Dear residents of Junmura 

       I Ukukaal do hereby resign from my position as arbiter of the enforcers. This choice is wholly my own, not made under duress or unclear mind. My reason for doing so is my distrust of the upper positions of the Kurai Kuni government. I am unable to serve under a administration that I believe will, without any hesitation, throw me to the wolves given the slightest implication. I have felt the sting of betrayal one too many times to allow it to occur, rather than nipping the problem in the bud before it blossoms.

       For this I do apologize. Truly, my heart sinks with the weight of this decision and I am truly sorry. In this matter, I value the safety of my family over all else. Initially, I accepted this role to better protect them and the community of Junmura as a whole. When my husband, Galathol received a letter that called upon my son to appear for questioning, I knew that this would result in his immediate death. This I cannot allow. 

My sincerest apologies,  

                Ukukaal 

⤚⊱ ⊰⤛

"For Justice and Truth"

☾▬▬▬▬▬▬▬▬▬▬☽⊰ ㊣ ⊱☾▬▬▬▬▬▬▬▬▬▬☽

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KURAI-KUNI AUCTION

STARSTEEL

▒ UPON THE DATE OF ▒

▒ 263SA▒

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HOW TO BUY AND BID, simply head to the auction house and place a piece of paper with your bid, following the rules shown and signing the paper with your name. If you win, you will be contacted via mail to visit - any discounts you may have will be applied to the price of the final bid. For example if you have a ten percent discount and you won the final bid of 1000 minas, you will only be asked to pay 900 minas.

WHERE TO GO? Goto Kurai-Kuni SS! (Western Plains), then head NORTH, to Jun-Maru. The shop is in the MAIN SQUARE, by the Ak'Vei alchemical labs.

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬   ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

Ⅰ. CURRENTLY ON AUCTION

1. Starsteel  (Lunarite Ingot) - <https://gyazo.com/aa35305bf20faed4f3b506e05737eefb> - A beautiful metal that can be enchanted to allow even someone completely without magic to cast a spell in full armour without being struck by enchanters weakness! Additionally, when cast through by a mage, this will illuminate even the most reclusive ghosts or barrowlord, priorly hidden from sight. (Starting Bid: 400) [Expires Jan 1st]
2. Nachezer Fang - <https://gyazo.com/8e4bdf5930e4ab86982985f9e3478af2> - A rare fifteen inch long dagger  once belonging to the maw of a genuinely terrifying monster of horrifying proportions. Perfect those who cannot use metal when fighting! (Starting Bid: 39) [Expires Jan 1st]
3. Dimensional Storage Item Bundle - <https://gyazo.com/0665e188c265ef2a9e8a3d5b699941ba> - One bag of holding capable of dropping a tonne of stone upon your enemy or for storing away your loot on an adventure, in addition to three lesser storage rings that will store a meter cubed of space but cannot be utilized in combat. (Starting Bid: 30) [Expires Jan 1st]
4. The Tallied Talisman Bundle - Eight lesser enchantment talismans each with unique abilities. Allowing an intrepid adventurer or hunter the ability to cross ravines, light up caverns, heat their food and more! We have even included a talisman that should nullify poisonous qualities in liquids, allowing you to purify water or soup in dangerous conditions! All for a price WELL below our market value for each talisman individually. (Starting Bid: 10) [Expires Jan 1st]

▂▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬   ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▂

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 The Foods of Jùn Lèi

VOL II

Published by 

The Grand Secretariat

On the Year of The Dragaar, 190 S.A.

Jùn Lèi is renowned for its diverse culinary delights and dietary traditions. This informative book will guide you on your next visit to a tea house or in preparing delicious meals at home!

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Table of contents

1. Daylong Duck
2. Boiled Chicken Fruit

3. Gold Coin Beef
4. Candied and Biting Pork
5. Wontons
 

[!] A stall serving Li-Ren street food.

