RainbowRoad1234

super awesome stuff!!

oocly, I have been very lucky to meet so many amazing people throughout the years. People who have come and gone, who I'm still able to talk to from time to time. That always warms my heart when someone from years ago reaches out to chat even if they don't play on the server anymore. you know me pretty well, I find I'm kind of selective when it comes to who I rp with and how and a big part of that is boundaries. The main one that comes to mind is @Lockages, who never ever put me in an rp situation I'd be uncomfortable with oocly, despite his villainy tendencies haha. I think that can really make or break any experience on this server, and just knowing that the other person is looking out for you too, makes a world of difference. ic, I've been playing Medli so long that it really does end up becoming second nature, and that is just so cute to me lol. call it cringe sure, but I really do put my heart into it all, which is why I get emotional oocly when things happen. I just can't help it!! But, even negative experiences don't deter me too much. Just part of the game yknow. Breaks are important and I'm grateful to have been able to develop a much better balance in my adulthood, compared to my teen years on lotc. I've had my ups and downs with activity throughout the years, but the thing that keeps me coming back really is you. And of course others who have had such a big impact on Medli's story. You really changed the game for me in so many ways as a writer and as a community leader. I've never been one for huge events or taking part in anything really "important", but I still know my rp has value to those who keep coming back to me. That alone is enough to keep logging on, for the people I know care. Truly, I am so oblivious to the other corners of the server that I am just so content where I am. Even on an ooc level, I just... stay out of it. Makes me feel a little silly since I've been here so long, but I feel like I do right by what I've got, that I don't need to really go elsewhere to find it.

i've never done this, but I happened to notice when going through old screenshots that my first rp screenshot on lotc was from this fateful day, seven years ago. so.. ask me anything!!

LAND DIVINATION As a people, the Airafalassë teachings seek to promote meditation and reflection through the natural whispers of the Duarchy and the Aspects. We hear messages from Cerridwen, Cernunnos, and Thalassa through the ripples we see in our oceans, the rains we feel from above, and the rivers that flow through our villages and forests. It is only natural to then hear Faunus throughout our lands, right beneath our feet. He is not alone in this. His fated counterpart makes herself heard, as well as their creators, even if their words are quieter within this form of divination. It is our responsibility to listen deeply, to interpret these messages to the best of our abilities; an ability that is to be taught and passed down to our children so they too can listen in and feel the weight of these words from beyond. To those who follow the Aspectist way, those who tread the path of elnarnsae’ame, the Wild Faith, and especially those who wish to embark on their journey with the Duarchy, I encourage you to seek out your elders and learn how to interpret these messages. Like any skill, divination of the land requires time, patience, and dedication. For those of you who are already versed in Water Divination, your spiritual process may be similar, or quite the opposite. Do not be afraid to ask for guidance, for there are always hands and hearts willing to teach the way of both water and land. CYCLES Diviners should look to the cycles found in Water Divination to further add meaning to their divination. This includes cycles of day and night, with some that are more specifically tailored to the Duarchy themselves as described later on, phases of the moon, and the natural ebb and flow of the tides. While every subsection of Water Divination is not included here, those specifics (moon phases and tides) are best explored through the teachings of the Way of the Mother and are encouraged to be used hand in hand with Land Divination. Cycles of Day and Night Midnight is the time for deep spiritual communication and seeking answers to life’s mysteries. It is at midnight that a diviner is able to achieve a trance-like state and see visions. Dawn and dusk are the transitional times of day, representing the shifting between light and dark. It is this sense of transformation that makes both the beginning and end of the day very powerful moments for divination. It is best used for questions requiring influence from both Aspects, with more Cerridwen-leaning questions taking place at dawn and questions for Cernunnos taking place at dusk. Morning symbolises growth and forward momentum. It is best for exploring new ventures and setting future intentions. Midday represents peak energy, strength, and vitality, and is therefore the optimal time to seek clarity on complex issues and guidance on personal matters. This is a time associated with Faunus and his outward strength within the earth itself, making it a good time to ask questions tailored to him. The afternoon continues the energy of midday but with a gradual shift towards dusk. It is therefore suitable for guidance on ongoing matters. As we shift toward dusk, it is not uncommon to associate this time of day with Thalassa herself. Afternoon showers are reminiscent of her and her energies, so it is only appropriate to direct questions toward the Sea Goddess. Dusk, in addition to being a transitional time of day, is associated with release and reflection. Questions to the Father can take place at dusk, but it is also the best time to seek closure. Animal Tracks Before asking a question within the earth, it is important to note the natural tracks left by the animals who had passed through the area before your own arrival. Some may consider these tracks to be an omen, while others view this as a blanket before the questioning begins. Take note of these tracks before disturbing the soil or sand further. Of course, there are times when one is simply called in the moment with no tracks to be found. This is not inherently positive or negative when conducting a reading. Bear | Power, protection, meditation. Coyote | Tricks, illusions, deceit. Crab | Self-protection, rebirth, harbinger of cyclical changes. Deer | Elegance, abundance, sacrifice. Dog | Loyalty, reliability, honor. Frog | Renewal, transformation, mystery. Fox | Humor, family, light. Horse | Drive, passion, wild energies. Mouse | Awareness, ingenuity, conservation. Owl | Insight, isolation, discernment. Rabbit | Fear, creativity, luck. Raccoon | Change, secrets, altered states of being. Seagull | A need to seize opportunities and adapt to new circumstances. Tiger | Unpredictability, rejection, willpower. Turkey | Nourishment, generosity, satisfaction. Turtle | Endurance, slow but steady progress, persistence. Wolf | Control, freedom, deception. Patterns These patterns are to be created by the diviner, swiping over a section of soil or sand with one of the same motions at a time to reveal what lies beneath. Types of Patterns Spiral patterns are used to ask questions about the self. Side-to-side swiping is best used to address day-to-day affairs and questions about community or family matters. Large sweeping motions brought toward oneself are used to uncover guidance on what the world will bring toward you. Large sweeping motions pulled away from oneself are known to bring insight about personal impact on the world. Small sweeping motions brought toward oneself are used to determine the impact of others' personal effects on you. Small sweeping motions pulled away from oneself are known to shed light on the energies being put out toward close relationships. Types of Soil Much like how sand slips through one’s fingers, dry sand should be used for questions about fleeting situations. It can symbolically be used for questions about impermanence. Wet sand is more stable and should be used for asking questions about relationships or emotional healing. Loam, being rich with organic matter, is best suited to asking questions about growth and potential. The damp earth can also suggest fertile times ahead in one way or another. Mud can be used to divine meaning when one feels stuck and unsure of what to do or where to go. Clay is best used for questions about long-term plans, as it is a foundational soil. It can also be used for divining about structure and guidance. Sand granules are larger than clay granules, with silt falling somewhere in between. It is therefore best used for questions about overlooked questions and hidden details, as well as gradual change. Peat is usually found in bogs and wetlands, and is a form of soil comprised of partially decomposed plant matter. Peat is most useful when divining questions about ancestry, deep healing, or transformation. Chalk is a pale soil and can be used to ask questions requiring purity, truth, and clarity. Rocky soil is best for asking questions about challenging situations and overcoming obstacles. Similarly, gravelly soil is for divination surrounding navigating difficulties and adapting to change. Topsoil, being the upper layer, can be used to ask questions about new beginnings and surface-level questions. When topsoil is found dry and loose, it suggests the need for rest and recovery when combined with further findings. Subsoil, on the other hand, is best for questions about core issues and root causes. Just as one must dig to reach the subsoil, so can it be used to divine meaning from what is hidden beneath the surface. Pumice soil, which is volcanic, is best for questions surrounding release and letting go. Finally, alluvial soil refers to soils that have been deposited by the passing of rivers. It is used for divining meaning about abundance, renewal, and events and people flowing into one’s life, whether that be for better or worse. Rocks and Stones When digging through the dirt, it is important to note specific patterns and sizes of stones and rocks. While stones come in many different shapes, Land Divination only deals with smooth, rounded stones. Sizes and Alterations Fist-sized rocks | stability, strength, and structure. Palm-sized rocks | release, comfort, grounding. Fingertip-sized rocks | energetic, connections, bonding. Faded rocks | focused on the past, memories, opportunity to explore Cracked rocks | fragmented, delusions, troublesome. Hagstones | the unknown, illusions, deception. Finding a hagstone is a direct message from Faunus, meant to be kept close to oneself, either in a pocket or shown off around the neck, wrist, or ankle, depending on size. Pebble Patterns A single rock can symbolize the person asking the question or refer to the person the question is about. Two rocks of the same size are a symbol of balance in relationships, while two rocks of different sizes can hint at tougher choices ahead. Three rocks suggest a third party is involved when asking questions involving friendships, romantic, or familial relationships. This isn’t inherently positive or negative, only begging the follow-up question of what is to come. Rocks found in complete circles represent the natural balance as a whole. Stones found in a triangle formation symbolize the past, present, and future. Inviting one to dig deeper into their divine findings. Broken or jagged lines are a warning of disruption. Seashells Coastal Tiva, an Illiviran derivative of the traditionally floral language of Tiva, provides much symbolism around worship, self-identification, and physical guidance. We must look to Coastal Tiva as a guide in our divination practices. Shark teeth | power, resilience, precision; associations with the Father. Sand dollar | tranquility, spirituality, inner reflection; associations with the Mother Mother-of-pearl | femininity, power; associations with Thalassa Driftwood | the cyclical nature of life, connection to land and sea, protection, masculinity; associations with Faunus Clamshell | protection, stability, practicality, resilience Seawater pearl | peace, spirituality, inner reflection, tranquility, mindfulness Sea kelp | invasive tendencies, suffocating environments, the overwhelming force of unchecked growth Oyster shell | wisdom, adaptation, hidden truths, insight, introspection Conch shell | courage, leadership, navigating challenges with confidence, adventurousness Nautilus shell | wisdom, introspection, adaptability, self-discovery, growth, harmony Cowrie shell | abundance, fertility, protection, maternal instincts, vitality Scallop shell | grace, harmony, hospitality, inclusiveness, balance, self-discovery Limpet shell | perseverance, resilience, determination Abalone shell | tranquility, inner peace, protection, emotional healing Cockle shell | social connections, camaraderie, joy, spontaneity Conus shell | protection, defence, allure of the unknown Tiger cowrie shell | strength, regal beauty, protection, guardianship, intuition, inner strength. Tulip shell | elegance, refinement, simple beauty Helmet shell | resilience, strength in the face of adversity, fortitude, perseverance, sense of self Turban shell | creativity, adaptability, diversity, individuality Periwinkle shell | determination, perseverance, persistence, overcoming obstacles through willpower

