationalism. Religious iconography is most prevalent, imagery of Blessed Francisco, favored Saints and the Lorraine cross found most often. Alongside this, thin, aurum detailings are found in embroidery. Nationalism can be found in the beads of embroidery, and upon ones skirts, doublets or veils. Sapphires and blue based jewels are thus used to showcase the love for Hyspia, with use of its colors. Veils when used can be of varying styles, from the translucent veil growing in popularity, short and delicate - and used to better signify youth. These would be attached most often to some form of head piece, of golds or silvers. Longer veils of a non-translucent fabric tells an entire story of its own, detailed imagery and embroidery showcased upon it - jewels pocketed throughout to make up the piece. The base color is of a simpler nature most often, so as to not detract from the imagery used. Crosses, pins, buttons, belts, buckles and the like each are something added onto any Hyspian ensemble to keep the varying layers together, each adornment further telling a story of the individual in question and their livelihood. A depiction of a Hyspian bride and groom. The wedding outfits of Hyspians range and vary wildly, and cannot be pinpointed to any specific style or color. From the more pious dresses, donned in a cross and veil - the only luxury being that of a rich, pigmented color to that of the exotic, in which the grandest display the individual may ever wear is showcased, in vibrant colors, embroidery and imagery. From heirloom dresses, to ones of no expense wasted, wedding outfits - for men and women alike, range widely from one couple to the next. The one thing in common between each is the showcasing of pigmented colors, long flowing fabrics and religious iconography somewhere upon their person. A depiction of a Hyspian woman in mourning. On the opposite end of the spectrum, there is the traditional Hyspian mourning garb. This comes in blacks and yellows, with the uncommon splash of color amongst their person. It is perhaps the only time in a Hyspians wardrobe that one would see an abject lack of color, patterns and embroidery. This by no means makes the outfit simple, for what it lacks, it makes up for with intricate and lengthy veils, aurum and silver crosses, beads and pins - and deep, flowing garments. It is heavily frowned upon to wear anything vibrant during a time of mourning, and once someone is to remove the mourning garb and wear something anew, they are thus considered out of mourning. Hyspian fashion is not just about clothing; it’s a celebration of heritage, creativity, and the vibrant spirit of its people. It's an art form that interweaves tradition with modernity, functionality with elegance. As Hyspia continues to embrace its roots while looking forward, the evolution of its fashion remains a captivating journey to observe and participate in. En El Nombre De Dios HIS ROYAL HIGHNESS, Dimitri Otto of Koravia, Soberano-Consort of Hyspia, Duke-Consort of Pacazu, Baron-Consort of Arenisca and Del’mar, Lord of Ladorada, Lord of Niseep, Gereon's Hold, and Ciudad de Plata, Gran Maestre of El Orden de Francisco, Protector of the Hyspian People, Protector of the Farfolk HER HIGHNESS, Renata Alba de Pelear, Infanta of Hyspia
  3. VORLADUNG VOR GERICHT SUMMONS TO COURT Issued by the Großfürst of Minitz in the year of our Lord 1963 Men and women of Minitz making their way towards Kanunsberg Castle https://www.youtube.com/watch?v=TZ0NWv5BjDs SÖHNE UND TÖCHTER VON MINITZ, Hear ye, O kin and loyal subjects of mine, these words that flow forth from Kanunsberg; Hark, as the tumultuous tides of war ebb away and our brethren in Haense are unbound from their solemn oaths, it behooves me to convene the Reinmaren to court. Let all Reinmaren gather forthwith to pay homage to the valorous deeds of our kin and the grandeur of our great tribe. We shall convene in the precincts of Kanunsberg Castle, as has been the custom of my forefathers and Princes past. Amidst the hallowed halls, we shall recount the triumphs of our warriors and all Reinmaren peoples. Furthermore, let it be known that doubts regarding the success of our campaign against the Franks shall be dispelled, and the good state of our banners declared for all to heed. I shall elevate two Reinmaren to the rank of Geehrte, and confer Knighthood onto another. Additionally, a title shall be entrusted to my stewardship, a testament to the unwavering trust placed upon my shoulders. In the august presence of myself and my esteemed consort, the Grand Princess, both Reinmaren and foreigner alike shall be granted audience to proffer their petitions. Let all who hear these words take heed and make haste to the appointed hour, for it is by the strength of our unity that we shall prevail. So it is decreed. The following individuals are summoned: THE ROYALTY AND NOBILITY OF AAUN. His Royal Majesty, John Alexander, King of Aaun and his royal pedigree. His Highness, Johannes von Alstreim, Prince of Merryweather and his esteemed pedigree. His Lordship, Siegmund von Reuss, Margrave of Velen and his esteemed pedigree. Her Ladyship, Olympe-Regina Dieuxmont de Rosius, Marchioness of Haute-Epine and her esteemed pedigree. His Lordship, Waclaw Jazlowiecki, Count of Warsovia and his esteemed pedigree. His Lordship, Robert Haverlock, Count of Talentine and his esteemed pedigree. His Lordship, Henri de Lewes, Baron of Virdain and his esteemed pedigree. His Lordship, Emilio Varoche, Baron of Napoliza and his esteemed pedigree. His Lordship, Grzmichuj Jazlowiecki, Baron of Triglav and his esteemed pedigree. THE PEOPLE OF MINITZ AND REINMAR. Her Serene Highness, Helena of Formindon, Grand Princess-Mother of Minitz. His Princely Grace, Alfred Barclay, Prince of Sutica and Duke of Reinmar. His Grace, Gottfried Barclay, Duke of Kanunsberg and his esteemed pedigree. His Lordship, Robert von Stroheim, Baron of Langenkirch and his esteemed pedigree. Her Ladyship, Frederica Barclay, Baroness of Sigradz. Her Ladyship, Alice Barclay, Baroness of Brandthof, and her esteemed pedigree. THE WALDENIC DIET. PERSONAL INVITATIONS. Her Majesty, Tar-Caraneth Aryantë, Queen of Numendil. Ser Wulfram Rademacher von Hexenwald. Lady Olenna Rademacher. Ser Malcolm MacKenna. Ser Hodrick Morne. Ser Galadain. WER RASTET, DER ROSTET HIS SERENE HIGHNESS, Leon Barclay, Großfürst von Minitz, GMSTSR, Count of Neu Brandthof, Viscount of Tucay, Baron of Hussen and Boriënwald, Lord of Durres, Chieftain of the Minitz Reinmaren, and Warden of the Franklands
  4. [!] Pamphlets appear across the city of Valdev. Each one-of-a-kind piece is twenty minas, and must be purchased directly through the Curator.
  5. Issued and averred by His Royal Highness Prince PAUL ALEXANDER in the year of our Lord 1957 As Petra popped at the seams, the infamous town crier stepped up and announced to the masses as another pinned this missive throughout various holdings of the Commonwealth; but most notably the Free City of Vallagne’s noticeboard, PAUL ALEXANDER BY the GRACE of GOD PRINCE of the PETRA A little over sixteen years ago, I was sworn in as the Lord Chamberlain of the River Court of my Royal mother, then Queen Renilde I. Throughout her reign, we hosted many events to be proud of, with the very successful Golden Jubilee bringing her time on the Throne of Garmont to a close. After serving faithfully until the end of her rule, I was then allowed to continue my work on the Court of my Royal niece Queen Catherine I, long may she reign. As I continued leading the Court I met a very competent Lady whom I trust to guide and counsel Catriona, Marisol. Almost as instantaneously as her appointment to the department of the Mistress of the Robes, she was hand-picked by myself to become someone that I regard to be the most successful Court Deputy of her time. I have thoroughly enjoyed each moment spent offering my leadership and guidance on matters dire to our success such as matrimony, court workings, Royal protocol, event planning, social and cultural enrichment, and educational initiatives through the inclusion of Wards. Though, much like my mother's time on the Throne of Garmont — all good things must come to an end. With great joy and a hopeful demeanor, I announce my impending retirement as the Lord Chamberlain of the River Court. My darling wife has birthed two beautiful heirs who I should hope will take up a majority of my time; as well as a new project that I have taken up since the successful delivery of Lord Adrian of Valfleur that will be dubbed the Royal Academy. As soon as this war comes to a close, so, too, shall the Valfleurs concern themselves with matters of construction—I am trying to say, “My cup runneth over.” On the subject of a new Grand Chamberlain, my counsel towards the good Lady Chancellor Thèresé von Theonus and the Pious Queen Catherine would be to award this honor and ability to the ever-competent Lady Deputy of the River Court, Marisol Palamo Solís. Prince Paul Alexander of the Petra The Lord Chamberlain of the River Court 1941 - 1957 86 - 102 WITNESS Ourselves at the Royal Palace on the 5th day of the Sun’s Smile in the year of Our Lord 1957 / 102 Atstana de Regne Petrére Faithfully Signed, His Royal Highness, Paul Alexander of the Petra, Prince of the Petra, the Duke of Valfleur, Patriarch of the House of the Petra de Valfleur ((thank you @tillyand @Zaerie for all of the opportunities you guys have and will continue to grant me with!))
  6. ANKÜNDIGUNG DER INTHRONISIERUNG ANNOUNCEMENT OF ENTHRONEMENT Issued by the Großfürst of Minitz in the year of our Lord 1956 An embellished portrait of Leon II, Grand Prince of Minitz https://www.youtube.com/watch?v=wKhkyFqOb4w SÖHNE UND TÖCHTER VON MINITZ, Hear ye, O kin and loyal subjects of mine, these words that flow forth from Kanunsberg; Since my father’s untimely passing, I have taken up the mantle of ruling his holdings. I now declare that I will formally step into my birthright as Grand Prince of Minitz, following a ceremonial enthronement. After the event, there will be a funeral service for my late father led by the Cardinal Albarosa. This event will be held in the halls of Kanunsberg Castle, as is tradition of my hallowed house. Additionally, I would extend an invitation to all my subjects in Minitz, to attend this event and welcome in the advent of a new era of stewardship under myself, the new Grand Prince of Minitz. Beyond invitations to all Reinmaren in Minitz, invitations are sent to the following found below: Formal Invitations to those of Aaun: His Royal Majesty, John, King of Aaun and his royal pedigree His Highness, Johannes, Prince of Merryweather and his noble pedigree His Lordship, Siegmund, Margrave of Velen and his noble pedigree His Lordship, Robert, Count of Talentine and his noble pedigree His Lordship, Henri, Baron of Virdain and his noble pedigree Formal Invitations to those of The Waldenic Diet Personal Invitations: His Eminence, Brandt, Grand Prince-Emeritus of Minitz and Cardinal Albarosa Her Majesty, Tar-Caraneth Aryantë, Queen of Numendil His Princely Grace, Alfred, Prince of Sutica and Duke of Reinmar Kato Oijin of Sakuragakure GOTT MITT UNS, His Serene Highness, Leon Barclay, Großfürst von Minitz, GMSTSR, Count of Neu Brandthof, Viscount of Tucay, Baron of Hussen and Boriënwald, Lord of Durres, Chieftain of the Minitz Reinmaren, and Warden of the Franklands
  7. Department of the Justiciero The Judicial Department of the Viceroyalty of Hypsia Issued by the Office of the Justiciero 15th of Maria’s Peace, 82 N.R. El Departmento De Justicia [!] A prosecutor would be in the middle of stating his case against the defendant, while a scribe writes down what he says Structure Justiciero Current Justiciero: Demitrey Denodado @Nymstra The Justiciero is the head of El Departamento De Justicia in Hyspia. They are in charge of organizing and running trials within the lands of Hyspia, along with delegating tasks to their Prosecutors and Investigators. He or She is also in charge of charging citizens with crimes, or allowing citizens to charge others with crimes when deemed necessary. When a person is charged with a crime in the lands of Hyspia, a document is created and passed on to the Prosecutors and Investigators. The Justiciero assigns a Prosecutor and an Investigator to work the case. The case file originally starts with a rough outline of what both parties must complete before the court hearing. Prosecuters Current Prosecutors: Rheya @scoobi N/A Prosecutors are tasked with writing the formal argument as to why the person charged with a crime is guilty of this crime. Their job is to convince the Viceroy, through the court hearing, that the defendant is guilty, by using the evidence given to them by the Investigator. A prosecutor will fill out their argument into their case file before the court hearing, so that it may be provided to the Viceroy. A Prosecutor is not allowed to take mina from anyone affiliated with the defendant. A prosecutor is not allowed to break the Law in order to prove to the Viceroy that the defendant is guilty Investigators Current Investigators: N/A N/A Investigators are tasked with investigating a crime that has happened in the nation of Hyspia. This can be caused by being instructed by the Viceroy, Justiciero, or a Citizen that a crime has occurred. The investigator will look into the incident and provide their findings to the Justiciero. If a crime has indeed occurred and the Justiciero pushes forward with a formal court case, the Investigator will provide all of the evidence that they have collected into the case file provided by the Justiciero. An investigator is allowed to question individuals about an incident as they see fit. An investigator is not allowed to break the Law in order to gain evidence. EN EL NOMBRE DE DIOS, HIS HIGHNESS, Cesar II de Pelear, Viceroy of Hyspia, Duke of Pacazu, Baron of Arenisca and Del’mar, Lord of Ladorada, Lord of Niseep, Gereon's Hold, and Ciudad de Plata, Gran Maestre of El Orden de Francisco, Protector of the Hyspian People, Protector of the Farfolk, Patriarch of House de Pelear HIS VICEROYAL EXCELLENCY, Sergio Harold Othaman, Gran Canciller de Hyspia, Lord Minister of His Highness’ Government HIS EXCELLENCY, Demitrey Denodado, Justiciero de Hyspia, Baron of Sevilla, Oficial de Imigracion