Li-Ren culture boasts a wide array of dishes for everyone to enjoy. With centuries of history shaping its culinary landscape and new dishes being created every day, Li-Ren cuisine beautifully balances tradition and innovation. Each meal offers a taste of the past while embracing the flavors of the present, ensuring a dining experience that is both timeless and fresh.

Daylong Duck is a dish consisting of a duck specially bred for consumers. Slaughtered 65 days after hatching, this dish afterwards is cooked in a closed oven to give it a crispy skin. The dish is meant to be carved of most of its meat leaving little left, with the main attraction being a layer of thin, crispy skin that is eaten with whatever the consumer wants or is given, common sides to accompany this dish are cucumbers and spring onions. Inside the duck can be a variety of different things typically depending on the cook. From pickled radishes to just nothing.
 

Jīròu shuǐguǒ, roughly translates to, Boiled Chicken Fruit, is a strange dish that mixes the flavors of chicken and sweet melons into one on the fork. It starts by boiling a pot of water until it can be classified as a rolling boil (large and plentiful bubbling. Constant steam). And put pieces of chicken meat in to boil. While it boils take a honeydew melon and carve it into any kind of design you wish. Set the melons on a plate, it will act as another plate of sorts for the chicken. When the chicken has finished boiling as can be seen by its white coloration. Cut it into pieces or stringy strips and top it on the melon used as a base. Add whatever toppings to it to make the meal more enjoyable for the consumer’s palate.

Gold Coin Beef is a luxurious dish featuring thin slices of beef that total up to a pound of meat in total. Start by cutting a piece of beef. Marinate beef with the following ingredients. Sugar, salt, sesame oil and wine for at least 4 hours. Marinate overnight for the best results. Put along the edge of a plate with the middle of the plate being available for a centerpiece of your choosing. 

This classic household recipe is just as classic comfort food in Li Ren culture. It starts off with pork shoulder being cut into one inch cubes or however close the chef can be with this measurement. Next in a medium sized bowl place these pieces and cover them with soy sauce, salt, sugar, green onions, and a single unit of egg white. Stir these well. Heat a quart of cooking oil in a saucepan. While waiting for this, cover your marinated chicken pieces in cornstarch. When your oil is hot, scrape the contents of the bowl into the pan and cook for about ten minutes in which it will evenly brown. Carefully take out the food and set aside somewhere for it to cool and dry. Finally delivered on an available plate or bowl, this dish goes well if mixed with another such as being atop rice.

A recipe with a rich cultural history and even richer taste. Start off by creating the filling. Do this by combining ground pork, mushrooms, soy sauce, chopped green onions, corn starch, and seasonings. Next take spoonful's and place them in the wonton wrapping (will be covered in the next paragraph) and fold them. Afterwards place them in hot oil and cook until they turn crispy with a golden brown outside to show for it. 

For Wonton wrappers you only need four ingredients and they must be made first so you can even have wontons to begin with. The ingredients are; one egg, ⅓ cup of water (if it is still too dry, more can be added until you are satisfied), flour, and a pinch of salt. Beat the egg, then add the water. Combine flour and salt in a bowl, create a well in the center, and pour in the egg mixture. Mix well, increasing the water if the mixture is too dry, until a pliable dough has formed. Knead dough until elastic, cut dough into two balls. Let rest under a damp cloth for 10 minutes. Cut each ball into four equal pieces and roll the pieces into 10 squares

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For the Li People, food is an art form, much like their tea. Each dish requires many hours to create, with a great deal of care and attention to detail. This meticulous process ensures that every meal is a masterpiece, reflecting the rich cultural heritage and culinary traditions of the Li People.

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Signed,

Her Ladyship, Mochou

High Elder and Shoya of Jùn Lèi

Her Excellency, Kato Hanako
The Lady Beauty

[!] A painting of the now missing Koe of Jun Lei

Within the rift of The Dhurmyc Parasite, Mochou and several others found themselves face to face with a beast unlike anything the mortal realm had produced. The beast had multiple long legs, each encased in a rock-like armor that rendered their swords useless. As they struggled to fight, two of the allies were flung aside, each with a shattered arm. Despite their relentless efforts, the group suffered more injuries—two lost their arms entirely, others had multiple shattered limbs, and countless ribs were bruised  from the attacks of the wretched beast.