It should come as no surprise that a hybrid religion of Thalassan and Aspectist ideals was born from the circumstances surrounding Illivira’s conception; though elnarnsae’ame practices remain the basis for worship, with the Aspects, Cerridwen and Cernunnos at the height of the pantheon and Thalassa, Faunus, and their respective mani below them, Illivira’s rituals and prayers have grown rife with motifs of the sea, love, and betrayal. In studying ancient Almenodrim religious texts and epic poetry brought into debate by Eagus Roitarion, the Illiviran people have rejected the modern idea of Thalassa as a malevolent and fear-mongering entity; instead, they believe that, although she can be destructive, she is often stabilized by her lover Faunus, the Land God. The threads of their fated romance weave a tapestry that has become not only the basis for the Illiviran lifestyle but Airafalassë, the village’s priesthood. AIRAFALASSË Diviners of Foam & Strand Airafalassë is a mystical and nature-based spiritual practice that emphasizes the connection between its practitioners, the ocean, and the natural elements found along Aevosian coastlines. Its dogma is centered around devotion to the Duarchy, promoting sanctuary among mali, and preserving the land and waters they call home. Furthermore, they practice oceanic and coastal-based divination, heralding the wills and whims of Thalassa and Faunus through the readings of tidepool ripples, the height of the moon in the sky, and other such means. The practitioners of Airafalassë believe in the transformative power of the sea and navigate the world through its lens of intuition, purification, and cleansing. Although water is the central theme that threads the faith together, the other natural elements also play a significant part in worship. Followers of Airafalassë draw on the land's stability and grounding qualities to connect with the physical world around them. The coastal breeze and the sounds of the sea are thought to carry messages across the realm be it by written note or energy alone, and the sun's fire influences the tide and cycles as much as her sister moon. Genesis Uncertain times had come to Aevos. The continent shook under the clashes of battles between deities that would forever change the spheres of faith; comets fell from the heavens, casting glowing light ‘pon turbulent seas; the grand elven realms of yore were disintegrating under societal scrutiny, leaving many mali with nowhere to turn for refuge. In the wake of such chaos, guided by the traditions of those who came before them and the hopes of those who might come after, Medli Oranor and Ithwen Mallental met on the shores of budding Illivira under a full, red-ringed moon and transcribed what would come to be known as Airafalassë - the Diviners of Foam and Strand. ⋅⊰ Culture ⊱⋅ Respect Airafalassë and the Ehtensí hold respect as a cornerstone of all interactions, valuing it deeply in how they engage with both the village and the wider community of Aevos. The belief in guiding others along their spiritual paths, while honoring individual beliefs that may not align with Duarchism, Aspectism, and so on, is central to their ethos; they recognize and respect the diversity of beliefs that exist across the continent and seek to embrace that plurality of perspectives. Furthermore, they work to preserve the balance in all things, respecting the Aspects and revering the natural world; through their rituals they pay homage to the interconnectedness while taking care to minimize harm to the environment around them. Devotion Devotion is the pulsing heartbeat of Airafalassë, infusing every facet of the religion with a profound dedication and sacredness to the Duarchy. Their commitment goes beyond mere duty; it is a soul-deep allegiance and an unwavering pledge to uphold the ideals and traditions of the faith. From the tender care of their shrines to the fervent whispers of prayers, an Ehtensí’s dedication is expected to be palpable in every ritual and every gesture. They are expected to approach tasks with reverence and an understanding that even the smallest acts in their day to day lives are testaments to their faithfulness. During times of celebration, Airafalassë’s vespers blaze like beacons, illuminating the collective spirit of the community. Village-wide ceremonies become vibrant tapestries of worship, expressions of gratitude, and a symphony of faithfulness – sacred odes to the seasons, the Aspects, Thalassa, Faunus, and the Mani. Responsibility As caretakers of Duarchism, Ehtensí shoulder the weighty responsibility of safeguarding their faith’s principles and shielding their lands from harm – they understand that the well-being of their community is intricately woven into the fabric of the natural world, and so they are expected to show compassion in nurturing their village, the lands beyond, and the souls within. They’re often first to embark on endeavors of environmental conservation and tend to the sand and soil with reverence and care, seeking to preserve the delicate balance of Illivira’s ecosystem for future generations to inherit. Further still, their stewardship extends beyond the realm of nature; Airafalassë preaches empathy, solace, and guidance to those who seek refuge, be they of the faith or not, and so Ehtensí are expected to extend strength and sanctuary to all those worthy of it. ⋅⊰ Practices ⊱⋅ Prayer In Airafalassë, prayer is deeply connected to nature and the ocean, with followers using natural elements like tidepool ripples, the moon's position, and coastal winds to interpret the wills of Thalassa and Faunus. Prayer serves as a way to connect with the divine, seek guidance, and harmonize with the rhythms of the sea and land. Through these practices, practitioners aim to purify, cleanse, and ground themselves in the natural world through the four seasons, as well as devotion to the Aspects. Druidic influence is also noted here through rituals in correspondence with the elements. Beachcombing As caretakers of Duarchism, Ehtensí shoulder the weighty responsibility of safeguarding their faith’s principles and shielding their lands from harm – they understand that the well-being of their community is intricately woven into the fabric of the natural world, and so they are expected to show compassion in nurturing their village, the lands beyond, and the souls within. They’re often first to embark on endeavors of environmental conservation and tend to the sand and soil with reverence and care, seeking to preserve the delicate balance of Illivira’s ecosystem for future generations to inherit. Further still, their stewardship extends beyond the realm of nature; Airafalassë preaches empathy, solace, and guidance to those who seek refuge, be they of the faith or not, and so Ehtensí are expected to extend strength and sanctuary to all those worthy of it. Seashells, thought to hold the protective energy from the ocean and thus a bridge between the physical and spiritual, are seen as a form of defense against evil and chaos, are are often worn close to the ears and heart. Starfish are considered to be portents of good fortune, divine love, and blessings from Thalassa – but removing them from the shore will bring the opposite, as a wrathful Faunus mourns for his lover’s lost messages. Pieces of seaglass are considered to be symbols of transformation and rebirth, detailing the changes of the land and its people that are not always seen but always felt. They are often