  8. — CELEBRATING 100 YEARS OF THE COMMONWEALTH — 100 | Astana de Régne Petrére PENNED BY THE RIVER COURT COUNCIL One hundred years have gone by since the fall of the Harvest Confederacy, thus resulting in the rebirth of the Heartlands. Paul Salvian I was the first sovereign of the Commonwealth of Petra settling on the title of ‘Archduke’. This title was passed prematurely to his eldest child, Renilde Helena, following Archduke Paul’s untimely death. Dame Catherine of Petra, ex-Princess Royal of the fallen Kingdom of Oren, till Renilde came of age. She worked tirelessly to set things in place for Renilde. One of these cornerstones being the arranged marriage to Prince Constanz-Anton. This marriage had but surface-level strength and eventually led to more pain than prosperity, the consort finding his only power in betrayal. The Petran Civil War broke loose and the Commonwealth stood in ruins. However, Renilde I and the loyalist forces took back their rightful spot as true leaders of the Commonwealth. Since then, Petra has looked adversity in the face day by day, year by year, and reinvented herself to be the metropolis of the Heartlands that she is today. We have stood in the face of all ridicule from those who would wish to see us burnt, bloody, and broken. We have defeated those demons that wish to keep us from being a country that serves the people and not only the crown. We have done all these things and stood righteous in the eyes of GOD. We have done so for a hundred years. We shall do so for one hundred more. We shall continue doing so until the end of days. GOD Bless the Commonwealth — Ave le Petrère! ✧ | ITINERARY OF FESTIVITIES | ✧ Charognard Cauchyrebut (c. Scavenger Hunt) [Dec 17th - 4:00pm EST] The people of the Petra have remained steadfast and persistent. Likewise, those who continue to relentlessly search for the truth shall always come out ahead. In honor of this, a Scavenger hunt shall be led by Lady Marisol Solis. May those who show their persistence, thrive. Soirée Corteis Bracine (c. Royal Tavern Night) [Dec 18th - 5:30pm EST] The people are a hardy bunch, filled with tough souls. What better way to show overwhelming resilience than with a drinking contest? Prince Paul Alexander of Petra hosts all who believe they are worthy of this challenge at Fairweather Pub! Here is to 100 years of Petran resilience. Ballary des Chevaliers (c. Knight’s Ball) [Dec 21st - 8:00pm EST] The Commonwealth is strengthened by those who seek to keep it safe. The Sovereign Order of the Petrine Laurel is the cornerstone and focal point of Petra. Let us celebrate all they have done and continue to do for their country. To 100 years of the Petran Knight! Corteis Jostyr (c. Royal Joust) [Dec 22nd - 5:30pm EST] Jousting is a contest of skill common across the island of Aevos. This is a challenge that tests both strength and agility. For those who believe themselves to be the toughest around, saddle up and joust for some extra coinage and the title of Grand Champion of the Petra. HIS ROYAL HIGHNESS, Paul Alexander of the Petra Prince of the Petra, the Prince of Valfleur, Lord Chamberlaine of the River Court of the Commonwealth, Elector of the Garmont Assembly, Patriarch of the House of the Petra de Valfleur HER LADYSHIP, Marisol Paloma Solís Assistant Head Physician of the Vallagne Medical Society, Mistress of the Robes & Curator of Jewels of the River Court of the Commonwealth, Founder of Rosa Dorada, and Protector of the Sun HER LADYSHIP, Mrs Sorcha Elspeth MacPherson Majordomo of the River Court, Matriarch of House Macpherson, Protector of the Daelish Culture, Maker of Mead, HIS LORDSHIP, Sir Marius Lovetts, Appurtenant to the Chancellor, Poet Laureate of the Petra, Knight of the Order of the Petrine Laurel Rapids,
  9. PROCEDIMIENTOS JUDICIALES The Judicial Process of the Viceroyalty of Hypsia Issued by the Office of the Justiciero 15th of FRANCISCO'S RESOLVE, 80 D.R. Procedimientos Judiciales [!] Court underway in the courthouse of Hyspia, where a defendant pleads their case. Judicial Proceedings Legal Practices and Ethics The Legal Practices and Ethics of the Viceroyalty of Hyspia have a complex and hierarchical system of governance and justice, based on a series of reciprocal rights and obligations between individuals, with the structure of the overseeings of judicial proceedings. The Rights and Duties of the Viceroy The rights and duties of the Viceroy are as follows: Preside over legal proceedings; ensure fairness; appoint the Gran Canciller and Justiceiro; maintain law and order; adjudicate disputes; protect his subjects regardless of their social status. The importance of the Viceroy is to ensure that justice is accessible to all. ---- The Rights and Duties of the Gran Canciller The rights and duties of the Gran Canciller are as follows: Act on behalf of the Viceroy in his absence; provide legal advice in accordance with the law; preside over trials in the absence of the Viceroy or Justiceiro; advise the Viceroy; uphold the law, ensuring fairness and justice and protection of the Viceroy’s interests. ---- The Rights and Duties of the Justiciero The Rights and duties of the Justiciero are as follows: Preside over trials by ensuring fair conduct in line with the law; interpret and apply the law; issue rulings; control court proceedings by ensuring fairness and impartiality; weigh and evaluate evidence; instruct lower judges; render judgments, sentencing, and remedies; record court proceedings; apply precedent and uphold the Law and the Viceroy’s interests. ---- Manorial Court of the Viceroyalty of Hyspia A manor court with a local judicial and administrative institution held by the Viceroy of Hyspia to settle disputes among the citizens of Hyspia. Decisions of this court are based on local customs and traditions, typically used with the purpose of local justices, land tenure and property matters, collecting dues and fees, administrative functions, enforcing customary law, mediating disputes and documenting trials. The Burden of Proof Burden of Proof is a fundamental principle in the legal system of the Viceroyalty of Hyspia, The Burden of Proof refers to the responsibility of a party in a legal dispute to provide sufficient evidence to establish their case. Different stands of Proof depend on the type of legal proceedings, detailed below. Civil and Criminal Cases apply to the Burden of Proof with different standards. In both criminal and civil cases, the plaintiff bears the burden of proving the defendant's guilt. In criminal cases, the prosecution must prove their case ‘beyond a reasonable doubt.’ This is the highest standard of proof in the legal system and means that the evidence must be so strong that there is no reasonable doubt about the defendant’s guilt. ‘Preponderance of the evidence’ is typically identified as the burden of proof. This means that the prosecutor must show that it is more likely than not that their claims are true. The evidence provided must be clear and convincing, especially so in cases of fraud or civil liberties. In cases of bigger crimes, this form of evidence may fall between the preponderance of the evidence and beyond a reasonable doubt standard, requiring a higher level of proof than standard civil burdens. The Legal Proceedings of Hyspia may employ legal presumptions that can affect the Burden of Proof. These are assumptions made by the court unless proven otherwise. The role of the Justiciero has a significant role in determining which party carries the Burden of Proof and instructing the Viceroy on the applicable standard of proof. The Justiciero’s responsibility is to evaluate the evidence presented and determine whether the Burden of Proof has been met. Consequences of failing to meet the Burden of Proof may be decided in favor of the opposing party. If requested, another trial may be presented or a Trial By Combat may be pleaded, but can be rejected by the Justiciero or Viceroy of Hyspia. Pre-Trial At the beginning of a trial, a case initiation will be instituted upon arrest or filed complaint of the accused. This will conduct a charging of the defendant and will initiate a lawsuit or prosecution. ---- The parties involved have the right to exchange pleadings. These documents outline the allegations and defenses in the case. ---- Both sides will engage in the discovery process, where they gather and exchange evidence. This will involve dispositions, interrogations, requests for documents, or other means of obtaining information. Other means may involve testing of darkspawn and other warrants of arrest from other cities. ---- Parties may file pre-trial motions to address legal issues or seek certain rulings from the court. These motions can include motions to dismiss, motions to limine or motions for summary judgment. ---- Parties often engage in settlement discussions or negotiations to resolve the case without going to trial. Settlement can occur at any time during the pretrial process. ---- Pre-trial conferences can be informal meetings between the presiding judge and the parties involved to discuss the status of the case. The judge may also address procedural matters and evidentiary issues. ---- Motions of Limine are requests that the judge exclude specific evidence from the trial, typically for legal or evidential reasons. ---- Preparing trial exhibits is not mandatory but is preferred for each party to prepare physical evidence, documents, and exhibits they intend to present at trial. These exhibits should be organized and labeled for easy reference during the trial. ---- Parties identify and prepare witnesses they plan to call at trial. Subpoenas may be issued to ensure the attendance of witnesses who may be reluctant to testify voluntarily. ---- Trial briefs will be conducted before the trial to help the presiding judge understand the case better. These will be outlining the legal and factual issues, arguments, and case law relevant to their positions. ---- Any unresolved pre-trial motions may be argued and decided by the Justiciero or Viceroy. Trial Opening Statements The plaintiff or prosecution will begin their opening statement that will be followed by the defense. During opening statements, each side provides an overview of their case and what they intend to prove. Presentation of Evidence The plaintiff of the prosecution presents their case by calling witnesses and introducing evidence. The evidence provided may include documents, exhibits, and witness testimonies. The defense has the opportunity to cross-examine the witness. Direct Examination The speaker presenting their case questions their own witnesses. The goal is to elicit information and testimony that supports their side of the case. Cross-Examination The opposing party’s speaker questions the witnesses called by the other side. The purpose is to challenge the witnesses’ credibility and the evidence presented. Rebuttal and Surrebuttal After the initial presentation of evidence, there may be a rebuttal phase where each side can call additional witnesses to respond to points made by the opposing side. Closing Arguments Once all the evidence has been presented, both parties make closing arguments. These must be summaries of the case and a final opportunity to persuade the judge or jury. The prosecution goes first, followed by the defense. Verdict Once the presiding judge reaches a verdict, a decision will be announced.. The verdict can be “guilty” or “not guilty.” This decision is based on the evidence presented and the law. If not enough substantial evidence is presented, a second trial or a request of a Trial by Combat may be put in motion. Post-Trial Motions After the verdict or decision, either party may file post-trial motions to challenge the outcome. These may include motions for a new trial or motions to set aside the verdict. Appeals Once the trial is over, either the prosecution or the defendant can appeal to the Viceroy, Justiciero, or Gran Canciller to take a second look at the trial. All citizens of Hyspia, and those prosecuted, are granted the privilege to Appeal. Appeals are not a new trial, and no new evidence can be submitted. Submitting Appeal To submit an Appeal for a trial, either the Prosecution or Defendant must submit a formal Letter of Appeal to the Viceroy, stating the reasoning for why an appeal should be heard. Those that submit appeals without proper grounds will be fined 50 mina. Preparing an Appellate Argument Before the actual in person oral Appeal, both the Prosecution and Defendant submit a written argument in which the sides lay out their side of the case. The Oral Argument After submitting the written arguments, the Viceroy, Gran Canciller, or Justiciero will summon both the Prosecution and Defendant to court, where the Appellate argument will begin. Both sides will plead their case. The Opinion of the Court A verdict will not be announced at the time of the oral argument. Rather, the Viceroy, Gran Canciller, and Justiciero will meet and vote on the outcome. The Viceroy or Gran Canciller will then write the formal opinion of the court, which can be published if the Viceroy sees it fit. If the vote is 2-1, the person in the minority of the vote may choose to write a dissenting opinion explaining their reasons for disagreeing. 5. The Verdict The Court of appeals, in their opinion, may: -Uphold, or affirm the decision of the Viceroy. -Reverse, or overturn the decision of the Viceroy. -Remand, or retry the case. 6. Closing. Once the Court of Appeals gives their verdict through their vote, the decision is final. Another Appeal cannot be made, and the decision of the Court of Appeals cannot be overruled. Sentencing A sentencing phase will occur where the Justiciero or Viceroy will determine the appropriate punishment. Type of Punishments will be the following determined based on the Justiciero or Viceroy. Corporal Punishment Capital Punishment Exile and Outlawry Mutilation Fines and Forfeiture Public Humiliation Imprisonment Trial By Combat Trial by Combat are only subjected if a trial has no proper verdict of the first trial. This may be requested in order to avoid a second trial; a judge or the Viceroy has a right to reject this request based on their own jurisdiction. Combatants will be a Champion chosen by the Viceroy or the prosecutor and the accused. A divine judgment based on the belief that GODAN would favor the innocent or just party and grand them victory in battle. A trial conducted in the presence of clergy and legal authorities, who would oversee the proceedings. Outcome will determine the guilt or innocence of the accused. If a combatant is incapacitated or yields, it is considered a judgment in favor of the opposing party. If both combatants are severely injured or killed, the case may be considered inconclusive and alternative legal methods may be employed. CON DIOS AVANZAMOS, HIS HIGHNESS, Cesar II de Pelear, Viceroy of Hyspia, Duke of Pacazu, Baron of Arenisca and Del’mar, Lord of Ladorada, Lord of Niseep, Gereon's Hold, and Ciudad de Plata, Gran Maestre of El Orden de Francisco, Protector of the Hyspian People, Protector of the Farfolk, Patriarch of House de Pelear HIS VICEROYAL EXCELLENCY, Sergio Harold Othaman, Gran Canciller de Hyspia, Lord Minister of His Highness’ Government HIS EXCELLENCY, Demitrey Denodado, Justiciero de Hyspia, Baron of Sevilla, Oficial de Imigracion