But, even with their injuries, the group continued fighting. Soon, it became clear that blunt weapons would do the most damage, the party now opting to use such and discarding their swords. The rock casing finally cracked, revealing decayed, yet somewhat mortal flesh beneath. One, two, three, hit after hit, the beastly monster was struck down. It dissipated into a cloud of dark smoke, leaving behind a disgusting corpse and a pulsating, purple heart. 

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Mochou moved forth to touch the heart, her left arm throbbing from the shattered humerus. She plucked it from its corpse, inspecting it as her war axe hit the ground. Her left arm bore no more strength, the adrenaline of the battle finally coming to a close.
That purple heart began to swirl and swirl, beating faster and faster. Until that glowing swirling aura began to form into something physical. Another rift. Mochou found herself transfixed by the opening of such, taking her back to the one that opened inside the tea house. But unlike last time, she did not get a choice.
A blinding flash of light ruptured from the melancholic heart. It was as if Mochou was no more; she was whisked elsewhere, within the vast, warped, and brought elsewhere. One thing was certainly clear, she was no longer with the others. 

She was gone.

───────────────────── ꕤ ─────────────────────

This is all public knowledge! 

Anyone who reads this can know Mochou is gone and missing.

───────────────────── ꕤ ─────────────────────
 

The Trade Agreement between Nevalehen and The Jun Lei Village

VOL I

Published by

The Jun Lei Village and Nevalehen

On the Year of The Wonk, 194 S.A.

On this day, the places of Nevalehen and Jun Lei, seek to open trade between their people in efforts to help one another’s economies and strengthen their bond. 

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Table of Contents

1. JUN LEI’S OFFERINGS
1.1 What Jun Lei is Trading

2. NEVALEHEN’S OFFERINGS
2.1 What Nevalehen is Trading

3. TERMS AND AGREEMENTS
3.1 What is Legally Expected of Each Settlement

[!] A painting of Mushrooms and Oyashimen Barberry

The Jun Lei Village wishes to offer up the following items in lieu of what has been discussed by the signatories of the document:
 

• Fine teas of various flavours, including Black, White, Green, Oolong and Jasmine. These shall be dried and prepared so that the people of Nevalehan may use these at any time for their taverns and teahouses.
• Various fabrics of different origins, including Silk, Cotton and Wool. Half of these shall be left unaltered and unformed so that they may be made into whatever clothing that the people of Nevalehan wish to make. The other half shall be dyed with the dyes sent by Nevalehan and returned with vibrant hues.
• All forms of rice grain in their dried state, enough to feed the population of Nevalehan. 

Nevalehen wishes to offer up the following items in lieu of what has been discussed by the signatories of the document:
 

• Various cuts of meat from different animals prepared so that they will not perish during travel and after, so that they may be cooked and eaten within a reasonable time of them being received by the Jun Lei Village. In addition the pelts from these animals shall also be offered up for the creation of furnishings.
• Weapons and raw material form of both Ironwood and Softwood shall be produced to arm the people of the Jun Lei Village so that they may be fully equipped for situations of combat and tournaments.
• Natural dyes of differing colours made from flowers and minerals that offer vibrant hues shall be offered so that the Jun Lei Village may colour their fabrics and materials.

The signatories agree that in the exchange both parties will  produce reasonable amounts of each item yearly and should an issue arise that prevents one party from being able to produce their yearly amount, it will be brought up for discussion by both parties to be resolved.

This agreement shall be in effect for ten years but may be renewed when the time comes.

───────────────────── ꕤ ─────────────────────

Let this trade agreement be a sign of lasting bond between the two communities.


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Signed,

Her Ladyship, Mochou

High Elder and Koe of The Jùn Lèi Village

Her Ladyship, Nemea Ke Kai’len 

International Delegate of Nevalehen

 The Language of the Yutiao Gang Li-Ren

VOL III

Published by 

The Grand Secretariat

On the Year of The Pigman, 188 S.A.