used within the healing circles of Illivira, woven into their tools or hung around their clinic as decor. Foraging & Pathfinding Wandering the forests, fields, and cliffs of Illivira is a sacred act for the followers of Faunus, who believe that the land itself whispers wisdom through its roots and stones. Unlike the materials chosen for the inder’tayna, which reflect personal identity, the objects found during these journeys are seen as direct messages from Faunus to the people of Illivira, guiding them in times of uncertainty or change. Twisted roots are seen as threads of fate, revealing the interconnectedness of all living things. They are often carried as talismans or woven into walking staffs to ensure safe travels. Feathers found on the forest floor are regarded as blessings from the sky, gifted by the creatures of Faunus to offer protection and guidance. White feathers bring peace and clarity, while dark ones signify a warning to tread carefully. Unusual stones—particularly those with holes naturally worn through them—are believed to be the eyes of Faunus himself. Keeping one in a pocket or wearing it around the neck allows the wearer to "see" beyond illusions and deception. ⠀𓂃⠀⠀˖⠀𓇼⠀˖⠀⠀𓂃⠀ Divination of the Shore A wild sea stimulates the spirits and brings strength, vitality, and opportunity; a calm sea untangles the busy mind, encourages rest, and soothes pain; rain on the sea echoes the connectedness of everything in ripples of bursting energy. To those who know what to listen for, the seas of Aevos boast bountiful messages – all Ehtensí needs to do is know how to listen. Tidal Augery The time of day and corresponding tide all harbor different meanings, and through these meanings Ehtensí interpret the wants of the Duarchy and decide when best to perform rites, rituals, and divining work. Flow tide represents bringing things or actions to one’s self; the ebbing tide represents sending them away. High tide is thought to represent high, positive energies, where low tide represents the lower, negative ones. Spring and summer tides are regarded as being stronger and more potent than their autumn and winter counterparts, and so Ehtensí are encouraged to harvest and hold onto bottles of seawater during these seasons for later use. Strange tides and tidal events, such as tsunamis, are considered to be great portents, usually to a negative degree. They suggest, if not signify, a disruption of the balance and great horrors to come. Foresight of the Moon Like the ebb and flow of the tides, interpretation of the weather and the skies are another marked part of Airafalassë, particularly amongst its seafarers. Sunny skies and fair weather assure prosperous harvests and good tidings over Illivira. When rain drizzles over the village, Thalassa has come to spend time with Faunus; the following rainbow is Faunus’ gift to Thalassa. Heavier storms are seen not as a bane but as Thalassa protecting Illivira from outward dangers; typhoons remind the Illiviran people that through destruction all is cleansed; and blood on the moon is a portent of great change and immense power in the world. Heavy fog serves as a blinding message against entering the sea for as long as the mist remains. Maelstrom’s warn the Illiviran people that hardship is coming, and they will need to be ready to fight. Finally, falling snow is a grave indication that the balance has fallen out of harmony – or, more catastrophic, that Faunus is missing. Seawater Scrying Scrying is the practice of divination and fortune-telling through gazing into a medium in the hopes of receiving messages of guidance, inspiration, prophecy, or revelation. In Illivira, this practice involves staring into a dark bowl of water, tidal pools, or, for the more advanced in their craft, across the sea herself. It is one of the hardest divination practices amongst the Illiviran people as it requires the Ehtensí to let go of their mind chatter entirely, allowing Faunus and Thalassa to speak to them through the sea, sand, and air. ⠀𓂃⠀⠀˖⠀𓇼⠀˖⠀⠀𓂃⠀ Divination of the Wild The earth beneath one's feet is alive, shifting, and speaking in ways that those inspired by Faunus may interpret. Whether through the dance of fire, the shape of fallen leaves, or the behavior of animals, the land carries messages for those who listen. Reading the Flames Fire is both a destroyer and a bringer of life, a force of purification and renewal. Followers of Faunus often observe the way flames move in the hearth or ritual fires: A steady flame represents harmony and prosperity. A flickering, twisting flame warns of incoming change. A fire that struggles to catch suggests unseen obstacles or a need for patience. Sparks that leap wildly into the air are said to be Faunus calling his followers to action. Whispers of the Wind & Leaves Leaves, when caught in the air and followed, are believed to lead seekers toward knowledge they need. The way they fall, scatter, or cluster offers insight: A single leaf landing at one's feet is an invitation to pause and reflect. A spiraling leaf caught in an updraft signifies a turning point or choice ahead. Leaves that gather in a ring mark a place of significance—often a natural meeting point of Faunus’ energy. Animal Signs & Omens The creatures of Illivira are messengers of Faunus, and their presence or behaviors are studied carefully: An owl hooting at dusk is a reminder to seek wisdom before making decisions. A stag appearing on one’s path is a sign of strength and leadership. A fox crossing one's trail suggests the need for adaptability and wit. If birds fall silent in the forest, it is a grave warning—something unnatural lurks nearby. Stone and Soil Scrying Just as seawater scrying allows communion with Thalassa, land-bound divination is practiced by gazing into patterns in stone, soil, or even the cracked bark of ancient trees. Pebble casting involves tossing a handful of small stones and interpreting the way they land. Circles may indicate unity and protection, while broken or jagged lines warn of disruption. Soil readings are performed by running hands through freshly tilled earth or river mud. Dry, loose soil suggests a need for rest and recovery, while rich, damp earth signals fertile times ahead. Tree rings tell stories of past seasons; examining a felled tree or a freshly broken branch can offer insight into past struggles and triumphs. The Seasonal Balance The shifting of the seasons is closely observed, as it reflects Faunus' presence and his relationship with Thalassa. The first green shoots of spring mark a renewal of energy and hope, signaling a time for new beginnings. Summer’s longest day is a sacred period of abundance, when Faunus is most present in the land’s vitality. Autumn’s falling leaves remind the people of life's cycle—what is let go must return in another form. A winter with little snowfall is considered an ill omen, a sign that Faunus is restless or displeased. 