  10. PENNED BY THE LADY CHAMBERLAIN C. 1954 As our court gracefully undergoes a transformative era, the Aaunic royal court, formerly known as the Clementine Court, shall henceforth be hailed as the Paradisian Court under the orders of Queen-Consort Amelia of Middelan. In this transition, the Court extends profound gratitude to the Viscountess of Valence, Adela of High Peak, and the other ladies whose unwavering contributions graced the Clementine Court during its time. The stewardship of this refined court is entrusted to the distinguished Lady Chamberlain, Clementine Francisca of Salia. Under her governance, and with the gracious blessing of Her Majesty, the courts are poised not only to function but to flourish, and to ascend to become something great. May this proclamation resonate with the regality befitting our court, and may the Paradisian Court thrive and prosper under the illustrious reign of Queen-Consort Amelia of Middelan. Her Royal Majesty, Amelia of Middelan @bickando HEAD TO ALL COURTS The Queen-Consort of Aaun is the pillar of the Courts; all members below shall fall in line and align themselves to be above her expectations. The Queen-Consort shall hold and forever have direct authority over the structure, culture, function, and traditions of the Paradisian Court. The Queen though has constant and direct power, in case of her absence, Lady Alba shall hold this authority in her stead. - The Current Lady Alba, Adeline Johanna shall assume Head to All Courts in the Queen-Consort’s absence. @Marshi Her Excellency, Clementine of Salia @sanriu HEAD TO THE COUNCIL OF ALBA Whoever assumes the position of Lady Chamberlain shall be appointed and considered the senior most member of the Alba Council. They have bestowed the task of managing the court in the interests of the Consorts, aiding in its functioning and growth. Despite the weight of the responsibilities, this member must be competent and well versed in court etiquettes, and be able to command authority and show great leadership skills, considering they shall lead the Paradisian Court. The Council of Alba comprises women of grace, intellect, and unwavering dedication, each chosen for their outstanding capabilities and commitment to the court's wellbeing. Under the wise guidance of the Lady Chamberlain, these esteemed ladies play a pivotal role in managing the intricate tapestry of courtly affairs, ensuring a harmonious environment within the courtly precincts. Her Royal Highness, Sophia James Alstion @Kitomine Head to the Office of Household The Majordomo is a highly respected member of the court who manages the grand palace and all its affairs. They work closely with other council members to ensure the smooth functioning of the court. In addition to being the keeper of the palace keys, they supervise the servantry and welcome new courtiers and nobility into the court. The Majordomo is an expert in court etiquette and is responsible for organising courtiers on the proper decorum to observe. They are also responsible for designing and implementing court education programs. Positions within the Office of Household, The Court Chaplain [Father Frantzisko | Nescaffier] - The Chaplain, normally the Archbishop of Albarosa or the Bishop of Buron or Gelimar, will be in charge of managing all religious matters concerning the palace's courtiers. They must be certified by the church and will have a variety of responsibilities, including organising charities, baptisms, prayers, and rites of maturity. The Chaplain will also be available to provide religious advice to the court when needed, and is critical in ensuring that the court's religious needs are met and that the courtiers have a trusted figure to turn to for guidance. The Royal Confessor [Father Leofric | MCVDK] - The Royal Confessor, normally but not always the priest in charge of the Chapel of Our Lady of Paradisus, acts as the personal confessor and confidante of His and Her Majesty’s Royal Household. They give advice, both personal and religious, to the Queen, and act too as a steward of the court’s morality in the eyes of the Mother Church. Principal Secretary [Johannes von Alstreim | Vylkmir] - The Principal Secretary is the personal steward of His Majesty’s Royal Household, charged with maintaining its upkeep and appearances as well as the taking and forwarding of important letters and documents. In such a manner they also maintain a role as a chief advisor within His Majesty’s Privy Chamber. Mistress of the Robes [Parisa Monet | Sefardi] - Just as the Principal Secretary personally waits upon His Majesty, the Mistress of the Robes is the foremost handmaid of the Queen. She manages the daily schedule of Her Majesty the Queen, as well as The Keeper of the Crown Jewels [Daniel Gale | Aehmi] - The Keeper of the Crown Jewels is essential within the court, as their primary responsibility is to ensure the preservation and protection of the Royal Regalia collection. Their duties are fulfilling the documentation of the collection, as well as the pursuit of expanding it. The Keeper of the Crown Jewels plays a crucial role in upholding the integrity and historical significance of the Royal Regalia, thereby contributing to the preservation of the monarchy's cultural heritage. Governor/Governess - Court governors and governesses are responsible for caring for and educating the children of the court and the Royal Household. They are trusted with the responsibility of providing care and guidance that will shape the future of these young individuals. To fulfil this role, they must possess not only exceptional intellect but also a great deal of patience and empathy to ensure that the children under their care receive the best possible education and upbringing advisor. Ladies-in-Waiting, Grooms of the Privy & Maids of Honour - These courtiers are intricately crafted to serve as loyal and devoted companions to the members of the Royal Household to whom they are assigned. With their refined and sophisticated demeanour, they provide personal assistance and support to their assigned individuals, ensuring that their every need is met with the utmost care and attention. The Servantry - The Hand of Horen relies on the diligent work of its servantry to maintain its smooth operation. All servants must ensure that the halls of the palace are kept in impeccable condition. It is expected that both butlers and maids remain available at all times to cater to any events taking place within the Hand. They must be prepared to provide their services, as required, in a timely and efficient manner. Her Ladyship, Laruene de Lewes @annanicole__ Head to the Office of Entertainment The Grand Reveller is responsible for the upkeep and designing of the event schedule. Their duties may also include Hosting events outside the court, overseeing productions at the renowned theatre The Plane, and managing events during the Aaunic social season. The multifaceted nature of their role necessitates extensive knowledge of creative arts such as theatre, music, and dance, as these are essential components in delivering exceptional and engaging entertainment experiences. Given the importance of the Grand Reveller role, it is fundamental that they possess a deep understanding of the creative arts, this includes staying up-to-date with the latest trends and developments in theatre, music, and dance. Positions within the Office of Entertainment, The Master of the Hunt [Stefano Montelliano | Sebbysc] - The individual appointed as the Master of the Hunt holds the crucial responsibility of efficiently managing the Royal hunts and private artillery. The position demands an elite level of expertise in the art of hunting and the maintenance of the royal woods to ensure that the Royal Family can indulge in the sport whenever they desire. The Revellers - As expert event planners, revellers are responsible for meticulously orchestrating gatherings and ceremonies of diverse scales, ranging from courtly affairs to national events. The revellers' work involves a range of tasks, from conceptualising the events to coordinating with vendors and ensuring smooth execution of the event. Their work demands a unique blend of creativity, organisational skills, and attention to detail, and they take pride in delivering events that are memorable and meaningful for all stakeholders involved. Division of the Arts - In the past, the organisation was divided into three different sectors. However, it has now been restructured into a unified division that encompasses various roles. The Division comprises of skilled artists who are responsible for providing the courtiers and the royal family with personalized commissions, entertainers of the theatre and The most skilled dancers of the court,who are both responsible for performing and organizing regular productions to ensure that the plane remains vibrant and lively. Division of Entertainment - This Division is comprised of skilled musicians, minstrels, and bards who are responsible for the management of court songs and performing at events. Their expertise and dedication ensure that the court's musical performances are of the highest quality. They are available to be called upon to perform at events as required. Her Ladyship, Olenna Haverlock @MapleSunflower Head to the Office of Enlightenment The role of the High Curator within the court is one of great importance and responsibility. As the overseer of all publications and texts within the court, the High Curator plays a crucial role in preserving knowledge, literature, and academic pursuits. In addition to these duties, the High Curator is also responsible for the intellectual arts, culture, and history of the realm. The person selected for this role must possess a wealth of knowledge and expertise to ensure that the court remains at the forefront of knowledge and learning. The curator’s guidance is essential in fostering a thriving intellectual environment that encourages a passion for learning and academic pursuits. The duties of the High Curator are instrumental in creating an intellectual legacy that endures for future generations. Positions within the Office of Enlightenment, Head Librarian[Witold Jazloviecki | Rohlik] - This Courtier oversees the library of the Royal Hall of St. Godwin. They protect and mentor these books of information and upkeep such books to ensure all can inform themselves of various historical events. Whomever shall be in charge must be organized, and good in management and knowledgeable on several Historical periods. The Lady/Lord Archivist [Ser Alaric deNeurem | Paulobig] - The archivist is charged with upkeeping the more intimate ongoings of the royal household including births, special events, and changes in power. The Court Apothecary [VACANT] - This scholar shall be charged with all alchemical studies for the betterment of the nation, as well as overseeing other alchemists. Simply knowing alchemy itself is not enough, for the Master Alchemist ought to be capable of different types of the craft, considering its knowledge is so vast. They shall be tasked with providing regular studies for the court. The Court Herald [VACANT] - A retainer of the Queen not only tasked with upkeep the daily duties of the Council of Alba, but one tasked with announcing courtly initiatives, festivities, decrees, and national news to the common folk of Aaun. To meet these demands and responsibilities, the Court Herald, with the help of the Curator, shall be charged with printing a yearly newsletter detailing these very things. Division of Scholars - This division holds all philosophers and scribes of the Kingdom of Aaun. They are constantly at work, making regular or daily publications of their findings or research and etc. ADDRESSMENTS OF THE NOBILITY King - His Royal Majesty, or “Your Majesty” Queen, Queen-Consort - Her Royal Majesty, or “Your Majesty” Children of a king or queen are styled as His/Her Royal Highness, and addressed as “Your Highness” or “Prince/Princess [First Name]” Grand Prince - His Serene Highness or “Grand Prince [title or house name]” Grand Princess - Her Serene Highness or “Grand Princess [title or house name]” Children of the Grand Prince/Princess are styled as His/Her Lordship alongside any titles they hold or “Lord/Lady [First Name] Non-Royal Prince - His Highness or “Prince [title or house name]” Non-Royal Princess - Her Highness or “Princess [title or house name]” Children of a non-royal prince are styles as His Lordship/Her Ladyship alongside any titles they hold or “Lord/Lady [First name] Duke - His Grace or “Duke [title or house name]” Duchess - Her Grace or Duchess [title or house name]” Margrave - The Most Honourable, His Lordship or “Margrave [title or house name]” Margravine - The Most Honourable, Her Ladyship or “Margravine [title or house name]” Count - The Right honourable, His Lordship or “Count [title or house name]” Countess - The Right Honourable, Her Ladyship or “Countess [title or house name]” Viscount - The Right honourable, His Lordship or “Viscount [title or house name]” Viscountess - The Right Honourable, Her Ladyship or “Viscountess [title or house name]” Baron - His Lordship or “Baron [title or house name]” Baroness - Her Ladyship or “Baroness [title or house name]” Children of Dukes, Margraves, Counts, Viscounts and Barons are styled as His Lordship/Her Ladyship alongside any titles they hold or “Lord/Lady [First Name]” Beneath GOD’s Gaze, HER ROYAL MAJESTY Amelia of Middelan, Queen-Consort of Aaun, Princess of Alstion, Duchess of Corazon and Balamena, Countess of Enswerp and Whitespire HER EXCELLENCY Clementine of Salia, Baroness-Consort of Montfort, Lady Chamberlain of the Paradisian Court
  11. THE REFORMATION OF THE - C. 1952 ISSUED BY THE ☩ GRAND LADY ☩ Immense the Wake of Stassion as we celebrate our newcomers and blessings from the Saints. A new Grand Lady has been appointed, awakening our once quiet courts and entering them with a vision of refinement to our illustrious Aster Court. The Court is now set to undergo a profound metamorphosis, and to be guided by regal winds of change. It truly is with profound honor and pleasure along with a sense of duty that I the Grand Lady announce the forthcoming provisions and altercations that shall reshape our Courts to be befitting of the exquisite tastes of the March of Stassion, and our esteemed Margravine. As custodians of our noble traditions, we shall ensure that the court reflects the evolving desires and preferences of those who choose to grace it with their presence. Our meticulous endeavors shall encompass not merely superficial changes but a comprehensive reformation that harmonizes the essence of tradition with the contemporary aspirations of our revered dignitaries. The Court of Elegance, a beacon of refinement, shall be tailored to exalt the sophistication and cultural richness that define the very fabric of our March. Further Elaborations, about duties of the Official positions Of the Aster Court are the following: I 〈 HH, Ottavia Kasimira of Pompourelia 〉 @Marshi Head of the Entire Court Her Highness, The Consort holds full sovereignty over the Aster Court gaining the ability to appoint whomever she pleases. She is also tasked with ensuring that all members of the Aster Court follow the Expectations and maintain proper images befitting of the Aster Court. II 〈 HE, Marie Capucine of Valcour 〉 @sanriu Head to the Aster Court The Grand Lady has an important role in the hierarchy of the Aster Council and Court; whoever assumes the position shall oversee the court alongside the Princess-Consort. Ensuring all Council and Court roles are filled and properly managed keeping the Court in proper functionality. The Grand Lady shall also be knowledgeable on the Magraviate’s History and Culture. Allowing herself to be a perfect example for the rest of the Court. ☩ The Princess Amanuensis [ Dame, Caterina Sarkozic of Pompourelia] @sondher The Princess Amanuensis is tasked with the role of writing invitations and ensuring that they are sent out. They are also to write the transcripts of any Court meetings held within the Aster Court. ☩ COURT PHYSICIAN [VACANT] The Court Physician, also known as the Royal physician is a Medical Doctor who serves the Aster Court. Their primary responsibility is to provide care to Members of the Stassion Household And other Important Individuals of the Court. 〈 The Heads of the Court 〉 Painting of HH, Ottavia Kasimira and HE, Marie Capucine The Heads of the Aster Council Courts shall welcome various ideologies that shall benefit our lands. They have been carefully selected by The Consort, and The Grand Lady themselves going through a series of questions to determine if they were worthy of such positions. The Dames promoted their Intelligence, distinguished skills, and awareness of the realm’s diversity and dynamics, understanding the challenges both Nobility and Commoners face. Showing their ability to be empathetic and reasonable to problems they have yet or shall never be able to experience. 