The Li-Ren culture re-emerges on the mainland after well over a century has passed since the fall of Yong Ping on the old continent. However, to any observant scholar of Li-Ren culture, they will note a variety of changes in the culture, most particularly the language. This is not a matter of widespread change but a matter of immigration and the movement of the Li-Ren people over the last one hundred years.

Whereas the old culture of Li-Ren found in the Jade State of Yong Ping were from the land of Ai-Zho, having fled the oppressive regime led by the Li Dynasty to live in Almaris, the new wave of Li-Ren influence upon the mainland are from the land of Yutiao Gang. A simple overview of this matter is that the Li-Ren of Yutiao Gang were not fleeing an oppressive regime but a people of sailors and merchants who set about discovering a new world. 

The Li-Ren of Yutiao Gang were apart from those of Ai-Zho for so long that they formed their own language and culture, and now that they are the majority of the Li-Ren influence of Aevos, said differences will be more common to see. The first, and most important change for the people of Aevos to understand is the language, of which shall be explained and written out here.

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Table of contents

1.Greetings

2.Common Words and Phrases

3. Family

4. People

5. Curse Words and Insults

6. Numbers

7. Dates and Times

8. Honourifics

Yutiao Gang Li-Wen is so far from the language of Ai-Zho Li-Wen, that it is often considered its own language and not a dialect of Li-Wen. The former can be considered more modern Li-Wen whereas the latter is better described as traditional. As such the Jun-Lei Cultural Association has decided to offer up the following list of words and phrases to the people of Aevos to help understand the Li-Wen language in a simple manner.

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It is the hope of the Jun Lei Village council that this missive shall help those who wish to understand both the culture and workings of Li-Ren culture. If you have any questions upon Li-Ren culture, please simply come to the Jun Lei Village and ask, we shall be more than happy to discuss culture with you.
Zaijian!

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Signed,

Her Ladyship, Mochou

High Elder and Koe Shoya of Jùn Lèi

Her Excellency, Kato Hanako
The Lady Beauty

His Lordship, Jiang Chenyun

The Lord Liushang

 The first Tea Ceremony of Jùn Lèi

[!] Event

Published by 

The Grand Secretariat

On the Year of The Pigman, 188 S.A.

You are cordially invited to partake in a traditional tea ceremony, an event that celebrates our rich heritage and fosters unity within our community. Join us as we embrace the tranquility and elegance of this ancient practice, guided by the esteemed members of the Grand Secretariat. Let us come together to honor our customs, enjoy the finest teas, and share in the harmony that defines our beloved village.

───────────────────── ꕤ ───────────────────── 

[OOC]
Date: Sunday, July 14th
Time: 3pm EST

Location: The Jùn Lèi Tea House (-2194 / 1914)
 

Welcome and Opening Remarks

Warm greetings by The Lady Beauty and High Elder

Introduction to the significance of the tea ceremony by the High Elder

Tea Preparation Demonstration

Detailed demonstration of traditional tea preparation techniques.

Explanation of different types of tea and their cultural meanings.
 

First Serving

Guests are served the first infusion of tea.

Time to savor the aroma and flavor, followed by a guided tasting.
 

Cultural Performance

Traditional music and dance performance reflecting the village’s heritage.

Second Serving and Interactive Session

Second infusion of tea served.

Guests are invited to participate in a Q&A session with court officials.

Closing Ceremony

Final remarks and expression of gratitude by The Lady Beauty and High Elder

Distribution of small tokens of appreciation to all attendees.

Social Hour

Informal mingling and discussion among guests.

Light refreshments and additional tea available.

