The Palatio Arancione 398 Share Posted October 7, 2023 ☼ THE FASHION ON OF THE BALIANESE ☼ ☼ INSIGHT TO THE MODERN MODES OF BALIAN ☼ ISSUED BY THE ☼ Palatio Curadora ☼ ON THE 7th OF PETER’S GLORY, 78 B.A. Originating from the Petrine Empire of Oren, the Balinese people embarked on a transformative journey southward, ultimately finding their home in the flourishing Kingdom of Balian. This migration, marked by cultural shifts and adaptation, became the catalyst for a fascinating evolution in their way of life. Immersing themselves in the vibrant tapestry of influences from the Southern Almaris cultures, the Rhenyari, and the grandeur of the Balthalite Empire, the Balinese fashioned a unique and unparalleled style that transcended mere clothing—it became a statement, a testament to their rich cultural amalgamation. At the heart of their distinctive fashion lies a meticulous craftsmanship that extends to exquisite jewellery, captivating attire, and innovative hairstyles. Each element is a brushstroke on the canvas of their identity, reflecting a harmonious blend of diverse cultural threads intricately woven together. As the Balinese people don these creations, they not only wear garments but also carry with them a narrative of their history, a vibrant mosaic of influences that have shaped their artistic expression. The result is a fashion aesthetic that stands as a testament to the richness of their cultural heritage, captivating observers across the vast continent of Aevos. In the grand tapestry of Aevos, the Balinese people emerge as the most vibrant and expressive community, their unique style resonating as a beacon of cultural diversity and creativity. In every thread, bead, and hairstyle, they proudly declare their individuality, making an indelible mark on the regional landscape. ✧────────────⥼☼⥽────────────✧ I ⥼ ROBA DE DONA ⥽ Across the annals of history, it is consistently women's attire that has garnered the most meticulous documentation and celebration, transcending cultural and national boundaries. Among these sartorial traditions, the women of Balian possess access to some of the continent's most dazzling and remarkable dyes. This abundance of vibrant hues has fueled the creation of numerous distinctive styles, drawing inspiration from both ancient history and their modern surroundings. ✧⥼☼⥽✧ [Skin by Melpomenne] Originally hailing from the blossoming Mihyaari city of Chaldees, the Mihyaari influence and the prominence of Ur-Zainab, a political figure in the southern region of Almaris, served as the inspiration behind the creation of the gown. This gown, transcending class boundaries, has become a favourite among commoners, nobility, and royals alike for its blend of fashion and practicality. Drawing parallels with the jackets of Northern Nations like the Dual Kingdom of Haenseti-Ruska, The Pirahan has been perfected to combat the unpredictable weather of the Kingdom of Balian. However, owing to the heat of the Southern Tropics, it incorporates lighter and thinner fabrics compared to its Northern counterparts, ensuring wearers remain unaffected by heat-related illnesses. The gown consists of an airy linen dress with a belt around the waist, providing a structured look. Embroidery is often employed to enhance the simplicity of the design, with a note that such embellishments should be restricted to the underdress or jacket to avoid being considered gaudy or an insult to the crown. Classless in its inherent design, The Pirahan gains distinction through the application of various hues to its fabrics. The royalty and nobility opt for expensive and rare dyes, imparting vibrant and bold colours reflective of their high status. Those with more modest means may choose creams or simpler dyes for their undergown and jacket. In adherence to etiquette, the bolder the hues, the more formal the gown is perceived to be. Hence, only the most exquisite variations are reserved for events like balls, Symposia Pragma, or engagements with royalty. ✧⥼☼⥽✧ [Skin by Marsllol] The Augustan is seen as a natural successor to the robe-like Atrusian gowns of Almaris, which were best suited to the arid, sandy conditions of the founding lands of the Kingdom. Named for the former Governess of the Palace, Princess Augustina Therosia, the gown is almost identical to its Atrusian predecessor, save for minor adjustments to combat the difference in weather patterns that Aevosian Balian experiences. A gown quite dissimilar to the others seen within Portoregne due to its lack of widespread popularity, it is considered to only be kept in style due to the favour of Palatiodora Lady Serena d’Arkent’s favour for it and later on the favour of Princess Sibyl Gwyneth. Identifiable through its characteristic simple silhouette with long stretches of fabric held in place by various knots, pins and similar forms of attachment. The dress portion of the outfit crumples at the hem, nearing the floor, due to its excess use of cloth and fabric, often causing it to drag behind the wearer when they walk. To shape the dress from its otherwise purely simplistic nature, shawls, sashes and other layerings are implemented, giving it a more grand shape upon wearing it. Patterning through embroidery plays a significant role in giving the dress more character and life, often taking the form of hatch or floral patterns on the underskirts alone. The true potential of this dress is only