〈 TITLE, VACANT 〉 @ Head to the Office of Entertainment, and Primary Castle Decorator The Castle Conservator plays an enormous part in the court’s overall liveliness, they are tasked with ensuring the regular holding of activities and events within the Margraviate are to take place. Along with the responsibilities of holding feasts and soirees, The Castle Conservator is also to ensure the castle is properly decorated for the coming seasons and events taking place. ☩ Members of the Event Commission Members of the Event Commission are to assist the Castle Conservator in hosting, and holding events; These Courtiers are also allowed to propose and run events of their own. ☩ Court Fool [VACANT] The Court Fool is usually a rather humorous individual who is tasked with Entertaining the Courts and people of Stassion. Typically brought to Events purposefully to entertain the audience. ☩ Court poet [ HH, Mathilde Augusta of Stassion] @annanicole__ Typically responsible for teaching the arts of Poetry, this Courtier typically has studied Poetry has a passion and or love for it and shall teach generations to do the same. The Court Poet also writes poetry for the Margravate, typically for the Court and Society to Emplore themselves in. ☩ Master of the hunt [ HL, Henri Fredric Ashford de Falstaff] @mojanghunter The Master of the Hunt is a Courtier within the Margravate charged with securing frequent hunts for the Aster Court whenever he shall please. 〈 HH, Charlotte Valentina of Marsana 〉 @Kitomine Head to the Office of Household The Lady Concierge is in charge of maintaining the Castle itself, they shall be in charge of maintaining the Castle itself, they shall be in charge of handing off keys to those in need of them. They also control the management of servantry and make arrangements for Visitors and Courtiers of the Aster Court. They also play to ensure all Courtiers and Visitors of the court are informed of proper etiquette and fashion standards. ☩ The Court Governess [ VACANT ] The Court Governess is the Head of Stassions, and education and is tasked with the care and ensuring that the Youth of both the Aster Court. Throughout more specifically the children of the Stassions Household. ☩ Mistress of Attire [ VACANT ] The Ladies of the Court Tailor is in charge of providing the finest of garments to the Aster Court Male Courtiers, Ensuring all men within Stassion are dressed within the latest Stassion fashions. ☩ Grand Master of the Wardrobe [ VACANT ] The designated male Courtier Tailor is in charge of providing the finest of garments to the Aster Court Male Courtiers, Ensuring all men within Stassion are dressed within the latest Stassion fashions. ☩ Ladies In Waiting When a Lady is of age, the Princess-Consort may choose to Invite them to the court in order to either attend her, or other Ladies within the Household. This can also include being paired with the Princess’ daughters from a young age. It is very important for all Ladies In Waiting to know the proper etiquette within the Aster Court, along with acting as a confidante to her Lady. 〈 MISS, Valindra Nullivari 〉 @Morigung-oog Head to the Office of Enchantments A Scholar within the Aster Courts registered as a licensed mage within Stassion. The Grand Mage serves as not only an advisor but also is tasked with Studying and Furthering their knowledge even whilst within their position. They are also to oversee any other mages within the Aster Court, and other forms of Magics that shall proceed within the Margraviate. Whilst also keeping up with the logs of Magic and who is permitted to practice magic within the walls of Stassion. ☩ Court Mages A group of licensed Mages, who are under the Office of Enchantments are well versed in Several types of Magic. The Court Mages should be knowledgeable and able to spread information about their practice and ope ☩Court Alchemist [ VACANT ] The Court Alchemist, within the march, are permitted to distribute potions to the Margravate when asked or required and to teach their craft to Students. They should be permitted to note and collect local herbs and guide those who are unaware of their locations as well as teach citizens about their properties. SIGNED, HER HIGHNESS, Ottavia Kasimira of Pompourelia, The Princess-Consort of Providentia, Margravine of Stassion, Baroness-Consort of Renzfeld, Lady of Fredricksburg, Lady Stassion HER EXCELLENCY, Marie Capucine Dresnay of Valcour, The Grand Lady of the Aster Court
  12. THE COURTS OF WINBURGH; STARTED ANEW FOEDUS VELEC In the year 18 of the Age of Rights and the Age of Reckoning “Elegance is not a dispensable luxury but a factor that decides between success and failure.” ✠ ____________________________________________________________________________________________ BY THE UNWAVERING AUTHORITY OF THE STATE AND THE REPUBLICAN MANDATE BESTOWED UPON THE ILLUSTRIOUS CHAMBER OF HEIDMEN, WE HEREBY ISSUE THIS IMPERIOUS MISSIVE, RESONATING WITH THE EMINENT VIRTUES OF HONOR, DUTY, LIBERTY, FRATERNITY, VALOR, AND WISDOM. WITH THIS COMMUNICATION, WE ENLIGHTEN THY READER UPON THE INTRICACIES OF STATECRAFT AND UNVEIL THE CURRENT AFFAIRS THAT ENGAGE OUR SOVEREIGN REALM. ____________________________________________________________________________________________ LO unto the Heartlands, With great pride and esteemed anticipation, we herald a new beginning in the halls of our cherished castle, formerly known as the Courts of St. Emalyne under the rule of the Duchy of Adria. Today, it is with a deep sense of purpose that we announce the naming of our courts - the Courts of Winburgh. This name befits not only the land of Veletz but its noble people. Under this new name, our courts come under a new jurisdiction, brimming with roles that fit the stature of our homeland. It is our profound hope to see the Courts of Winburgh flourish under this banner of change and renewal. To this end, we invite the denizens of Veletz to fill these key positions as we usher in an age of prosperity and cultural distinction. ________________ The Castellan of the Courts The overseer of our beloved castle, overseeing all its daily affairs. They are tasked with coordinating the castle staff, ensuring harmony within the courts, and nurturing the cultural heritage of Veletz, from etiquette to scholarly works and grand celebrations. The Chaplain of the Courts The Court Chaplain is charged with the sanctity of faith within our beloved courts. Their duties align themselves with the responsibility of baptisms, hosting courtly masses, and providing ecclesiastical guidance as needed to the nobility of the League. The Almoner of the Courts The custodian of courtly meals and alms, the Almoner is charged with overseeing kitchen preparations and serving staff. In a broader sense, they too provide for the townsfolk, collaborating closely with the Court Chaplain in the providing of alms for the ill and poor, as well as organizing the foodstuffs given out from the castle on feast days. The Keeper of the Hounds The Keeper of the Hounds is a position as old as the House van Aert itself; first held by the de Vilains, later breakers of Oren, the position of organizing hunts, caring for the Ducal family’s bloodhounds and maintaining the balance of Veletz’s wildlife has long held a special place in the League’s courts. The Chamberlain of the Courts The Court Chamberlain is the curator of Veletzian fashion and culture, tasked with researching and promoting the rich history of Veletzian attire and cultural heritage. ________________ Deputies of the Castle The Castle Deputies are appointed on a case-by-case basis to assist the courtly council in its myriad tasks, ranging from missive drafting to meeting arrangements, and timely deliveries to acting as hosts. Wards of the Castle A Ward of the castle is a promising individual under the age of eighteen, seeking to learn and grow within the courts. Often chosen from the pastoral nobility, they are assigned to a council member and given tasks to build experience, with the promise of a formal position upon coming of age. Servantry of the Castle A diverse group of individuals including hostlers, maids, and gardeners, dedicated to maintaining the castle’s cleanliness and upkeep, and tending to its needs with diligence. In this new chapter of the Courts of Winburgh, we look forward to welcoming those who wish to be part of our vibrant and evolving community. ___________________________________________________________________________________________ GOD WILLING, HIS GRACE, Gaspard of the House van Aert, Captain-General of the League of Veletz, Duke of Middelan, Bannerlord of Velec, Protector of the Midlanders THE HONORABLE, Viktoria Helena af Brasca, Baroness of Brasca, Lady Castellan to the Courts of Winburgh
  13. Etiquette hen court Issued on the 4th, of Dragon’s Flame of the year 11 of AST. SUMMARY/INTRODUCTION The following is a set of guidelines; explanations of the expectations which well cultured citizens of the realm ought to emulate. The court of our Grand Principality is the center of our honor, and is given weight only by the reverence which is shown within its chamber. Therefore to bring honor and grace to the court is to accept these standards upon one’s self; and the rejection of these principles reveals much more than just one’s lack of respect for the Prince and his Peace. Definitions In Court: In the presence of any gathering, or dedicated place of the Prince and Royal Family will be known as ‘The Court’. The prominent examples are the courtroom itself during ceremonies, the capital Palace, and any social gathering at which the Royalty or Nobility is principally involved. Ceremonies: Any organized event of royal/noble significance, lasting from the opening until the closing of the occasion. Hospitality: Active and mutual attention with one’s friends or acquaintances. Includes the exchange of gifts and giving honorable greetings to a friend’s House and kinsmen. Physical Bearings in Court Encouraged Behaviors - Stand with high posture Legs firm and straight when standing, and bent perfectly at the knee when sitting. Men position their legs parallel to each other at the knees, while women cross their legs at the knees. When standing, arms are either held straight at the side or bent directly at the elbow, with the hands either joined in front of the abdomen or behind the spine. - When addressing those around, speak in a whisper It is most appropriate, when speaking to one or a few nearby acquaintances, to carry one’s voice at the lowest tone which one is able to. Primarily, to ensure that conversations do not impede the proceedings of court, and secondly, to emphasize the attention that one must take to fully understand the meaning of one’s speech. - When addressing the court or the Sovereign, speak in a clear, loud voice It is most appropriate, when addressing the attendants of the court, and especially the Royalty of the Realm, that one ensures their message is clearly given to all. It is imperative when in such a position of attention that one upholds the best display of their civility. - (For Nobility) Humbly set the standard Nobility are charged to be the public example of the most distinguished and respectable citizenry. Therefore, they must always be seen carrying themselves in the most honorable forms, and be heard to use the most dedicated and precise language. Such things inspire trust in one’s countrymen and appreciation for virtue in all citizens. To note; it is dishonorable for a noble or group of nobles to compete with each other to out-display each other with increasingly elegant dress, for all should reserve it to the Royalty to adorn themselves in the most distinguished garments and jewels. - (For Royalty) Dedication to Regality Royal persons are expected at all times to acknowledge what they are; the living essence of the Realm. As such, these must comport themselves with only as much honor as they would compel others to render to their crown. To achieve this aim, the royalty is always seen to act, dress, and speak in such ways that inspire reverent awe in their subjects and enforce the interests of the people. - Maintain the order of pets and children Any young children and wards, as well as pets and other dependent entities, are expected to be at the constant attention of their caretaker at all times. Whether this is a parent, relative, or otherwise designated guardian, none of the above listed subjects should be seen out of the control of their overseer. - (For Generals) Comport oneself with Stoic Honor For men of such heavy and hallowed duty, word must be little, and action much. As such, it is not appropriate for the distinguished captains and generals of the realm to be seen consumed by various energetic cares during court, but must at all times be a rock upon which the glory of our realm stands. For this reason Generals are bid to limit conversation for the duration of court and ceremonies, only speaking when called upon to do so, and when called, speaking with the authority and dignity bestowed upon them by the Crown. - (For Soldiers) Display universal respect It is for the sake of every Aeltarosi citizen, merchant, child, and priest which calls this island a common home; that the soldiers of the realm gather for their protection. From these citizens, our fighting force is fed, and to these citizens our soldiers sacrifice their honor and lives. Therefore any man shall be greatly dishonored who takes up a false enmity with a soldier of the realm, and any soldier will call such dishonor upon his own self if he takes up enmity with a subject of his Sovereign. Such is the manifest command of the Prince’s Peace. Discouraged and Dishonorable Behaviors - Consume Food (Drink is Encouraged) Unless a courtly event specifically invokes the gathering and eating of food, courtiers ought not to be seen eating food during ceremonies. As an exception; the offering and consumption of fine, non-overwhelming drink is encouraged between friends and allies; all the better if this is done from elegantly crafted glass vessels. - Attract undue attention during ceremonies To selfishly call the attention of the gathered court to oneself when it is not in due season, is disrespectful to one’s countrymen. The Royalty and courtly staff are especially harmed by such actions of outburst or dramatic display, and it does little honor to one’s House to show a small measure of public decency. Most especially, to be seen and heard running from place to place in constant movement and climbing upon furnishings during court is disruptive and offensive to the Prince’s regality. - Be seen in deficiency in court To be in ill condition at court makes the public eye and the private consciousness skeptical of one’s integrity and diligence. Actions such as being seen loudly in need of food, vocally thirsting for drink, blowing one’s nose, or belching, are outward signs of inward impurity. - Display Public Affection during ceremonies All attention during courtly events ought to be directed as best as possible to the cares of the court and its proceedings. Display of overly affectionate behavior toward one’s courtship undermines the special dignity of the women of the court, and undermines the gallant self control of the men of the court. As the only exception; married units of man and wife are encouraged to hold hands as a show of the eternal