The Esteemed Villagers of Jùn Lèi
The Shugo Kato and Sakura-Gakure Citizens
Shoya Bor’Ak Khan and the Citizens of Mugmar’s Circle
The Rah’tuma and City of Ka-Tau Citizens

His Lordship, Atticus Reinold and his family
The Valiant Seekers Guild
Miss Iyera
Mister Sakuta

Miss Yu-han
Miss Akiyo Sawayama

Miss Rebekah
Miss Rosalyn
Miss Kitaena
 

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We look forward to sharing this special occasion with you and celebrating our cherished traditions together.

───────────────────── ꕤ ─────────────────────

 

Signed,

Her Ladyship, Mochou

High Elder and Shoya of Jùn Lèi

Her Excellency, Kato Hanako
The Lady Beauty

 A Guide to Li-Ren Tea Ceremonies

VOL I

Published by 

The Grand Secretariat

On the Year of The Pigman, 188 S.A.

Tea has been grown, consumed, and traded by the Li-Ren for thousands of years. In fact, the Li-Ren people are the original producers of tea and are renowned for their skills in cultivating and crafting tea. While traditions vary across provinces, tea drinking is an integral part of all Li-Ren culture.

Tea is prepared and consumed on several special occasions. For instance, tea is served at weddings and during visits to tea houses on holidays. Additionally, tea is enjoyed to celebrate family gatherings and meetups, such as when a child leaves home.

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Table of contents

1. The Meanings of Tea
2. The Types of Tea
3. How to prepare for a Tea Ceremony 

[!] A group of Li-Ren women preparing for a tea ceremony.
 

Tea holds a rich tapestry of meanings across various cultures, particularly among the Li-Ren. Each type of tea and the way it is prepared and consumed can symbolise different sentiments, traditions, and moments in life. Each type of tea and the context in which it is enjoyed reflect the values and traditions of the Li-Ren people, making tea not just a beverage, but a profound cultural symbol.

Green Tea
Symbolizing purity and health, green tea is often associated with new beginnings and fresh starts. It is commonly served to guests as a gesture of hospitality and respect. In Li-Ren culture, offering green tea can signify a wish for long life and prosperity.

Black Tea
Known for its robust flavor, black tea represents strength and endurance. It is typically consumed during significant life events, such as weddings and important meetings, symbolizing the strong bonds and serious commitments being formed.

White Tea
The delicate nature of white tea signifies innocence and purity. It is often associated with youthful energy and new ventures. Drinking white tea can be seen as a way to celebrate new opportunities and to cleanse the mind and spirit.

Oolong Tea
This tea, which falls between green and black tea in terms of oxidation, represents balance and harmony. It is commonly enjoyed during peaceful family gatherings and is believed to promote mental clarity and emotional stability.

Pu-erh Tea
Known for its aged and fermented quality, Pu-erh tea symbolizes wisdom and maturity. It is often reserved for special occasions and is considered a tea of deep reflection and meditation. Drinking Pu-erh tea is seen as a way to connect with the past and gain insight for the future.

Herbal Teas
Though not true teas, herbal infusions hold their own significance. Chamomile tea, for example, symbolizes relaxation and is often consumed to promote calm and restful sleep. Ginger tea, on the other hand, represents warmth and healing, commonly used for its medicinal properties.



The Li-Ren tea ceremony, known as Gongfu Cha (功夫茶), is a time-honored tradition that emphasizes skill, precision, and mindfulness in the preparation and serving of tea. This elegant ritual transforms tea drinking into an art form, fostering a sense of tranquility and reverence for both the process and the beverage itself.

To begin, the proper materials are essential for conducting a Li-Ren tea ceremony. These include a small teapot, typically made of Yixing clay or a Gaiwan (a lidded bowl), small tea cups, a tea tray with a draining system, a tea pitcher (also known as a fairness cup), a tea strainer, a tea scoop, a tea towel, tea tongs, and a kettle for boiling water. Each tool plays a crucial role in ensuring the ceremony proceeds smoothly and gracefully.

The ceremony starts with preparing the space. The tea tray is set up, and all the tools are arranged neatly, creating a calm and peaceful environment. Fresh water is then boiled in the kettle, with the temperature tailored to the type of tea being used. For instance, green tea requires lower temperatures, while black tea necessitates higher heat.