𓆝 𓆟 𓆞 ⋅⊰ Rites & Rituals ⊱⋅ Rite of Selection Illiviran children’s eleventh birthdays are celebrated with an intimate ceremony, where the child chooses a token to start their inder’tayna from those prepared by their parents, symbolizing the path they will follow in life. A priest or Watcher blesses the child, and the village offers gifts of cultural or religious significance to the family. Some believe in the concept of rebirth, suggesting that children may carry pieces of their ancestors' souls. Rite of Unity Illiviran weddings, inspired by the divine love story of Faunus and Thalassa, take place on the beach, where the couple exchanges vows and tokens for their inder'tayna instead of rings. The ceremony, led by a Watcher or priest, is followed by communal celebrations with feasting, music, and dancing, reflecting the joy and blessings of the union. Rite of Passage Illivirans believe in Thalassa’s Undersea as the afterlife, where souls become one with the natural balance after being returned to the sea. Funerals involve the body being submerged in the ocean, guided by a priest’s ritual, or set afloat and burned for noble figures. The village then observes three days of darkness to honor the deceased. 𓇼 ⋆｡˚ ⋆｡˚ 𓇼 ⋅⊰ Festivals ⊱⋅ Dawn’s Shadow celebrates the love story of Thalassa and Faunus through renewal and new beginnings. During it, Illivirans gather together to assist hatching sea turtles whilst their elders weave tales of great romance and adventure, with friendly, competitive events soon to follow. Faunus’ Observance honors Faunus through the construction of bonfires, song and dance, and offerings made on the longest day of the year, the Summer Solstice. During the festival, the community enjoys Giselin Tonic, a spicy-sweet, non-alcoholic but psychoactive drink crafted from traditional Almenodrim means. Twilight's Lumen marks a time of reflection and preparation for Illivirans as summer gives way to winter. When the weather is right and the ocean is alight in a bioluminescent display, villagers take to the shores to beachcomb for trinkets to use in their inder’tayna and other keepsakes. Thalassa's Farewell is a solemn period dedicated to mourning. Small handcrafted ships are set adrift at sea with messages and tokens for the dead, and afterward Illivirans brave the freezing waters for cleansing swims and to deliver offerings to the Goddess of the Sea. ⋅⊰ Diviners of Foam & Strand ⊱⋅ Trials Trials in Airafalassë are performed to test an Ehtenminya's bravery, spiritual connection, and understanding of nature's elements. The Trial of Thalassa’s Tide involves a leap from cliffs into the ocean, followed by surfing to demonstrate courage and agility in navigating the sea. The Trial of Faunus’ Shore tests an Ehtenminya's ability to interpret messages left by the sea through beachcombing treasures or pathfinding through the forest, while other trials involve organizing seasonal festivals, sharing divination knowledge, performing Mani rituals, and beginning a spiritual journey symbolized by the inder'tayna. Success is marked by approval from the Ehtentána, Ententëa or Ehtensí through community feedback, favorable signs, and priestly blessings. ⠀𓂃⠀⠀˖⠀𓇼⠀˖⠀⠀𓂃⠀ Stratum The Ehtentána, or Eminent-Seer, is the spiritual leader of Airafalassë. Ehtentána will choose a successor to mentor during their life, known as the Ehtentëa or High-Seer. Oftentimes this is one of their children, but this is not always true. Ehtentëa will spend a large portion of their life training under the Ehtentána, especially learning how to listen for and interpret messages from Thalassa and Faunus, as Ehtentëa must form a strong bond with both deities in order to read the minds and hearts of their peers and lead them in spirit, as well as how to perform ceremonies and rites of the faith. Below Ehtentána and Ehtentëa are the Ehtensí, or the Now-Seers. These are priests and priestesses of Airafalassë who have completed their trials and earned their diviner titles; alongside their preservation, protection, and worship of Duarchism, they are expected to train and guide novitiate Ehtenminya, the First-Seers. As of SA 197, Illivira’s Ehtentána is Medli Oranor, Diviner of the Red Sun. Her Ehtentëa is Ithwen Mallental, Diviner of the High Moon.

Coastal Tiva Coastal Tiva is a derivative from the mali’ame tradition of ‘The Language of Tiva’, a collection of floral symbolism used in worship, self-identification, and physical guidance. Although Coastal Tiva subscribes itself to the same three pillars of Aspectism, guidance, and identity as its predecessor, practitioners utilize the natural elements found along coastlines and shallow waters rather than woodland flora; furthermore, Illivirans, credited to have first introduced the coastal variant, have chosen to recognize the Duarchy as well as the Aspects. ___________________________________________ 🐚 ___________________________________________ Art by Siua Faith Honoring the Aspects is deeply rooted in Mali'ame culture and this custom finds resonance within Coastal Tiva, where the traditions devoted to the Aspects are observed with the same reverence as they have been for generations. While their customs may vary, Illivirans, too, hold a deep appreciation for the Aspects – at the same time, they embody the symbolic significances of the Duarchy, which forms an integral part of their cultural identity and collective consciousness. As such, they have distinct and different Tiva for The Mother, The Father, Thalassa, and Faunus. Cernunnos Shark Teeth Shark teeth symbolize power, resilience, and precision. They represent a strong and determined personality, capable of facing challenges head-on with fearless aggression and unwavering focus. Shark teeth may also signify protection and the primal instincts necessary for survival, embodying the raw and ancient wisdom of The Horned God’s enduring forces. Cerridwen Sand Dollar The sand dollar symbolizes tranquility, spirituality, and inner reflection. It represents a calm and peaceful personality, attuned to the interconnectedness of all living beings. Sand dollars may also signify renewal and the cyclical nature of life, embodying a sense of mindfulness and the serene beauty found in The Green Lady’s spiritual contemplation. The Third Unknown Whispers of The Third may be heard blowing off the cool night air, but only the truly dedicated might hope translate these messages into the physical language written here. Thalassa Mother-of-Pearl Mother-of-pearl, the iridescent inner layer of certain mollusk shells, is often linked to femininity and power. Through their luminous qualities they represent the nurturing and protective qualities of the divine feminine, as well as the mysteries of the ocean. Faunus Driftwood Driftwood, weathered pieces of wood washed ashore by the tides and waves, represent the cyclical nature of life and the connection to both the land and the sea. Mirroring Thalassa’s Pearl, driftwood also represents the protectiveness and stability of the