fully realised once the owner understands it’s full versatility and near endless options for styling it. Easy to style both up and down, the dress is comfortable for travelling and its use within both formal and informal settings in an elegant manner. ✧⥼☼⥽✧ [Skin by Ncarrr] A fashion that befits utility above all else, the Darian is believed to have been developed in the lands of Ba’as, seemingly gaining popularity after the Queen Andromeda Ester’s year long stay with her mother in the distant Kingdom. If rumours are to be believed then the Queen distributed pamphlets to her trusted counsell, who were enamoured by the beauty and sought to pursue such outfits. Often stylised as a clothing for both informal and travel wear, the modesty and mobility makes it fitting for a woman of high stature who is on a trip. The immediate and most obvious feature of this style is the replacement of the typical Balianese long skirts for a pair of elongated trousers, often considered oversized. These trousers vary between lady to lady, changing with the aspects of their standing in society, accompanying pieces and the chosen manner of expression that they wish to pursue. The trousers would be worn with the duo of a vest and a chemise providing both ample coverage and support for the upper portion of the body. Just as with the trousers, the vests employed by the ladies may vary in many ways, the design can change from simple colours to elaborate patterns with jewels stitched into the fabric. In the summer and later spring months, a woman may prefer a vest with shorter sleeves, if not sleeveless and a chemise fashioned with a lightweight fabric whereas in the winter months, a woman will choose a vest with longer sleeves and a chemise of a more durable and thicker fabric to combat the cold. It must be made a note of, that a woman should always maintain a close eye on how much embroidery and patterning she uses to decorate her outfit, as using an extensive amount is considered to be distasteful. ✧⥼☼⥽✧ [Skin by HIGH_TRANS & comatoseprincess] A style that is most definitely a newer one to the lands of Balian, the Sibylline Gown is an old Balthalite dress that has become the favoured of Princess Sybil Gwyneth who originally wanted such a dress to show off her extensive jewellery collection. While at first though it may come across as being named after the young Princess, it is actually named for its first known wearer, Empress Sybille of the Balthalite Empire, the Princess’s namesake. A dress that exudes a sense of elegance and simplicity, the Sibylline is one best suited to the hot weathers of the southern regions. The ensemble commences with an unconventional yet elegant lightweight dress known as a chiton, a simple and sleeveless garment that gracefully catches just above the ground. To elevate this otherwise understated style, a splendid silk shawl takes centre stage. Draped around the shoulders and secured with a decorative clasp, it cascades down the arms and envelopes the wearer's back. To introduce structure and definition to the attire, a substantial belt is cinched at the waist, accentuating both the outfit and the wearer herself. Finally, a delicate silk loincloth is positioned beneath the belt, adding the finishing touch that further enriches the ensemble's overall depth and sophistication. The colour of the chiton portion of the dress is most commonly a white or cream colour, an often understated and relaxed colour for the owner to wear, however it’s true beauty comes to pass with the additions made to it. The shawl is often dyed a rich hue, sometimes a red, blue or in some cases for royalty, a dark purple colour, allowing the silken fabric to radiate a sense of wealth and grace. The belt and loincloth that accentuate the chiton itself, are often embellished with various decorations with the belt featuring metal and jewel accessories and the loincloth having a dignified pattern to it. ✧────────────⥼☼⥽────────────✧ II ⥼ ROBA D’HOME ⥽ Using the same fabrics and colours as their counterparts, the men of Balian have diverged from the previously prevalent practice of wearing snug and warm attire, which was typical among the heartlanders. Instead, they often opt for lighter materials and don brightly coloured robes. This distinctive choice in clothing sets the Balianese men apart from the rest of Aevos, aligning their attire with the tropical climate of Portoregne and its higher temperatures. ✧⥼☼⥽✧ [Skin by Marsllol] Considered the male counterpart of The Pirahan, despite the Fustanella being developed into the Balian fashion a few years prior to The Pirahan. The outfit protects from the harsh salted weather peppering someone’s skin while also ensuring the outfit is airy enough to prevail comfortably within heat of the southern tropics. Originally being given as a gift to Lord Peter d’Arkent by Sarson Halgrim, emissary to the King of Ba’as however he misused it and created the offshoot accessory, the fusta. As the Rhenyari influence grew later on, more people within the nobility of Balian began to implement it in their outfits more often. A staple among the higher echelons of Balianese society, including high nobility and royalty, the Fustanella has one major aspect of it is the skirting for which the outfit is named after. Worn at the waist, the Fustanella is no different to the skirts of other cultures nor that of the other opposite gender, though