Once the water is ready, the next step involves warming the teaware. Hot water is poured into the teapot or Gaiwan and the tea cups, which are then emptied after a few seconds. This step helps maintain the correct temperature during brewing, ensuring the tea's flavors are fully developed.

The tea is then measured using a tea scoop, with about 1 to 2 teaspoons of leaves typically used for a small teapot. The leaves are placed into the teapot or Gaiwan, and hot water is poured over them, then immediately discarded. This initial infusion, known as "washing the tea," awakens the leaves and removes any impurities.

Brewing the tea involves pouring hot water over the rinsed leaves, filling the teapot or Gaiwan. The tea is left to steep for the appropriate amount of time, usually between 10 to 30 seconds for the first brew, depending on the type of tea. Subsequent brews may require slightly longer steeping times to extract more flavor.

Once the tea is brewed, it is poured into a tea pitcher through a tea strainer to catch any loose leaves. The tea is then distributed evenly into the small tea cups. Serving the tea involves holding the cup with both hands as a sign of respect and presenting it to the guests. Participants are encouraged to take a moment to appreciate the tea's aroma before sipping it.

High-quality teas can be infused multiple times, with each infusion revealing different nuances in flavor. Adjusting the steeping time slightly longer for each subsequent infusion ensures the optimal extraction of the tea's essence.

The ceremony concludes by cleaning and drying the teaware, expressing gratitude to the guests, and enjoying the remaining time together in a relaxed manner. The focus throughout the ceremony is on the process, allowing participants to take their time and savor each step. Appreciating the color, aroma, and taste of the tea with each infusion deepens the connection to the experience.

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The variety of teas—each with its unique symbolism and significance—adds depth to the Li-Ren tea ceremony, Gongfu Cha. This ritual, emphasizing mindfulness and precision, elevates tea drinking into an art form, fostering a profound appreciation for the flavors and traditions of Li-Ren tea culture. Whether celebrating new beginnings with green tea or reflecting with aged Pu-erh, the ceremony transforms a simple beverage into a rich, meditative experience.

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Signed,

Her Ladyship, Mochou

High Elder and Shoya of Jùn Lèi

Her Excellency, Kato Hanako
The Lady Beauty

 The Mógū Temple’s Court

VOL Intro

Published by
The Grand Secretariat

Established in the year of The Pigman, 188 S.A.

The Grand Secretariat is a cherished institution within the village, akin to a queen's court, located within the purple and teal temple at the entrance to the village. While the Grand Secretariat holds no governmental power, it preserves the village's identity and cultural traditions, fostering unity and pride among the villagers. Inside, the ladies and lords uphold customs and oversee ceremonies, ensuring that the village’s rich heritage is meticulously observed and celebrated.

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Table of Contents

1. POSITIONS

 Roles and Responsibilities within the Grand Secretariat

2. EXPECTATIONS
Dedication, Tradition, and Excellence
 

[!] A painting of Court Ladies playing with a Temple Pet.

Members of the Grand Secretariat are expected to participate in and oversee various ceremonial duties, including the meticulous organization of festivals and cultural events. Their roles require a deep understanding of the village’s customs and a commitment to ensuring these traditions are passed down through generations. Each member, through their actions and presence, contributes to fostering unity and pride among the villagers, making the Grand Secretariat a symbol of the village's enduring spirit and cultural continuity.

The Lady Beauty | Kato Hanako
The leader of the Grand Secretariat, known as The Lady Beauty, is a figure of immense respect and grace, embodying the village’s cultural heritage and traditions. Renowned for her wisdom and poise, The Lady Beauty is the guardian of the village’s customs and the central figure in managing the court's operations.

Her role is comprehensive and demanding, ensuring the meticulous organization and oversight of all court activities. She manages the entire court, overseeing the court ladies and lords, ensuring their roles and responsibilities are clearly defined and executed with precision. Her leadership ensures that the Grand Secretariat operates smoothly and efficiently, with each member contributing to the preservation of the village’s rich heritage.
 

