Nalia didn’t like the rain. It was one of the few things she remembered as her condition worsened, and she lost all notion of what was. Yet, that night, as she drifted to sleep, she couldn’t help but feel comforted by the patter outside her window.
She would not awaken the following morning.
Few belongings would lay scattered about her room.
A basket, half full of stickers.
A broken pocket watch, affixed to golden chain.
Various artworks, all drawn in charcoal on white paper. A set of four would stand out, each identical in composition:
A depiction in perfect realism of a black sheep standing alone in an empty field as storm clouds stir overhead. On the back, signed and dated - Nalia Vourkehardt, 11th of Malin’s Welcome, SA 277
The same scene, in less detail. The lines that make up the piece appear shaky, as does the signature on the back - Nalia Vourkehardt, 6th of Sun’s Smile, SA 279
The same scene, with odd perspective and uncanny proportions. The date and signature are messily scrawled - Nalia Vourkehardt, 3rd of Deep Cold, SA 280
Several dark splotches across the page. If not for the context of the previous pictures, it would be nigh impossible to determine what it was made to represent. The work is not signed.