and manifested bond of one soul to another. Resolving mistakes in Etiquette If a noble is seen performing or not performing an act which would bring indignity to themselves or the name of their house, it is the responsibility of the fellow peers to ensure the common accordance to the culture of excellence. To resolve any issues of this sort; first inform the lady of the house (or most prominent daughter) of the details of the improper deed. She will take the knowledge to the peer, who will set the arrangement of his space to hold more firmly to the etiquette of the prince's peace. It is critical that this is only done with the utmost respect as to not cause offense. Misunderstandings arisen from uncareful speech is a thousand measures more harmful than any violation of proper etiquette. (Verbal) Addresses For Royalty ○ For Sovereign Prince - ”Your Highness” - ”Lord Sovereign” - “Prince [Royal Name]” ○ For Princess-Consort - ”Your Highness” - ”Lady Sovereign” - ”Princess [Royal Name]” ○ For Designated Heir - ”Your Excellency” - ”Lord/Lady Excellency” ○ For all other Royal House Members - ”Your Reverence” - ”Lord/Lady Reverence” For Nobility (Comital & Ducal) ○ For Title Holder/Consort - “High Lord/Lady [Title]” - “Your Grace” - “Lord/Lady Grace” ○ For Non-Title House Members - “Lord/Lady [First Name]” - “Lord/Lady [House Name]” For Nobility (Baronial & Viscomital) ○ For Title Holder/Consort - “Honorable Lord/Lady [Title]” - “Lord/Lady [Title]” ○ For Non-Title House Members - “Lord/Lady [First Name]” - “Lord/Lady [House Name]“ (Written) Addresses For Royalty ○ For Sovereign Prince - “To our Sovereign Prince, [Royal Name], Prince of Aeltarys” ○ For Princess-Consort - ”To our Beloved Princess, [Royal Name], Princess of Aeltarys” ○ For Designated Heir - ”To our Excellency, [Royal Name], Heir to Aeltarys” - ”To our Excellent Reverence, [Royal Name], Heir to Aeltarys” ○ For all other Royal House Members - ”To our Reverence, [Royal Name] of House Valraenos” For Nobility (Comital & Ducal) ○ For Title Holder/Consort - “To His/Her Grace, [First Name] of [House Name], [Primary Title]” ○ For Non-Title House Members - “To High Lord, [First Name] [Second Name ], of [House Name]” For Nobility (Baronial & Viscomital) ○ For Title Holder/Consort - “To The Honorable [First Name] of [House Name], [Primary Title]” ○ For Non-Title House Members - “To Lord [First Name] [Second Name] of [House Name]” Feasting Arrangements During feasts, the Family of honor (usually the host, unless otherwise specified) will be seated at the most prominent seat of the table. To the right sits the consort, to the left are placed all of the heirs, with proximity to the center indicating the order of their succession. Such an array should be achieved whenever possible when gathered at courtly events. It is customary, even at the smallest of tables, to leave the first left seat empty if the heir is not available, or if the House has no declared heir. When hosting dignitaries and peers, it is expected of the organizing lord to assign spaces for every titled noble who is most expected to attend. Note *When addressing nobility and royalty of the realm, it shows a respectable level of learning and virtue to properly attribute titles to Houses. Even more important is distinguishing titled nobility from the families of titled nobility. Simply; when addressing a noble of title, use the name of their title, preceded by ‘Lord/Lady’ or ‘High Lord/Lady’. When addressing non-titled nobility, use the name of their House or their First Name, preceded by ‘Lord/Lady’ Essential Principles Common Honor: At all times, one should act, dress, and speak in such ways that displays the honor of their family, and the good learning of one's life. The living sovereign and the immortal realm are both most highly honored when their citizens act with constant grace and balanced measure. Enduring Hospitality: One must always give the most hospitality to the common citizenry which are the lifeblood of all civilization. It is the love of the common people which gives legitimacy to the sovereign crown and the dignity of the nobility. Nothing does a man or woman more honor than to be seen selflessly giving of oneself in service to virtuous deeds. Likewise, nothing brings so much dishonor than to be more loving of wealth and high dignity than the interest of all Aeltarosi. Resources & Their Use (OOC:) Houses of The Realm: [Link] Use this to associate oneself with the names and ranks of the various nobility of the realm. As such things are subject to change from one generation to another. Aeltarys Public Forum: [Link] Use this to be informed of news and discourses of the court Overall Court Summary: [Link] Use this to acquaint yourself and other courtiers with the ongoing description and operations of the Royal Court of Aeltarys. Otherwise known as the Orbar Court. Zālagon Jehikagrī, HIS ROYAL HIGHNESS, Maegor I Valraenos, Grand Prince of the Aeltarosi, Prince of Dragonclaw HER ROYAL HIGHNESS, Arabella Valraenos of Pavia, Grand Princess of the Aeltarosi, Princess of Dragonclaw (Authored By) Casstrucio Dandalo
  14. Eglie court isse jorrāelagon hen iā portraiteer Issued on the 17, of Laenor’s Escape of 146 S.A. SUMMARY/INTRODUCTION This missive is a summons to any and all clerical citizens of Aeltarys and beyond. Because it is the will of the Crown to share its honored presence with its citizenry and noble class, the High Prince and Princess have resolved to host court and give weight to the announcements and conversations therein. While such things are to the great pleasure of all Aeltarosi, the object of royal desire has shifted to attaining a body of Portraiteers. Duties of the Court Portraiteers 1) Attending major events and gatherings of Aeltarosi, especially courtly events 2) Drafting and composing portraits of various scenery and particular figures 3) Using tools and resources to modify the portraits 4) Sharing portraiture with the public and royalty on often occasion Compensations 1) Special access to places and events of Honor 2) Recognition of merit and good service 3) Training in skills and career path of portraiture Examples of Works: Contact High Princess Arabella of Aeltarys (tadabug#2000) Casstrucio Dandalo (Lomiei#5456) Zālagon Jehikagrī, HER ROYAL HIGHNESS, Arabella Valraenos, Grand Princess of the Aeltarosi (Authored By) Casstrucio Dandalo of Pavia
  15. SE COURT HEN ŌRBAR Issued on the 11th, of Bloodwings Flight of 5 AST. INTRODUCTION Se Court Hen Ōrbar, or in common the Court of Smoke is the first Aeltarosi court established upon the expedition of the Aeltarosi to Aevos. With the ceremony of His Royal Highness, Maegor I and Her Royal Highness Arabella I, the newly named Grand Princess has seen it fit to herald the creation of the Court of Smoke, advised by the natural-born Aeltarosi. “May the flames burn as bright as an inferno.” THE DRAGON'S BREATH The highest tier of the courts, commonly referred to as the Dragon’s Breath is kept solely to the royal family of Valraenos. It consists of the Grand Prince and Princess, the Crown Royal once an heir is named and the royal family itself. Their roles are showcased in many ways, in which they may fill any roles of the court. It is the consort, though, of the Grand Prince or Princess that will be seen running the Courts and thus appointing the roles below them. THE INFERNO The second highest tier of the courts, in which is it commonly referred to as the Inferno, as the difficulty of getting into the positions and keeping them in this fast-paced and ever-changing environment is that of akin to an inferno. THE INFERNOS OVERSEER The Infernos Overseer of the Ōrbar Court is second-in-command to the Dragon’s Breath, and the highest-ranking position. They are an individual who speaks directly with the upper tier and assures their expectations and standards are kept to. They are tasked with setting the example, and thus must always be the epitome of their role. Alongside this, they ensure the court is running smoothly with all the essentials it may need. They directly interview and hire those of the second tier, the Inferno, alongside those of the third tier, their Scales Assistants. THE INFERNO OF CEREMONIES The Inferno of Ceremonies of the Ōrbar Court is the second highest-ranking position. They answer directly to the Infernos Overseer and the Dragon’s Breath alike. They are tasked with the introduction of games, traditions and ensuring each event that takes place is more exciting then the last. They must be ever-fluid much like an inferno, and thus must always be the epitome of their role. They directly interview and hire those of the third tier, their Scales Assistants. THE INFERNO OF SERVITUDE The Inferno of Servitude of the Ōrbar Court is the third highest-ranking position. They answer directly to the Infernos Overseer and the Dragon’s Breath alike. They are tasked with ensuring the courts are fully stocked with necessities, they are to keep the cabinets full, upkeep the palace and to assume responsibility for the lower positions running smoothly. They directly interview and hire those of the third tier, their Scales Assistants and those of the fourth tier, the Embers Servants. THE INFERNOS WEAVER The Infernos Weaver of the Ōrbar Court is the fourth highest-ranking position. They answer directly to the Infernos Overseer and the Dragon’s Breath alike. They are tasked with the keeping of court archives, the keeping of important documents and the introduction of new ones. They are to keep the Court relevant, with the finding of various art pieces, bringing forth traditions old and new and keeping a keen eye to our history. The most notable of this, which gives them their name, is that they must be skilled in embroidery. When appointed to their position, they are to embroider the scarf used in Aeltarosi ceremonies, a great honor for any Aeltarosi to have. They directly interview and hire those of the third tier, their Scales Assistants. THE SCALES The third highest tier of the courts, commonly referred to as the Scales, as they bring a much needed balance to the courts. While not as difficult to get into as the Infernos tier, it is a difficult position to uphold nonetheless. THE SCALES ADVISOR The Scales Advisor of the Ōrbar Court answers directly to the Infernos and Dragon’s Breath alike. They do not have specific tasks set, and as advisors can be hired on for any number of reasons, depending on talent and ability. They are called upon when their particular set of skills or talents are needed within the courts. THE SCALES ASSISTANT The Scales Assistant of the Ōrbar Court answers directly to the Infernos and Dragon’s Breath alike, though they may have a primary they answer to. What they assist on depends solely on who they were hired on to assist, i.e. event running with the Infernos of Ceremonies or managerial work to the Grand Princess. THE EMBERS The lowest tier of the courts, commonly referred to as the Embers, in which they can be blown out with the wind or be tended to and be made into fire. The work set out can vary wildly, much like a Princess choosing her apparel for the day. THE EMBERS SERVANT The Embers Servant of the Ōrbar Court answers directly to the upper tiers of the court, though the Infernos and Dragon’s Breath always takes the utmost priority. They are set a variety of tasks, which are not exclusive to the upkeep and cleanliness of the palace, serving during various functions or even the rearranging of a flower pot to another corner of the room. THE EMBERS WARD The Embers Ward of the Ōrbar Court answers directly to the individual they are warded to, though the Infernos and Dragon’s Breath always takes the utmost priority. The tasks they are set are based solely on the discretion of the individual who warded them, though it will primarily be seen to be based around the role in question, i.e. being warded to the Infernos Weaver will see you organizing the palaces books, or embroidering a handkerchief. Zālagon Jehikagrī, HER ROYAL HIGHNESS, Arabella Valraenos of Pavia, Grand Princess of the Aeltarosi, Princess of Dragonclaw, Lady of Pavia, Lady of Atalais, Lady of Erice, Lady of Austerone
  16. On Letter Writing, Intentions, and Layout UKEN VE KRAWN I ROZZ Issued by the OFFICE OF VE ESROVA KORT On the 7th day of Vzmey ag Hyff of 481 E.S. VA BIRODEO HERZENAV AG EDLERVIK, Upon assigning tasks based around letter writing to the wards of the Morrivi Court, it has been brought to our attention that there appears to be some confusion surrounding the layout of a letter and how best to write one, depending on the intentions had. Below the previous work of Queen Isabel and her Court is credited, particularly the section on letter writing, which is greatly expanded upon for further education of our courts and Kingdom. ON PREVIOUS WRITINGS As referenced in Etiquette Reforms in the Royal Court of Hanseti-Ruska, Section II; Letters, published in 353 E.S. during the reign of Queen Isabel: “The art of composing a letter to anyone is a learned talent. Letters and calling cards are expected as a way of gratitude after a family has graciously hosted an event or dinner. Letters are also a way of solidifying courtship. Those particular notes should be crafted mindfully with tone and word choice in mind. Handwriting should be clear, not too large and bold yet possessing some kind of character or style.” These written words still hold true to this day, and we encourage you to read the full section within those reforms from some time ago. Our reason, though, for writing further on this now is not to change what was written but only to expand upon it further; allowing an increased understanding as to the art that is letter writing. THE LAYOUT OF A LETTER The layout of a letter finds its basis in whether it is a formal or informal letter, alongside that of the topic you wish to touch on. SALUTATIONS In any letter, the first part seen is the salutations, of which may contain the names of both parties. Whether you would see the recipient or the sender's name and titles first is dependent upon the status of the recipient and the sender alike, Below is an example, of a Count sending a letter to a Baroness: “The Right Honorable, Count of Oblong, Knight of the Realm and Defender of Haense and its vassals gives his greetings to Her Ladyship, Baroness of the Righthood, Ambassador to Petra -” This, above, is an example of a formal letter - One where the sender is of higher ranking then the recipient and the sender has not spoken to or sent a letter to the recipient previously. If the Count in question instead wished to flatter the Baroness, even if he had not met her previously, it would be written in a way such as this, allowing for a petition based subject instead: “To the inspiring Baroness of the Righthood, Her Ladyship, justful Ambassador to the Petra from the Right Honorable, Count of Oblong, Knight of the Realm and Defender of Haense and its vassals, greetings-” The difference in this introduction is that, compared to the first, it speaks of the perceived virtues of the recipient, despite their lower status - and by listing them first, offers flattery. This is why more often than not, you would see something petitioned afterwards, as a compliment is offered before the request. There are a total of four introductions, the formal neutral, which was listed in the first example above. This lists the higher statused sender first, with no form of flattery within the letter. The second type is formal good, this being where