Courtiers of the Court

Under the purview of the Lady Beauty are several subsidiary courtiers, each entrusted with specialized tasks and roles within the grand court. These courtiers contribute to the seamless operation of the court, ensuring that every aspect of village tradition and cultural heritage is meticulously preserved and celebrated.
 

Madam of Rites | Faebella Reinold
The Madame of Rites is the esteemed overseer of all ceremonies and rituals within the Grand Secretariat. Renowned for her deep knowledge of the village’s religious practices and cultural traditions, she leads and coordinates every ceremonial event with precision and reverence. Her responsibilities include planning and executing festivals, tea ceremonies, religious observances, and other significant rituals, ensuring they are conducted authentically and honorably. The Madame of Rites is a pillar of the village’s spiritual life, guiding the community in preserving its rich heritage and fostering a deep sense of cultural pride.

Lady Liushang | VACANT
The Lady Liushang, also known as the Mistress of the Wardrobe, is the esteemed guardian of the Grand Secretariat’s attire and presentation. Renowned for her exquisite taste and meticulous attention to detail, she oversees the selection, maintenance, and preparation of ceremonial garments and accessories. Her responsibilities include ensuring that each piece of attire reflects the village’s rich heritage and craftsmanship, particularly for festivals, rituals, and other significant events. The Lady Liushang plays a crucial role in preserving the visual splendor and cultural integrity of the court, making her a vital figure in the village’s enduring traditions.

Lady Shangshu | Zid Al'ha
The Lady Shangshu, also known as the Court Historian, is the revered custodian of the Grand Secretariat’s vast collection of documents and books. She manages the village library with meticulous care, ensuring that every historical record, manuscript, and scroll is preserved and accessible. Renowned for her extensive knowledge and scholarly dedication, The Lady Shangshu oversees the documentation of the village’s history, traditions, and cultural heritage. Her role is crucial in educating and informing the court and the village, making her an indispensable guardian of the community’s collective memory and intellectual legacy.

Lady of Unions | Kato Hanako
The Lady of Unions is the esteemed matchmaker within the Grand Secretariat, renowned for her skill in fostering harmonious relationships and alliances. Known for her empathy and insight into human nature, she plays a pivotal role in arranging marriages and uniting families within the village. With a deep understanding of traditional values and social dynamics, the Lady of Unions carefully considers compatibility and mutual respect in her matchmaking endeavors. Her role extends beyond mere introductions, as she delicately navigates the complexities of interpersonal relationships, ensuring that each union strengthens the fabric of the community and upholds its cultural traditions.

Ladies-in-Waiting
The ladies-in-waiting of the Grand Secretariat are key members, known for their grace and dedication to upholding village traditions. They assist in ceremonies, including tea rituals and festivals, ensuring each event reflects the village's cultural heritage. Beyond duties, they serve as trusted companions, embodying values of respect and loyalty, maintaining the court's dignified atmosphere and preserving its cultural legacy.


The expectations of the court are meticulously defined to ensure the preservation and celebration of the village's rich cultural heritage. At its heart are the esteemed ladies-in-waiting, whose grace and attentiveness exemplify the court's dedication to tradition. They assist in organizing and participating in ceremonial duties, from elaborate tea ceremonies to the orchestration of festivals and cultural events. Their role demands a profound understanding of protocol and a commitment to upholding the court's values with poise and elegance.

Alongside the ladies-in-waiting are the dedicated servants, who play a crucial role in maintaining the court's impeccable standards. They attend to the practical needs of the court, ensuring that every detail, from the cleanliness of the temple to the preparation of ceremonial attire, is executed flawlessly. Their behind-the-scenes contributions are essential in creating an environment where tradition and ceremony can flourish.

At the helm of the court are the court officials, each entrusted with specific responsibilities that uphold the village's customs and administrative functions.

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If any of the positions above interest you, please contact Lady Kato Hanako (phoebe202) or Lady Mochou (Kitomine/Kit0phobia).