it varies in length, anywhere between the knee and the ground. Compliment further by a vest with either long or short sleeves made of a lightweight linen fabric to ensure it does not cause any overheating for the wearer. Further accentuating the outfit would be a belt, comfortably sat upon the waist and contouring the outfit against the body in a simple yet strong manner. Finally, trousers may be worn under the Fustanella, however this is not compulsory should the skirting reach the feet or ground. Patterning on this outfit is not uncommon, however it is usually done upon the bottom of the skirting and the end of sleeves. Often a more basic patterning for those of a common background and a more complex and intricate pattern is preferred for people of a noble or royal heritage. Often using lighter colours, the wealthy will choose more vibrant dyes compared to the creams and sometimes dark greens of the less fortunate. ✧⥼☼⥽✧ [Skin by beeee] A set of robes for males, the Alexandrine takes its name from King Alexander I ‘The Just’ who is believed by scholars to have favoured the robes due to his fascination with the ancient Balianese culture, in particular Saint Lothar. A fashion mostly attributed to the desert conditions of Atrus in Almaris, it was mostly commonly worn by King Alexander I, Ledicort Vuiller and Rev Vuiller who preferred the outfit in order to exude a sense of strength and grace while conducting their diplomatic and political efforts. Composed primarily of three robes layered over one another, the Alexandrine uses extremely thin layers of fabric to create an airy robe that protects against any harsh substances in the air, such as the desert sand or the salt of the sea. The first layer is a simple garment of linen, often white due to its propensity to be unseen once the rest of the garment is put on. This layer is for both modesty and comfort as it protects from the elements while being lightweight enough to keep cool. The other two layers are far more beautifully designed, incorporating various different manners of embellishing be it through embroidery, dying or the addition of other such patterning to it. The final layer is often made of silk, a sign that it is an outfit for the wealthy who wish to show themselves off and their status in society. The robes are held in place with a belt, detailed and large or slim and simplistic, depending on the preference of the man. The Alexandrine is an outfit that above all else is a piece for the higher echelons of society, an outfit that radiates a sense of stature and importance. It is considered inappropriate attire for any manual labour and is instead used by people who are in formal and more relaxed settings away from any form of work. Often associated with wealth, prophecy and the arcane, a long cape may sometimes be added to the outfit with various motifs of the arcane. ✧⥼☼⥽✧ [Skin by teeylin] Named for the Saint that the Balianese have chosen as their own, Saint Lothar of Balian, the Lotharian is a simplistic and easily accessible outfit for all men who wish for a new outfit. Considered a far more casual and everyday outfit, it is used while working or in informal settings, and the lightweight nature of it allows for easy movement while in the often blistering heat of the southern tropics. The Lotharian uses oversized and baggy clothing, beginning with a shirt. Such a shirt is made from diaphanous materials with long sleeves that do not collect around the wrist, merely acting as a tunnel for the rare breezes to cool down the body while the man remains modest as does the long v neck of the shirt. The outfit is uplifted by the choice addition of waistcoat to create some more depth to it, often using a few different dyes and patterns should such be wanted. Similarly to the shirt of the outfit, the trousers would be very baggy, giving a lot of air between the skin and linen fabric, held up by a belt that seems more akin to a scarf in it’s design which is often used to hold weapons to one’s body. An often plain and uninspiring outfit for the working man, the Lotharian may be styled up and down should one wish to do such. Adding patterns to the vest and belt and employing various expensive dyes to the fabric, one can go from a simple commoner working a manual job to an impressive statesman. ✧────────────⥼☼⥽────────────✧ III ⥼ ROBA INFANTIL⥽ As vibrant and lively as their parents, the children of Balian have developed their unique fashion sensibilities, albeit under the influence of their elders. Given the region's warm southern climate and the natural exuberance of children, their clothing choices prioritise both durability and comfort. They employ robust fabrics, carefully layered to shield them from the elements while allowing them to engage in their active pursuits without risking weather-related illnesses. ✧⥼☼⥽✧ [Skin by xxRetro] A very much simple layered gown, the Johannian is named after the deceased Crown Princess Johanna Casimir, as it was her who was first seen wearing such a gown around Palatio Monterosa as a youth. Using multiple layers to provide protection to the more delicate children, while maintaining a diaphanous fabric in order to make sure that the child will not overheat while they play in the tropic heat. The Johannian is a dress that has little in terms of design aspect, it uses a simple gown with two layers, the first of which is a tougher material to