you go for flattery, in which the lower statused recipient is listed first. Each of these can have subsections to it, which can change the letter and its intentions with but a few changes of layout. Formal neutral, though, stays just as that with no subsections as it what one would call truly formal. Under formal good, though, there are a few choices. You may choose in such phases of politeness to list the higher statused individual first, which in this example is you, the Count - With virtuous words used towards the recipient as a form of a flattery meant not to come on too strong, when the recipient is listed second. Another choice is to do as in the example; listing the lower statused recipient first with virtuous words or you may choose not to use virtuous words at all. Each of these three subsections are a form of flattery, often used before making a request, or that of a petition. The other two levels of politeness for introductions that have not been listed yet are on informal letters. In this instance, our example changes, though this time the Count and the Baroness are old friends, those who have spoken and written previously and have known each other for quite some time. Some examples may be given below for reference: “My dear Lady Anabel, -” Or “My Lady, -” Shorter, sweeter and friendlier are these examples above. Should they be used on someone you are not close with, however, it may constitute a great offense. The first example will be kept to the theme of naming and be dubbed as informal good. This in particular boasts several details of note in this short but sweet sentence. It uses the Baroness’s first name, Anabel, and refers to her informally as ‘Lady’ versus that of ‘Baroness’. Additionally, the word ‘dear’ is used beforehand, denoting a close friendship and a care for the recipient. In opposition, is simply ‘My Lady’, which shall be under the informal neutral manner. The sender and recipient are friendly enough to warrant using informal letters, but are not close enough to exchange words as is used in the other example above. The Count refers to her as ‘Lady’, an informal term versus that of ‘Baroness’, with some denotion to their friendship as he also uses the word ‘My’. ON WELL-BEING This next part of the letter is not as interchangeable as the section soon to be touched on; petition, may be, as this section is generally expected to keep up any friendship (in the case of an informal letter) or to keep the recipient in a good mood (in the case of a formal letter). This section of the letter oftentimes sees the sender wishing the recipient good health, prosperous fortune or otherwise. What should be included in this section is more often than not up to the sender, but it should have basis in the intention of the letter. Should this be a formal letter, you’d find the example below fitting: “I have heard news of your recent pursuits in your Ambassadorial duties within Petra and commend them highly. The news on the recently made Pact of the Petrine Crow has spread far and wide, leaving the people in great cheer, which I pray you are much the same. Upon reading your work, I can only hope to hear more in the future.” This, as you can see above, is formal while still offering an amount of flattery to put the recipient into higher spirits. Naturally, of course, for letters more of a discourse type nature - This example can be written differently, in which you are not aiming to put them in any sort of mood, or are even wishing to set them into something more foul. More often than not, though, you shall find yourself checking on their well-being. In another example, you would use this when requesting something from someone; in which a petition is followed afterwards. In this instance, more often than not, you would expect to see someone quoting a proverb about how noble or generous they are, being followed by requesting something: “Your noble pursuits have shown to give freely and yet gain even more - for a generous person such as yourself prospers, refreshing others and thus being refreshed. Such generosity has been noticed in the recent Pact of the Petrine Crow which has spread far and wide, rejuvenating to the people's ears and offering hope for the future.” The example above is formal, yet uses flattery, proverbs and speaks of their noble pursuits, their generosity and just how refreshing it is. When reading this, anyone can tell it is leading up to a request, a petition within the letter written. With that of informal letters, it is a different story in which you may more simply check on their well-being, without as much use of proverbs, flowery language or otherwise, an example of such below: “I hope I write to you of well-mind and health, and that of your family. I’d heard of the pact made with Petra and am happy to see you prospering under your new position!” It can be longer, shorter or otherwise but the example gets the point across. It checks in on her health and even that of her family’s, and comments on how she must be prospering as he mentions having heard of the Pact made - a sign of a job well done. ON NARRATION This next part is where the actual purpose of the letter is expounded upon, in which the sender may speak of their family, difficulties they had at home, relay certain information or otherwise. Below is an example of formal good narration in letter writing: “It is that of the aforementioned future that troubles me so. The yield of the crops this year has been low and famine high, in which your noble pursuits of the Pact of the Petrine Crow may offer the people much needed respite. How they suffer so, seeking the generosity of a noble individual such as yourself, to allow their bellies to be full and hearts warm.” With a narration such as this, it would likely be followed by a petition which will be touched on in a later section. The narration in question touches on several things: that trouble has been had in the lands of which the Count writes from, and that the trouble is based around food - by mention of the Pact, one can gather that there was likely some mention of trade in the pact that would benefit the people in question. Following this, though, is another example in which you would find an informal narration: “I wish things were just as prosperous back home but alas; the food stock has been dwindling due to famine, and I find myself scouring the markets for but a crumb -” This is kept relatively informal, and with how it is written, it would be followed by a petition. ON PETITIONS This part of the letter may be omitted entirely if your letter does not include a request, it can also include pleas, admonishments or otherwise, depending on the intent of the letter in question. In order to keep with the examples given above, we’ll continue in the base of a Count writing a letter to a Baroness. Below is an an example, keeping to the formal good style we have been discussing: “I beg of you in this instance to send even a portion of what was gained in the trade deal made within the Pact of the Petrine Crow so that the people may be renewed, and filled with food to their heart's content - for this famine may continue for some time, and only your generous nature shall stave off further ruin.” The example above is a request, in keeping with the flattery and intentions of the letter being written - It plays on the recipient's good nature, speaks of the trouble of others, and is worded in a way so as to sweet-talk them into receiving the petition in question. Intentions, though, can make or break a letter. Even with the flattery used previously, this part can be changed to be of a threatening nature, as exemplified below: “And yet, it is with that same nobility and that same reputation that has preceded you with the making of the Pact of the Petrine Crow - one that would not be had without the aid of myself. Pay heed to what I demand, munitions as agreed upon within the Pact are to be sent henceforth to the people here.” The example above has altered the tone and intentions of the letter entirely, however keeping still with the formal good manner of writing letters - while putting forth a threat to the Baroness from the Count. ON CONCLUSIONS Considered primarily as the last part of the letter, which is true and yet not at the same time, this section collates the letter’s message, states goodbyes, expresses well-wishes, or if one is maintaining a threatening tone, states the consequences of ignoring your petition. Keeping to the previous examples of a formal good letter, this is an example of a conclusion that may be had: “There is no more to you at this time, for I hope this letter finds you well and that we may speak further in due time. I imagine, though, that I will hear word of your generous actions long before I receive such a letter back. I pray for you at this time, for your good health, and for your continued success, offering GODspeed and GODbless as I bid you my farewell.” This brings us nearly to the end of the written letter, in which further well-wishes are expressed - prayers and flattery alike; all of which keep to the tone and intentions of the letter that is to be sent. Subsequently, following conclusions are that of signatures and a date, so as to show that the letter is authentic. A date or location need not always be separate if it is included in the conclusion of the letter itself. The date of which this is written is more often than not at the top of the letter itself, the signature at the bottom alongside a notation as to where the letter was written, so a response might be penned in turn. To further ensure authenticity, as one wishes to prevent the potential of letter forgery, the letter upon its conclusion shall be folded and stamped with wax, before the personal or familial seal of the sender - based on the intent of the letter - is imprinted into the wax. The wax seal is of great importance, as it is a way of showing identity and proving just who has sent the letter; signed signature or not. LETTER EXAMPLES An example of a formal good letter written by Queen Sofia, based upon the example detailed previously, a Count contacting a Baroness is written below. Petitioning is used, alongside flattery in this example: “To the inspiring Baroness of the Righthood, Her Ladyship, justful Ambassador to the Petra from the Right Honorable, Count of Oblong, Knight of the Realm and Defender of Haense and its vassals, greetings. Your noble pursuits have shown to give freely and yet gain even more - for a generous person such as yourself prospers, refreshing others and thus being refreshed. Such generosity has been noticed in the recent Pact of the Petrine Crow which has spread far and wide, rejuvenating to the people's ears and offering hope for the future. It is that of the aforementioned future that troubles me so. The yield of the crops this year has been low and famine high, in which your noble pursuits of the Pact of the Petrine Crow may offer the people much needed respite. How they suffer so, seeking the generosity of a noble individual such as yourself, to allow their bellies to be full and hearts warm. I beg of you in this instance to send even a portion of what was gained in the trade deal made within the Pact of the Petrine Crow so that the people may be renewed, and filled with food to their heart's content - for this famine may continue for some time, and only your generous nature shall stave off further ruin. There is no more to you at this time, for I hope this letter finds you well and that we may speak further in due time. I imagine, though, that I will hear word of your generous actions long before I receive such a letter back. I pray for you at this time, for your good health, and for your continued success, offering GODspeed and GODbless as I bid you my farewell.” An example of a informal neutral letter by Lady Karyna: “To My Lady, Karina Ludovar I do hope this letter finds you in good health. It has been some time since we have spoken and I wished to reach out as a means of catching up in these dire times. I hope that all is well within the Family of Ludovar. Perhaps at some point, should you be available, we could meet for tea or hot cocoa. GOD knows we need to keep friends near when times are tough. I look forward to your response, may GOD bless you and your family, farewell.” IV JOVEO MAAN Her Royal Majesty, Sofia of Hyspia, Queen-Consort of Hanseti and Ruska, Princess of Hyspia, Princess-Consort of Bihar, Dules, Lahy, Muldav, Slesvik, Solvesborg, and Ulgaard, Duchess-Consort of Carnatia, and Vanaheim, Margravine-Consort of Korstadt, Rothswald and Vasiland, Countess-Consort of Alban, Alimar, Baranya, Graiswald, Karikhov, Karovia, Kaunas, Kavat, Kovachgrad, Kvasz, Markev, Nenzing, Siegrad, Torun, Toruv, Valdev, and Werdenburg, Viscountess-Consort of Varna, Baroness-Consort of Astfield, Buck, Esenstadt, Kraken’s Watch, Kralta, Krepost, Lorentz, Rytsburg, and Thurant. Her Ladyship, Anabel Elia Colborn, Keeper of the Book of House Colborn, Royal Scribe Her Ladyship, Karyna Rezalin Colborn, Ward to Queen Sofia
  17. Issued by the MORRIVI PRIKAZ COURTS On this 3rd day of Tod ag Yermey of 478 E.S. VA BIRODEO HERZENAV AG EDLERVIK, With the discussion had as to the worry of just how long we shall be residing within this new Underdark, and that of the concerns of what our people will eat during this time, it was decided someone must be appointed in leading expeditions as to this new area, trying what our new environment has to offer and to provide a guide as to what is safe and provides nourishment to eat versus not. Keeping this in mind, this position of Master of Agriculture is being made under the Morrivi Prikaz Courts. This position is temporary, granted for the time being and will be looked at once more as to whether it is needed once we leave this area. MASTER OF AGRICULTURE Ser Sterling Amador @VerminHunter Ser Sterling Amador took charge when the worry was mentioned by troubled citizens and the Queen alike. Setting forth on an expedition, he tried what was there at the risk to his own health, all in the name of the Kingdom. With prior experience in camping, and finding food in strange places, the courts believe him a fine fit as our Master of Agriculture. IV JOVEO MAAN His Royal Majesty, Georg, by the Grace of Godan, King of Hanseti and Ruska, Grand Hetman of the Army, Hochmeister of the Order of the Crow, Prince of Bihar, Dules, Lahy, Muldav, Solvesborg, Slesvik and Ulgaard, Duke of Carnatia and Vanaheim, Margrave of Korstadt, Rothswald and Vasiland, Count of Alban, Siegrad, Werdenburg, Alimar, Baranya, Graiswald, Karikhov, Karovia, Kaunas, Kavat, Kovachgrad, Kvasz, Markev, Nenzing, Torun, and Toruv, Viscount of Varna, Baron of Esenstadt, Kraken’s Watch, Kralta, Krepost, Lorentz, Rytsburg, Buck, Thurant and Astfield, Lord of the Westfolk, Protector and Lord of the Highlanders, etcetera. Her Royal Majesty, Sofia of Hyspia, Queen-Consort of Hanseti and Ruska, Princess of Hyspia, Princess-Consort of Bihar, Dules, Lahy, Muldav, Solvesborg, Slesvik and Ulgaard, Duchess-Consort of Carnatia and Vanaheim, Margravine-Consort of Korstadt, Rothswald and Vasiland, Countess-Consort of Alban, Siegrad, Werdenburg, Alimar, Baranya, Graiswald, Karikhov, Karovia, Kaunas, Kavat, Kovachgrad, Kvasz, Markev, Nenzing, Torun, and Toruv, Viscountess-Consort of Varna, Baroness-Consort of Esenstadt, Kraken’s Watch, Kralta, Krepost, Lorentz, Rytsburg, Buck, Thurant and Astfield, Lady of the Westfolk, Protector and Lady of the Highlanders, etcetera.