───────────────────── ꕤ ─────────────────────

 

Signed,

Her Ladyship, Mochou

High Elder and Shoya of Jùn Lèi

Her Excellency, Kato Hanako
The Lady Beauty and Lady of Unions

The Village On Lake Bai Gu
Established On the Year of The Ratiki, 186 S.A.
 

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STRUCTURES

MISSION

Upon arriving in Aevos, Lady Mochou found herself alone, with no other Li-Ren on the continent. Due to the prevalent racism in Sakuragakure, she initially disguised herself as an Oyashimen. After the fall of Nor’asath, Koyo-Kuni was established, bringing together all Eastern cultures under one nation.

When the Shugo declared that each culture could establish its own settlements within the nation, Lady Mochou presented her vision. Just thirty years after setting foot on the continent, she completed the reformation of the Li-Ren people.

Year 186 of the Second Age, The Village of Jùn Lèi was completed. 

CULTURE

Li-Ren culture  is rooted in the ideals of Order and Respect, with a deep focus on familial relationships. Every individual contributes to the community's prosperity, with young people honoring their elders and elders caring for the youth as if they were their own children. This sense of familial duty extends to all Li-Ren, fostering a strong sense of unity.

The social structure in Li-Guo stands out among the Cathant subraces. Although there is a strong emphasis on respecting elders and those in higher positions, moving up the social ladder is significantly more feasible compared to other Cathant ethnic groups, such as Oyashima.

GOVERNMENT

The Village of Jùn Lèi works on a council system, each councilor overseeing a different part of the village. It is the duty of the High Elder to keep the council in order and make final judgment based on the meetings conducted.
The Council is as follows:

The High Elder (Head of Council)
The Lord Situ (Chancellor)
The Lord General (Head of Defense)
The Minister of Shi (Head of Diplomacy)
The Minister of Stewardry (Head of Housing)
The Lady Beauty (Head of the Courts)

Jùn Lèi’s defense relies entirely on the guild, Valiant Seekers, which takes prime residence within the village’s temple. The Second line of defense would be the force from Koyo-Kuni’s capital, Sakuragakure.

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Please pen a letter to any of the above if 

you wish to visit the village for job or housing purposes!

 Faebella Reinold

Stay Alert.

Published by the High Council of Jun Lei

On the Year of The Ratiki, 186 SA

Faebella Reinold has been abducted by what we presume to be an Inferi. Active efforts are being made to recover her and we urge everyone of Jun Lei to be cautious, alert, and remain safe.

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DISAPPEARANCE
One of our own has been captured, with such events transpiring in the dark forest, effectively an attack on our beloved village people. Faebella was transporting goods from Lurin to Jun Lei when her cart was set ablaze, and she thus disappeared from the dark forest.

BE WARNED
The flames which erupted from the cart were purple, leading the council to believe this was the work of darkspawn or some other unholy abomination. A trail of blood was spotted near the scene, leading investigators to believe she was not outright killed. If not the work of Inferi it is surely the work of someone deranged and violent.

A REQUEST
We urge those willing to help to join us in Jun Lei for the search of the missing woman. Alchemists, mages, soldiers, medics, anyone is needed.

[!]

A painting of Faebella Reinold.
 

The High Council is making active efforts to track down and find Faebella along with her captures. They will not go unpunished and we will not rest until we find her. We ask everyone of Jun Lei to stay alert for any suspicious figures or clues leading to her location. We will be sending out search parties and whatever else we can do. But we cannot be hasty, we do not know her state. Do not go rushing into danger without fully understanding the situation and permission from an Elder. Be safe.
 

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This is not the first missive I wanted to make for Jun Lei and it is a terrible tragedy that this has occurred. I deeply apologise to my people for the anguish this situation may have put them through. We will find Faebella and punish those who have caused her harm. I will not rest easy until I know she is well.
- Mochou
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Signed,

Her Ladyship, Mochou

Shoya and High Elder of Jun Lei