divine masculine. ___________________________________________ 🦀 ___________________________________________ Art by Siua Guidance The Language of Tiva was first created with the intention of guiding elvenkind along their journeys: flowers intertwined together symbolize directions and signs within the woods that only those straying mali might interpret. Similarly, anchored rings of floating driftwood give the base to shells, flora, and other elements which report the paths ahead of any sailor who knows the language: pearls and sand dollars nestled into a piece of driftwood tells of a nearby place of worship for the Duarchy, where the binding of oyster and conch shells details a concealed area in need of further exploration. ⠀𓂃⠀⠀˖⠀𓇼⠀˖⠀⠀𓂃⠀ Clam Shell Safe Places The clamshell symbolizes protection, stability, and practicality. They represent a nurturing and supportive presence, as well as a down-to-earth approach to life. They may also signify resilience and the importance of finding security in one's environment. Seawater Pearl Place of Worship The seawater pearl symbolizes peace, spirituality, and inner reflection. They symbolize tranquility, mindfulness, and the interconnectedness of all living beings. Sea Kelp Dangerous or Unwelcome Places Kelp may be used to symbolize invasive tendencies, suffocating environments, and the overwhelming force of unchecked growth. While essential to marine ecosystems, kelp exhibits negative traits when it overgrows and dominates underwater habitats that lead to imbalances in the marine ecosystem. Oyster Shell Hidden Places The oyster shell symbolizes wisdom, adaptation, and hidden truths. They represent insight gained through experience and introspection, things which may be shrouded to the naked eye, and the power of change through adversity and pressure. ___________________________________________ 🦪 ___________________________________________ Art by Siua Identity Through the traditional use of inder’tayna, it is important for one to be able to assign personal characteristics of oneself or another to represent them on their cord. These shells are also used in gifts or decor. ⠀𓂃⠀⠀˖⠀𓇼⠀˖⠀⠀𓂃⠀ Conch Shell The conch shell symbolizes courage, leadership, and the ability to navigate challenges with confidence. It symbolizes the adventurous spirit and the willingness to explore new horizons. Nautilus Shell The nautilus shell represents wisdom, introspection, and adaptability. It symbolizes the journey of self-discovery and growth and the ability to find harmony amidst change. Cowrie Shell The cowrie shell is associated with abundance, fertility, and protection. It symbolizes nurturing qualities and maternal instincts. It may also represent vitality. Scallop Shell The scallop shell symbolizes grace, harmony, and hospitality. It symbolizes a welcoming and inclusive personality, as well as a balanced approach to life. It may also signify spiritual pilgrimage or a journey of self-discovery. Limpet Shell Limpet shells cling tightly to rocks, symbolizing perseverance and resilience in the face of adversity. They symbolize strength and determination, as well as the ability to adapt to challenging environments. Abalone Shell Abalone shells shimmer with iridescent colors, representing tranquility and inner peace. They symbolize protection and emotional healing, as well as the beauty that emerges from life's challenges and transformations. Cockle Shell Cockle shells are often found in clusters, symbolizing social connections and camaraderie. They represent joy, spontaneity, and the importance of laughter in life's journey. Conus Shell Conus shells are known for their venomous properties and striking patterns. They symbolize protection and defense, as well as the enigmatic allure of the unknown. Tiger Cowrie Shell Tiger cowrie shells feature bold patterns reminiscent of a tiger's stripes, symbolizing strength and regal beauty. They represent protection and guardianship, as well as the power of intuition and inner strength. Tulip Shell Tulip shells showcase graceful curves and delicate patterns, symbolizing elegance and refinement. They represent beauty in simplicity and the appreciation of life's finer details. Helmet Shell Helmet shells have a sturdy, protective structure, symbolizing resilience and strength in the face of adversity. They represent fortitude and perseverance, as well as the importance of maintaining a strong sense of self. Turban Shell Turban shells exhibit vibrant colors and intricate spirals, symbolizing creativity and adaptability. They represent the ever-changing nature of life and the importance of embracing diversity and individuality. Periwinkle Shell Periwinkle shells are small but resilient, symbolizing determination and perseverance. They represent the power of persistence and the ability to overcome obstacles through sheer willpower. ___________________________________________ 🌺 ___________________________________________ Art by tgrt

The Sanctum of Illivira "A thing that doesn’t change with time is a memory of younger days." Art by @Toffee Genesis In the heart of Amaethea, where the ancient trees whispered tales of forgotten times, Medli Oranor observed the rapid changes that modern elvendom brought to her people. The intricate dances of diplomacy and the bustling noise of progress drowned out the serenity and simplicity that had once defined elvendom. Deeply nostalgic for the days of her youth, when her people held what she believed to be a greater sense of community and moral value, Medli felt a yearning to return to an unornamented age. Unable to reconcile her desires with the direction the princedom was heading, Medli led her husband Evar'tir into the mutual and momentous decision to abdicate their titles with heavy hearts, and yet their spirits remained resolute. Gathering a band of like-minded mali who shared their disillusionment with the modern era of elvendom, Medli and Evar'tir embarked on a journey to the tranquil coastal regions of Oswin. While Evar’tir decided to enjoy a period of retirement, Medli maintained her role as a guardian and influential persons amongst elvenkind, hoping to honor her mother’s teachings and make her proud. It was there, amidst the rhythmic melody of crashing waves and the salty breeze that carried memories of times long past, that Medli decided to found a haven for those who longed for a return to the old ways, and bestowed upon herself the title Seawatcher. This refuge came to be known as Illivira, after the peaceful Mani Prince Luna'illi of Moths and the word 'vigilant' or ‘mournful’ in the ancient tongue – in the modern day, one might also hear it called ‘The Sanctum’. ⋅ •⋅⊰ ₊ ⋆ ☽ ༓ ☾ ⋆ ⁺ ⊱⋅• ⋅ Thus far, Illivira has thrived as a haven for wayward elves seeking solace in the arms of tradition, belonging, and purpose. Medli, now free from the constraints of the crown, has dedicated herself to imparting the timeless values she holds dear. Though no longer a ruler in name, Medli has