  18. Issued by the MORRIVI PRIKAZ COURTS On this 6th day of Joma ag Ugmund of 476 E.S. VA BIRODEO HERZENAV AG EDLERVIK, With the onslaught of letters that have come with our previous missives, the palace has been busy with varying footsteps and the doors to offices opening and closing as interviews take place. And so those interviews have been fruitful, producing seven new members of our courts, all of which we look forward to just what they do during their tenure. Even so, the courts are still interviewing, still hiring and within the coming Saints days, a missive will be posted to show just which positions have been filled and what we still seek to fill in turn. COURT ADVISOR Her Highness, Princess Hera Munnel @Apotolofo What one would call a colorful and loud individual, spotted across any ballroom floor with a shock of red hair, her Ladyship Hera is someone that is certainly difficult to ignore. Having traveled immensely, and with her penchant of meeting those of even the strangest countenance, she will be an invaluable advisor on matters having to deal with the lands of Almaris, its groups and otherwise. COURT KHAZYA Her Ladyship, Amelya Kortrevich @CupOTea__ Having recently returned to the Capital after an illness in her youth, Her Ladyship seeks to bring people together and inspire others during these troubling times. She has completed extensive research into particular events and customs, and the Court looks forward to just what she produces during her tenure. COURT ASTROLOGER His Lordship, Sterling Amador @VerminHunter The Lord Sterling Amador came recommended by our recently retired Court Astrologer, having helped her previously in drafting her missives on the Haeseni Zodiacs. After a lengthy interview, we naturally realized the why of the recommendation. Knowledgeable not only on what is published upon the missives, but he understands the finer details and appreciates the traditional heart of the Sigmundic Zodiac. His Lordship looks forward to teaching the value of the stars to those within Haense and perhaps even beyond, and we certainly look forward to how he does so. MASTER OF THE ROBES His Lordship, Murtagh Amador @Gutz An individual who has more recently returned from the countryside, with a storied collection of works that will breathe air upon the tender flames of our courts fashion and bring it to greater heights then previous. With a keen interest as to the clothing and jewelry those don in the varying multi-cultural styles across that of Haense, he is sure to be a hit within our courts, setting and documenting many trends. COURT BAKNA Her Ladyship, Marija Colborn @CelestialBoba Her Ladyship would be one of the more obvious appointments, as it’s well-known she had been hired on to bake the cakes, plural, at the royal wedding between King Georg I and the now Queen Sofia of Hyspia. The cakes were inventful, creative and above all, delicious. The courts are eager to see and taste her baking in the future, and just how, if even possible, how her skills grow in the meantime. COURT MUSICIAN Her Ladyship, Astrid Colborn @MutatedPotato The Lady Astrid was a more unorthodox appointment, having come across the Queen after a late meeting - henceforth presenting herself and her will to become that of a Musician for the courts. With agreement set upon, they moved to the ballroom where a series of instruments were presented to choose from, the violin soon chosen. What better to speak for one in an interview on the musical arts then music itself, afterall? A sweet, tender lullaby was played with a voice that could hit the high notes to boot. No questions were needed, exclaiming her maravillosa performance! COURT LIBRARIAN Her Ladyship, Anastasia Kortrevich @Orneth Her Ladyship Anastasia has gone on to show her passion for books, seeking out the caretaker of the Morrivi Prikaz library, and speaking on how she believes them to be a powerful tool for learning and personal growth and how she wishes to show the denizens of Haense just that. With her goals in mind, she spoke of hosting story nights and the like - a lovely pastime. Her ambitions were proven rather quickly and her ability to get things done, as she had immediately got to work in aiding our caretaker with a matter of the books within the library. Having shown her intentions already, we believe she’d make a lovely fit within our courts. COURT SCRIBE Firr, Jonathan O’Kieran @SirB0ng0 Last but certainly not least is the Firr Jonathan, having taken the chance to present himself before the King and Queen at their wedding feast - a sword and an offer alike. His offer amounted to becoming a Scribe for Their Majesties, and having been called upon at a later date for an interview in an official capacity, it was found that he has published many previous works and has made a bit of a name for himself. A name that we only hope grows further during his tenure under our Morrivi Prikaz courts. IV JOVEO MAAN His Royal Majesty, Georg, by the Grace of Godan, King of Hanseti and Ruska, Grand Hetman of the Army, Hochmeister of the Order of the Crow, Prince of Bihar, Dules, Lahy, Muldav, Solvesborg, Slesvik and Ulgaard, Duke of Carnatia and Vanaheim, Margrave of Korstadt, Rothswald and Vasiland, Count of Alban, Siegrad, Werdenburg, Alimar, Baranya, Graiswald, Karikhov, Karovia, Kaunas, Kavat, Kovachgrad, Kvasz, Markev, Nenzing, Torun, and Toruv, Viscount of Varna, Baron of Esenstadt, Kraken’s Watch, Kralta, Krepost, Lorentz, Rytsburg, Buck, Thurant and Astfield, Lord of the Westfolk, Protector and Lord of the Highlanders, etcetera. Her Royal Majesty, Sofia of Hyspia, Queen-Consort of Hanseti and Ruska, Princess of Hyspia, Princess-Consort of Bihar, Dules, Lahy, Muldav, Solvesborg, Slesvik and Ulgaard, Duchess-Consort of Carnatia and Vanaheim, Margravine-Consort of Korstadt, Rothswald and Vasiland, Countess-Consort of Alban, Siegrad, Werdenburg, Alimar, Baranya, Graiswald, Karikhov, Karovia, Kaunas, Kavat, Kovachgrad, Kvasz, Markev, Nenzing, Torun, and Toruv, Viscountess-Consort of Varna, Baroness-Consort of Esenstadt, Kraken’s Watch, Kralta, Krepost, Lorentz, Rytsburg, Buck, Thurant and Astfield, Lady of the Westfolk, Protector and Lady of the Highlanders, etcetera. His Excellency, Fabian Otto Kortrevich, Grand Lord of Hanseti and Ruska
  19. Issued by the MORRIVI PRIKAZ COURTS On this 6th day of Msitsa ag Dargund of 476 E.S. VA BIRODEO HERZENAV AG EDLERVIK, Our most recent missive detailed the opening of interviews and the restructuring of the Morrivi Prikaz courts alike, and it has since been fruitful. With many birds flying in across Karosgrad and even beyond, the court is soon to see many appointments once this round of interviews has come to an end. Until then, those that have proven themselves to the Monarchs and their council are appointed today, where they shall begin their positions henceforth. We look forward to their contributions to the growth of our courts, our home, Kingdom and Nation. And in turn, we hope that the people of Haense will support them in whatever endeavors they intend to pursue within Our royal courts. THE COURT ADVISOR Her Highness, Princess Veronica Weiss @Bethinwonderland Her Highness is someone who offers a unique perspective all of her own, whether it’s on politics, how to handle a conflict or otherwise - her competence knows no bounds and she is a valued member of our courts. With her appointment, she is to stay close by the Queen's side, to discuss matters as they are needed with an intent ear. THE COURT ADVISOR Her Royal Highness, Vicereine-Madre Laurelie de Pelear @AnimeWolf0080 Mother to the Queen, her storied history from her birth in the fallen Empire of Oren, the sprouting of the Kingdom of Balian and to her time now within the Kingdom of Hanseti-Ruska has left her with a unique perspective to bestow upon the Queen and the council, for her wisdom knows no bounds. THE COURT ADVISOR His Lordship, Haus Weiss-Vuiller @PrimnyaQuorum His Lordship is one knowledgeable in multiple aspects, namely that of law and medicine. This has been gained from his time as the Deputy-Surgeon General of the St. Amayas’ Clinic of Karosgrad, alongside that as Jovenaar. Level-headed and supplying logic and logistics to our courts, he’ll make a fine addition to the council. THE MASTER OF THE ABSTRACT His Lordship, Haus Weiss-Vuiller @PrimnyaQuorum The second role for His Lordship to be appointed to within this missive, his knowledge of magical matters has made him indisposable, furthermore with his work as a Mage allowing either magic to delight the denizens of the court or to aid in the varying conflicts raging across Almaris as of current. The discussions between him and the Queen established his duties along the lines of this; keeping awareness of the magical happenings within the kingdom and the world, ensuring magical happenings within the kingdom are kept under control and regulation and furthering the kingdom's understanding of the magical and the abstract. THE MISTRESS OF THE PANTRY Firress, "Nona" Fable Annette Ambrosia @_mady07 A relatively new face to the streets of Karosgrad and yet, one beloved all the same. She clicked in with a cane, a missive and shouted words as she began to feed anyone with a hungry belly within our very streets. Seeing this, the first task assigned to our newly appointed Grand Lord was to bring her into our courts immediately, naming her Mistress of the Pantry. Per the Grand Lord and Nona Fable’s discussions, the Mistress of the Pantry shall instruct the youth of Karosgrad in the culinary arts; keep the culinary traditions of Hanseti-Ruska alive and well; and have her craft provided for by the palace as she shares her works with the good people of Haense. IV JOVEO MAAN His Royal Majesty, Georg, by the Grace of Godan, King of Hanseti and Ruska, Grand Hetman of the Army, Hochmeister of the Order of the Crow, Prince of Bihar, Dules, Lahy, Muldav, Solvesborg, Slesvik and Ulgaard, Duke of Carnatia and Vanaheim, Margrave of Korstadt, Rothswald and Vasiland, Count of Alban, Siegrad, Werdenburg, Alimar, Baranya, Graiswald, Karikhov, Karovia, Kaunas, Kavat, Kovachgrad, Kvasz, Markev, Nenzing, Torun, and Toruv, Viscount of Varna, Baron of Esenstadt, Kraken’s Watch, Kralta, Krepost, Lorentz, Rytsburg, Buck, Thurant and Astfield, Lord of the Westfolk, Protector and Lord of the Highlanders, etcetera. Her Royal Majesty, Sofia of Hyspia, Queen-Consort of Hanseti and Ruska, Princess of Hyspia, Princess-Consort of Bihar, Dules, Lahy, Muldav, Solvesborg, Slesvik and Ulgaard, Duchess-Consort of Carnatia and Vanaheim, Margravine-Consort of Korstadt, Rothswald and Vasiland, Countess-Consort of Alban, Siegrad, Werdenburg, Alimar, Baranya, Graiswald, Karikhov, Karovia, Kaunas, Kavat, Kovachgrad, Kvasz, Markev, Nenzing, Torun, and Toruv, Viscountess-Consort of Varna, Baroness-Consort of Esenstadt, Kraken’s Watch, Kralta, Krepost, Lorentz, Rytsburg, Buck, Thurant and Astfield, Lady of the Westfolk, Protector and Lady of the Highlanders, etcetera. His Excellency, Fabian Otto Kortrevich, Grand Lord of Hanseti and Ruska Her Ladyship, Allessandra de Vend, Palace Custodian of the Morrivi Prikaz, Caretaker of the Morrivi Prikaz Library
  20. Issued by the QUEEN OF HANSETI-RUSKA On this 14th day of Gronna ag Droba of 476 E.S. VA BIRODEO HERZENAV AG EDLERVIK, The Morrivi Court, the Queen's purview over her nation and realm, has been restructured after the recent retirement of the former Grand Lady, the Lady Viorica Kortrevich. Her work is undeniable during her tenure, seeing to it that it worked efficiently and fluidly alike and for that we thank her. Nevertheless, the now Queen has obtained two promising individuals to contribute to the Morrivi Court’s further growth, promoting from within before she seeks those outside of the current roles. We hope that the people of Haense will support them in whatever endeavors they intend to pursue within our royal courts. THE GRAND LORD HIS LORDSHIP, FABIAN KORTREVICH @critter His Lordship has proved his dedication to the courts during his tenure as Master of the Hunt, with a keen eye of the details, efficiency in the events he ran and clear communication - three things one should take pride in and that the courts would look for within a Grand Lord or Lady alike. THE LADY CUSTODIAN HER LADYSHIP, ALLESSANDRA DE VEND @Smol Her Ladyship has proven during her tenure as the Lady Chamberlain her work ethic, just how she gets things done and the tidy up-keep of the projects she sees to. It is for this reason the courts sees her better suited to a role as the Lady Custodian, where she is henceforth promoted, with reign over the palace, its servantry and its day to day up-keep. ON INTERVIEWS Due to the restructuring of the courts and the opening and filling of positions anew, interviews are officially open for those who currently hold positions and those who do not alike - to see where they fit best within our Morrivi Prikaz. Should there be interest in an interview, bird the newly appointed Grand Lord Fabian Kortrevich or the Lady Custodian Allessandra de Vend. IV JOVEO MAAN His Royal Majesty, Georg, by the Grace of Godan, King of Hanseti and Ruska, Grand Hetman of the Army, Hochmeister of the Order of the Crow, Prince of Bihar, Dules, Lahy, Muldav, Solvesborg, Slesvik and Ulgaard, Duke of Carnatia and Vanaheim, Margrave of Korstadt, Rothswald and Vasiland, Count of Alban, Siegrad, Werdenburg, Alimar, Baranya, Graiswald, Karikhov, Karovia, Kaunas, Kavat, Kovachgrad, Kvasz, Markev, Nenzing, Torun, and Toruv, Viscount of Varna, Baron of Esenstadt, Kraken’s Watch, Kralta, Krepost, Lorentz, Rytsburg, Buck, Thurant and Astfield, Lord of the Westfolk, Protector and Lord of the Highlanders, etcetera. Her Royal Majesty, Sofia Camila of Hyspia, Queen-Consort of Hanseti and Ruska, Princess of Hyspia, Princess-Consort of Bihar, Dules, Lahy, Muldav, Solvesborg, Slesvik and Ulgaard, Duchess-Consort of Carnatia and Vanaheim, Margravine-Consort of Korstadt, Rothswald and Vasiland, Countess-Consort of Alban, Siegrad, Werdenburg, Alimar, Baranya, Graiswald, Karikhov, Karovia, Kaunas, Kavat, Kovachgrad, Kvasz, Markev, Nenzing, Torun, and Toruv, Viscountess-Consort of Varna, Baroness-Consort of Esenstadt, Kraken’s Watch, Kralta, Krepost, Lorentz, Rytsburg, Buck, Thurant and Astfield, Lady of the Westfolk, Protector and Lady of the Highlanders, etcetera.