protect the child from any injuries they may incur as they run around the land. The second gown is a much lighter fabric, used more to offer a sense of style to the outfit. Often using a variety of colours, the children who are considered to be more boisterous often wear darker hues in hopes that the dirt they accrue upon their cloth will not be too visible. The fabric may also be patterned if the child is of a noble to royal background, usually with images of flowers or a hatch design. ✧⥼☼⥽✧ [Skin by Zuziee] Attributed to Prince Michael Marcellus, th0ugh he is not known to be the first to bear such an outfit as an infant, the Michaellian is a simple outfit, akin to that of Fustenella of the adult males. Its lightweight design has been made more durable with the addition of stronger fabrics to ensure the child’s wellbeing and safety, but further stylised with a cape. Maintaining the skirting of the fustanella, the child will always bear trousers underneath it unlike their adult counterparts, almost always made of a tougher fabric so they shall not injure themselves in their daily activities running around the Kingdom. The outfit has a lightweight tunic with long sleeves, often decorated with a pattern towards the middle or end of the sleeve, of which is usually a hatch pattern. Finally a cape may also be added to the outfit, around the boy's entire body, not dissimilar to the Fusta as seen first by the Peter d’Arkent. Often using more neutral tones for the majority of the outfit, it would be the cape that actually adds a spark of colour to the ensemble, often using rich hues and dyes. ✧────────────⥼☼⥽────────────✧ IV ⥼ PENTINATS ⥽ Another fascinating avenue for self-expression and individuality among the people of Balian lies in their remarkable hairstyles. Dealing with the challenges of the humid, salt-laden air, Balianese individuals have devised ingenious methods to keep their hair in check. These distinctive hairstyles stand out among their peers, showcasing both creativity and adaptability in response to the demanding environmental conditions. ✧⥼☼⥽✧ [Skin by Marsllol] A braiding technique that uses several braids to make larger ones. It is a braiding technique associated with the Rhenyari people but has grown in popularity since the Ba’as influence has grown on the nation, both from Queen Andromeda and Sarson Halgrim’s earlier efforts. An intricate, difficult and ultimately impressive hairstyle, the Rhenyari braids are perfect for the heat as they prevent the hair getting frizzy and looking peculiar in the heat. To begin such a laborious technique you must first create three basic braids next to one another of equal size and shape. Once this is complete, one must then take all three braids and begin intertwining them in an Auvergnian braid to create a larger and far more intricate braiding. These braids are commonly associated with wealth due to their complexity and how long it takes to create one and as such the braid is more often not decorated. The decorations can take several forms, whether it be beads, ribbons, gemstones, flowers or other such items to compliment the woman’s natural hair colour within the braid. ✧⥼☼⥽✧ [Skin by Marsllol] First seen worn by Princess Imperial Constantia Irene in the earlier days of the city of Atrus, the Balianese bun is a staple of Balianese hairstyles. The polished and refined style emerged as popular very quickly as it both kept the hair from flyaways or frizz and also offered a sense of sophistication to the woman who wore their hair up like this. The formation of such a bun begins by separating both sides of the hair and pulling each side together to ensure they are separated. Then both the sides are pulled together and twisted around one another and coiled into the bun shape with a great sense of precision to form the neat and well structured bun. Once this is done, the bun is then held in place through either hair pins or hair ties, completing the refined beauty of the Balianese bun. This may further be embellished with decorative pins and for special occasions various fresh flowers would be placed in the hair. ✧⥼☼⥽✧ A simple yet elegant way to titivate one's hair style, the Perles of Balian are intricately and beautifully crafted metal beads with various designs upon them. This particular style has no known origin and seems to have developed over several years of the Balianese women making a smaller braids in their hair and placing the Perles in their hair to hold them in place. The Perles style is quite simple, consisting of various thin braids within the otherwise loose and long hair. These braids can be as complex and opulent or as simple and understated as one desires, however the beauty of them lies purely in how the lady chooses to decorate them. Often with designs based on the beauty of nature or bearing various random patterns upon it, the Perles are fit in various portions of the braid to adorn them in an elegant manner. It is considered that the more elaborate the design of the beads, the higher the status of the one who was wearing it. ✧────────────⥼☼⥽────────────✧ V ⥼ JOIES ⥽ The Balianese have emerged as trailblazers in the realm of importing and crafting intricate jewellery from distant lands. They employ the finest metals, alloys, and the most dazzling gemstones to create exquisite pieces of artistry. These creations serve as stunning adornments for the women of