become the heart and soul of the village, and it is under her guidance that Illivira has embraced a communal existence where the complexities of the ever-changing elven world come untethered. Another leading force in Illivira is Eagus Roitarion, the patriarch of an Almenodrim House by the same name. Grateful for an act of benevolence by High Princess Medli in his youth, Eagus devoted himself to learning from her wisdom and guidance, absorbing the lessons of diplomacy and compassion that shaped him into the capable and empathetic individual he is today. Though he traveled for a time, Eagus has since returned to The Sanctum and assumed a pivotal political role – that of the Forestwatcher, one half of the whole that makes up the village’s duumvirate. Likewise, it was Eagus who introduced the religion of Duarchism to the village, a denomination of Aspectism merged with Thalassan and newly introduced Faunian ideals. [] Art by Joseph Feely Art by @tgrt Environment The climate of Illivira and the surrounding area is tropical, with the majority of the year spent in a warm rainy season. The temperatures are mild and relatively constant, cooled occasionally by the winds coming off of the ocean; the turquoise waters of the village’s shoreline maintain a similar temperature, warm enough to swim in even in the dead of night. There are two distinct weather patterns: the dry season and the humid season. The dry season lasts from The First Seed until Sun's Smile and has balmy temperatures with little rain. The humid season makes up the rest of the year and is subject to almost daily tropical showers. The beach, just south of the village proper, is one of the community’s central hubs. It boasts countless tide pools brimming with marine life, including mussels, barnacles, chitons, sea slugs, and hermit crabs. High cliffs beyond the dunes protect the village from high tides and the occasional tidal waves from summer storms rolling in from the sea. Altogether, the coastal environment promotes sailing, fishing, and the collection of sea glass and driftwood from the beach. These are often used to create greater renarias, or large mosaics, which are scattered throughout the village and on the cliffs, in the ground, and on the beach. Religion While most of the stories of Thalassa have been passed down through centuries of oral and written traditions, the Illiviran people feel if there is to be a Goddess of the Sea and Watcher of Sea Mani then there must be the same for land - this, coupled with brief mentions of a male figure in oral tradition, allowed for the idea of a Watcher of Land Mani, and it was only through recently rediscovered religious discussion and debate that Faunus’ existence came to light. Thus, The Duarchy, also called Duarchism, was created, melding traditional elnamsae'ame, Aspectism, and Thalassan ideals into something new. This does not detract from the Mother Cerridwen, and the Father Cernunnos, as the pair is still held in the highest regard of worship. Recognizing this, the responsibility falls to the remaining two gods to take care of or watch over their respective mani: sea-dwelling mani are supported by Thalassa, whereas land-dwelling mani are supported by Faunus. While there are different interpretations of Thalassa and her origins in Almenodrim culture, Illivirans have adopted different approach to her relationships and being. Although previous iterations have noted her as a malevolent being, this is inaccurate to modern Illiviran beliefs, as though they recognize her moody demeanor, it is believed through various tales and retellings that Faunus stabilizes her through his level-headed disposition. Duarchism has a rich tradition of oral history, storytelling, and epic poetry, primarily used to instill morals and pass down knowledge. While most are too long and detailed to tell in a single sitting, single passages or verses are often discussed at length to glean new knowledge, and possibly to fix any mistranslations lost in the switchover from ancient elven to common. Short fables bring a vibrant array of metaphors to a Duarchist’s life, and, most importantly, teach lessons to help navigate the vast array of Mani and how best to appease both Thalassa and Faunus. Festivals and Rites Festivals are held in accordance with the seasons and worship of the Duarchy, including rites to the Mother and Father, Thalassa and Faunus, and the Mani. Rites are also held for certain important events within the village, promoting a sense of community between villagers. Beliefs & Customs Illivirans hold many beliefs and customs within their village that carry out from beyond their quaint walls. It encompasses many parts of their lives and influences the person they become, whether they are a child or elder. Though Illivirans come from a multitude of places and walks of life, it is expected and encouraged that they conform to the Illiviran ideals, beliefs, and customs for as long as they live within the coastal sanctum. On Respect: Illiviran people are encouraged to respect other elven kind, including cultures and beliefs that may not align with their own. In being a ‘free people’, it is important to show kindness and understanding to others to promote the idea of sanctuary. While this is a custom that is not policed, it is expected rather than enforced. Those within Illivira, despite subsisting on a mostly pescatarian diet, will always believe in swift kills with what they require to eat. Nothing in nature, whether flora or fauna, should have any unjust suffering - where nature suffers, so do Illivirans and many will volunteer in hopes of alleviating or quelling the suffering within nature. On Devotion: Illivirans actively practice Duarchism, although it is not uncommon for one to also follow Aspectism, The Wild Faith, or Thalassaism. Regardless of the faith which they hold in the highest regard, Illivirans revere the Aspects above all and as such will devote themselves to the preservation of Good and the Balance. On Responsibility: The way of Illivirans is to see an end to all things that wish to destroy what they hold dear; the lands in which their home resides. To cull what they deem as evil is to preserve their way of life. To maintain the good in the world is a belief all Illivirans hold and believe others should maintain as well. For if there is only evil in the world, then that is not a world worth living in. Illivirans believe in preserving their Sanctum and will strive to ensure that it remains a sanctum to friends and strangers alike. Illiviran healers take pride in aiding any injured with little to no background judgment, working under the umbrella of Serinwë’s Hand, a company of healers. While being an oathed member is not required to practice medicine in the Illynoran Infirmary, it is important for Illiviran medics to hold similar values as the company. Politics Illivira is led by a duumvirate consisting of the Seawatcher and the Forestwatcher. At the time of