  21. Sobre Perfumería Viceroyalty of Hyspia’s On Perfumery Hyspian Cultural Codex I: Volume II [!] Missives can be seen hung up around the Haense and Hyspia streets. A one-of-a-kind perfume created for the Princess Sofia de Pelear of Hyspia as a gift upon her Quinceanera. On Scent Theory There are varying theories as to scent and more importantly, perfuming. It is said that the scent one uses can make a difference in their day to day life. Much like one would dress the part for the role they wish to take on, this is believed to be along that same vein. Despite its stark difference, if one wishes to take on a more flirty scent, they’d do best to look into hints of vanilla or spicy notes. It’s believed that those scents are associated with home and that of a home cooked meal, which makes this theory an interesting one as every upbringing is different. For those seeking something more light-hearted, airy, floral scents would be the go-to. It’s said to generally improve someone's mood, allowing it to give its more light-hearted atmosphere and is said to even trigger happy memories. Now, on the opposite end of this, you have woodsy scents. Crisp, aromatic notes that more often than not reminds someone of nature. In theory, it is said that it’s worn by outspoken individuals, natural leaders and namely, extroverts. The last of the four main scents variants would be that of something that you’d simply call fruity. A citrusy scent, which can easily be cloying if not used in moderation. Fruity scents are theorized to be all about personality, drawing attention to oneself and are meant to be fresh and invigorating. While these are sub-variants, these are the four main types of scents you’d find in perfuming and as written below, this will be touched on more, covering what is used in the making of perfume, on dousing yourself versus subtle scents and otherwise. What is Used? In the making of perfumes, there are a few things to keep in mind. While the ingredients are an important and key component when making any perfume, colors and tones have certain associations but it isn’t an exact science. Brown perfumes are associated with something more woody and dense, bringing it under the woodsy scent variant and occasionally the flirty scent variant. By knowing its final appearance beforehand, it’ll allow you to further plan ahead as to the make of the perfume bottle, just how to empathize the scent and otherwise. The same can be said with pale pinks being associated with more floral scent variants and hot pinks for something more sweet and light. Alongside this is green tones, associated with light and fresh scents, giving three main colors and meanings to choose from when planning your particular perfume bottle. When choosing to make a perfume of the flirty scent variant, you’d find that using vanilla, cinnamon, nutmeg, pepper and/or cloves will be your friend. This makes a strong scent that lasts well over-time, giving it longevity. The second scent variant, that of the floral scent most often has that of roses, lavender, jasmine and/or lily of the valley. This perfume tends to smell like freshly cut flowers, and is not as well-known for its longevity throughout the day. If using citrus based oils with it, you’d wish to store it properly, lest it go bad. Our second to last scent variant is our woodsy scent, which ranges over from our more delicate materials, you’d find wood-based ingredients used in this, such as roots, resins, moss and leaves. This has more longevity much like the first variant listed, lasting longer throughout the day and thus, being recommended to use in moderation. Our last scent variant is the fruity piece, where flowers and fruits alike are combined to make this personality-packed scent. Some ingredients you’d see in this are jasmine and gardenias paired with fruits such as melons, apricots or coconuts, typically luscious flowers and juicy fruits. Its longevity is much like the second scent variant, not quite well-known for lasting throughout the day but unlike the second, this one is recommended to use in moderation due to its cloying nature. Too much can make the eyes water and the throat choke up. Dousing Yourself vs. Subtle Scents A good rule of thumb is if you can smell yourself, you put on too much. Imagery and Bottles There are three main material types of perfume bottles, alongside shape types alike. You have bottles primarily made of terracotta, glass or porcelain with the shapes being that of a spray bottle, roller-ball bottle or an entirely solid perfume jar. When it comes to perfume bottles, the shape, appearance and even make of the bottle can make the difference between a long-lasting scent and one that simply wisps away. When using a glass bottle, it is important to pick something darker that protects the liquid within from any visible light, heat or otherwise. Without it, it can lose its scent, begin to smell rotten even and/or discolor entirely. The benefits of using glass is due to its sturdy construction, which keeps other scents from leaking in and destroying the intended product and that it is cheap in comparison to the other types. Terracotta perfume bottles naturally have their own benefits and cons alike. Its make allows the liquid to stay cool and prevents leakage. Another benefit is that the longer it sits, the headier the scent grows over time, akin to wine. When using these bottles, ensure the terracotta is fired first or it will absorb the liquid in question and make waste of a perfectly good perfume. Our last type is that of the porcelain bottle, designed most often as the more expensive of perfumes, it would generally hold veins of gold or silver throughout. It’s an opaque bottle, which protects any visible light, heat or otherwise from getting in and ruining the liquid within but keeps one from viewing the contents entirely. Spritz vs. Roll-On When in doubt, spritz. Imagery upon a perfume bottle of any type within Hyspian culture is something you’d find is of great importance. More often than not, you’d find religious iconography or that of the scenery of our homeland. Such examples are of the iconography of the Blessed Francisco upon a cologne bottle, or the vivid scenery of the docks of the Ciudad de Plata islands upon a terracotta bottle. Each bottle is an artistic masterpiece in of itself. The Three Phases In the closing commentary on this documentation of perfuming within Hyspian culture, I’ll touch on the three phases of scent. The first scent one would pick up is the top note, it’s what immediately grabs an individual's attention, though the effect decreases quite a bit after a few minutes of application. The second is the heart note which is arguably the most important. It is most noticeable of the three, forming when the top note has evaporated and is more important in forming a harmonious union between the top and base notes. The third note is our base note which carries its own importance as the one that is long-lasting. It’s nuanced, developing something different for each person and one of the reasons why scent theory and matching your perfume to you is most important. It stabilizes the entire perfume, and much like the name, is its base in everything. While perfumes may seem simply a scent to choose from, there is much more to it then simply approaching a merchant to order! Signed, Her Highness, Sofia de Pelear, Princess of Hyspia
  22. [!] Written by the late Crown Princess Esperanza Alba Laurelie Camila de Pelear of Hyspia, her writings have been published by the Viceroyal Crown for the public to see, may the Bard Princess rest in peace upon the Seven Skies. Idioma de Las Fans Viceroyalty of Hyspia’s Language of the Fan Hyspian Cultural Codex: Volume I Introduction With the growing popularity of decorative fans, the high class society of Hyspia soon developed a sort of ‘language of the fans’ referred to as Idioma de las Fans, popular amongst the high class ladies within Hyspian Courts. What first started out as internal communication within singular social circles soon grew into a must know for any sophisticated lady within high society, paired with a fan often decorated with precious gemstones, delicate laces, and intricate designs. Common Fan Designs The value of the fan often reflects the pedigree of the lady who owns it. A noble woman and her very pretty fan. A common lady and her very common fan. The Language of Fans Starting Communication Carrying in the Left in Front of Face - I’m Paying Attention Common Phrases Fan Resting on Left Cheek - Yes Fan Resting on Right Cheek - No Holding the Fan in the Left Hand, In Front of Face - Follow Me Placing the Fan on the Left Ear - Please Don’t Leave Placing the Fan on the Right Ear - Please Leave Hiding the Mouth - We Are Being Watched Conversation Carrying in the Left Hand - Wishing for Acquaintance Holding the Fan in Both Hands, Closed - I Wish to Speak to You Carrying in Left Hand, Open - Come and Talk to Me Carrying in Right Hand, Open - I Don’t Wish to Speak Relationships Fanning Slowly - I am Married Fanning Quickly - I am Engaged Holding the Fan in Both Hands, Open - I am Single Holding the Fan in the Left Hand, Half Shut - Desire to Become Friends Holding the Fan in the Right Hand, Half Shut - Desire to Stay Friends Matters of the Heart Twirling the Fan in the Left Hand - I Love You Twirling the Fan in the Right Hand - I Love Another Tapping the Heart Once with the Fan - I Like You Tapping the Heart Twice with the Fan - Meet Me Later Tapping the Heart Thrice with the Fan - You Have Won My Love Pointing the Fan to the Ground - I Hate You
  23. By order of Princesa Sofia de Pelear of Ciudad de Plata a Notif of Dama de Honor has been issued for Senora Wihelmina Wick The first trial has been issued with the approval of Viceroy, Cesar I for one such Wilhelmina Wicks entrance into the position of Dama de Honor for Princesa Sofia de Pelear of Ciudad de Plata. The role is a hefty one, though it comes with perks of the trade, should you go on to pass all three. During this time, the Viceroyal family will be watching the girls actions to see if she’d be a good fit and look forward to what may come of this all. The first trial is this; Plan, coordinate and host an event that will fit your perspective Princesas standards. The rules are this, it must be within Ciudad de Plata. You may have assistance, within reason. An invite must be sent out to the public as a whole. Should you accept this first trial, come in person to state your intentions. May DIOS guide you! Viva Hyspia! Signed, His Highness, Cesar de Pelear, Viceroy of Hyspia, Baron of Arenisca, Lord of Niseep and Gereon's Hold Her Highness, Sofia de Pelear, Princesa of Ciudad de Plata of Hyspia
  24. A NOTIF FROM THE PALATI MONTEROSA The Palati Monterosa, 12th of Sigismund's End, in the Year of our Lord, 19 BA. The courts of the Palati Monterosa are under new management! Keeping this in mind, with the rearrangement and redefining of roles and the like and the garnering of new blood within the palace, a notif is sent and nailed to any respectable establishment by a courier, stating this: SUMMONS FROM THE PALATI MONTEROSA Varying positions are being hired within the Palati Monterosa. We are in search of six celebrants, event-planners who want to work under our High Celebrant to fill our halls with lively balls, feasts and varying other festivities. Handmaidens, seven in total, to assist the varying positions: Governess Princessa Imperia High Advisory High Chamberlain High Seneschal High Celebrant High Barrister And, two to three maids or servants who will assist in varying day to day tasks. They shall be paid per event that they attend and assist with as well. If you are interested please fill out an application at your soonest convenience! SIGNED, Her Excellency, Viscountess-Consort Johanne Alstromeria Vuiller of Renduzzo, heir to the County of Aquilae, High Chamberlain of the Palati Monterosa. Her Imperial Highness, Countess-Consort Yelena of Monteres, Governess of the Palati Monterosa. [!] An application is attached to the bottom, detailing a form that may be filled out and mailed in at their convenience.
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