Balian, who proudly showcase these treasures not only within their realm but also across distant lands. ✧⥼☼⥽✧ An item of jewellery dating back to the earlier days of the Kingdom of Ba’as, the Perfoació del Ba’as is a ring piercing that is placed on a person’s septum. First introduced by Queen Andromeda and her sisters upon their arrival in the Palatio Monterosa. Such a piece has continued to be popular, especially amongst the denizens of the Palatio Aranciones, also being beloved by Princess Sibyl Gwyneth. In simple terms, the Perfoació del Ba’as is a ring piece of metal that has been placed in the cartilage of a person’s septum. The process for creating the hole for this piercing is very much the same as any other, but through the septum, an experience often considered more peculiar than it is painful. The ring would appear to be complete and near impossible to remove, however there is a catch in which one is able to break the ring of metal and remove it from their nose. The ring itself always symbolises statues, a tradition that dates back to the Old Balthalite empire, with the Queen of a nation always having the most elaborate piece and any peasantry having a near plain piece. Featuring beautiful gems and intricate metal shapes, the Queen and her children would bear the most gorgeous of Perfoaciós. ✧⥼☼⥽✧ The Torcadores are piercings of the ridge of the ear, otherwise known as the helix. Such piercings originate from the local tribespeople of the area of the Southern Almaris continent that later came to be known as the Kingdom of Balian. These tribespeople would implement several piercings across their body but it was the piercing of the helix that seemed to gain the attention of the Petrine diaspora that would soon found the nation. For the most part this would be a simple piercing, akin to that of a more common ear piercing, simply placed in the helix of the ear rather than that of the earlobe. Though considered a little more painful than that of the regular earlobe piercing, it is a relatively non-painful piercing to get. The piercings here are only ever rings and more often than not entirely plain rings of metal, though occasionally one may deviate from this and have some small decoration on the ring. The amount of rings upon one’s helix is often attributed to a number of things that they wish to keep track of, however what it is used to track is up to the discretion of the owner of the piercings. ✧⥼☼⥽✧ One of the biggest staples of Balianese fashion, the Polseras refer to the bracelets that the women of Balian adorn upon their arms. It is impossible to not notice the Polseras while in Balian for it is something all women wear, be they of high or low status in society. This fashion came to pass as the Balianese women began to wear shorter sleeves due to the heat that was felt in the nation, which allowed them to begin showing off more jewellery, leading to the invention of Polseras. The Polsera is a piece of jewellery sized specifically to fit one of various different portions of a woman's arm. The placement of them is not specific to any one place on the arm and many wear them on both the forearm and bicep at the same time. Often little more than a simple band with basic decor for the commoners of Balian, the nobility and royalty often pay significant amounts of mina to have specially crafted Polseras made sporting designs of great beauty and gems of rarity. Oddly, convention states that a woman may not sport more than four Polseras on her left arm, but may have up to six of the bracelets on the right arm, having more would be considered an insult to those in presence. ✧────────────⥼☼⥽────────────✧ Spoiler CREDIT:Writing: HIGH_TRANSFormatting: Esotericas Check out the official Pinterest board! Her Royal Majesty, ANDROMEDA ESTER OF BA’AS, Queen-consort of Balian, Countess-consort of Monteres, Viscountess-consort of Pompourelia, Eflen and Anatis, Baroness-consort of Brucca, Valens, Malenos, Goza and Ciavola, Lady of Portoregne, Atrus and Monterosa, Warden of La Costa Rubinissima, Protector of the Heartlanders and the South, etcetera Her Highness, MISCHA OF ILLATIA, Princess of Haense, Duchess of Greywyn, Countess of Florentine, Palatiodora of the Palatio Arancione Her Royal Highness, SIBYL GWYNETH, Princess of Balian, Countess of Senna, Curador of the Palatio Arancione 21 Link to post Share on other sites More sharing options...
annanicole__ 1546 Share Posted October 7, 2023 Queen Andromeda smiles!! 3 Link to post Share on other sites More sharing options...
HIGH_FIRE 4118 Share Posted October 7, 2023 Princess Sibyl Gwyneth, the Curadora of the Palace grins as she sees her work come to fruition, excited for what this means for balianese fashion! 4 Link to post Share on other sites More sharing options...
Melpomenne 1553 Share Posted October 7, 2023 Palatiodora of the Palatio Arancione, MISCHA FLORENTINA, pushed a pin into one of the illustrious dresses listed on the missive. "That one. . . I will make one just like it!" 4 Link to post Share on other sites More sharing options...
Phoebe202 638 Share Posted October 7, 2023 Teddy orders several new outfits from his tailor -- befitting his new status as the future Count of Salia, of course -- to signify his newfound importance, and more importantly, that of his father. 4 Link to post Share on other sites More sharing options...
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