founding, the Seawatcher is Medli Oranor and the Forestwatcher is Eagus Roitarion. Leadership decisions in the village are made jointly. If one of the duumvirates were to step down, that person would choose their replacement; if one of the duumvirates were to pass away or otherwise become unable to perform their duties, the surviving duumvir would choose their successor. If this cannot be decided, the duumvirs turn to the House leaders to help decide the vote. In the event that no decision could be made between House leaders, it is then turned to the people of Illivira to elect a new member of the duumvirate. The new member is to select a different title than past duumvirs whilst continuing the ‘watcher’ motif. Art by @tgrt [] Art by Joseph Feely Architecture The architecture of Illivira is simple, designed to intrude on the natural environment no more than is necessary. Hardy wood and sandstone are used to withstand the briny sea and salt wind. Illivirans use as little space as possible when building their villages, using crammed-together buildings that still allow vegetation to grow between, on, and within every single structure that they build to coexist with nature around them. Houses are truly only built to sleep in and store one's belongings, while the community buildings are much larger to encourage interaction with each other and visitors to the quaint village. The buildings are less grand than the style of the Almenodrim, which favors stone structures built into the cliffs and intertwined with trees, and less lofty than traditional Mali’ame architecture which is often built high into the trees. Instead, Illivira has embraced the aesthetic of a seaside village rather than that of a budding city. Clothing, Accessories, & Tattoos Clothing is generally crafted from hand-made cloth or woven fabric and consists of long, flowing fabrics overlapped with one another. This can also include sheer drapings, along with cutouts in the bodice and leg slits for ease of movement. The most common colors are largely earthy, using browns, blues, greens, beige, and gold to mimic the beaches and sea near Illivira – it is not uncommon to see deep reds either, especially in ceremonial and traditional garb. Because of the persistently warm climate and proximity to the ocean it is normal for a considerable amount of skin to be exposed, which also functions to showcase ilmyumier. Illivrans will often have a formal set of clothes when attending meetings outside of the village, styled to be more modest while still representing the traditional colors of the village. Due to their Mali’ame and Almenodrim roots, the Illiviran people are very fond of accessories, including rings, necklaces, piercings, and inder’tayna. On tattoos - many Illivirans believe the body is a canvas to express themselves, but not in the same way as accessories. They believe the skin should represent who you are, where you belong, and your story. Ilmyumier often represents the family you belong to or the status you hold within a society: priestess, guardian, warrior, and various other titles. With the rest of their skin, many Illivirans opt to use their skin to mark down familial oral traditions or show their great feats. Armour tends to be made from leather or even thick cloth, intended for ease of movement. Some wear full plate crafted from treated ironwood, but the elves of Illivira are not a war-faring culture, and it is rare to see elves in armor at all. Skins by @WestCarolina Food A pescetarian diet is common in Illivira, though more so from simplicity as opposed to choice. Living so close to the ocean promotes a fish-based diet, and tropical fruits grow in abundance in the jungle surrounding the village. This is an adaptation of the hunting and gathering common in most Mali’ame nations. Most other types of meats, vegetables, and fruits not grown within the tropical climate are traded between other communities. It is rare for an Illiviran to have a meal by themselves. Eating is a time when the village comes together to, pending the time of the meal, discuss their plans for the day, what they’ve accomplished, or even simply how their day went. It is seen as a time of bonding and sharing and is hosted around one of the many fire pits that decorate this seaside haven. [] Art by Joseph Feely Crafting Although Illivira’s main exports revolve around fishing, the village is also known for its craftsmanship in all things intricate. One would be hard-pressed to miss out on all of the hand-crafted jewelry, leatherwork, shell candles, and polished wood carvings available in their local marketplace. In particular, Illivira is known for lesser renarias, which is the art of insetting pearls, sea glass, gemstones, and other materials into items such as sword hilts, belts, door frames, and other small decorations. Inder'tayna are long pieces of twine, rope, or thread on which beads, gems, shells, bones, fabric, et cetera are interwoven to represent significant events in the maker’s life. An Illiviran’s parent often creates the foundational cordage before birth, and the child will add to it as they grow. The beads, shells, bones, and so on that are added to the cordage are sometimes found by oneself, but are more often gifted from friends, family, allies, and mentors. Inder’tayna are often worn around the waist. It is not uncommon to also see Inder’tayna worn as bracelets or used as accessories to belts. When an Illiviran dies, their Inder’tayna will be incorporated into their funeral or memorial, depending on what their loved ones prefer. Tiva weaving is a traditional Mali’ame tradition using the language of flowers. In Illivira, this is incorporated with shells and ocean flora to denote specific meanings such as “slippery rocks ahead”. Tiva wreaths are often hung above doors as a blessing (or deterrent), as well as anchored overseas to alert seafarers. The crafting of one’s surfing board is a revered art form that goes beyond just the physical act of creation but, is instead a representation of the symbiotic relationship between the Illiviran and the ocean. The embodiment of their respect for the natural world and their desire to harmonize with its elemental forces shows the handiwork of each board. The Illiviran begins crafting their board by selecting a fallen tree in the jungle thicket around the village; the wood slab that will become their surfing board is cut from it and taken back to the beach. They will then take time carving and softening the wood into their chosen shape, whether sleek and round or with a fish-like tail. They then spend time painting their board with paints and dyes sourced from the local flora, often incorporating personal symbology to make ownership clear at a glance. With their surfing board completed, the Illiviran then takes to the sea to continue fostering their deep connection with the waves and the powerful, beautiful sea. [] Art by Joseph Feely Art by @tgrt “Have you come through the sea, or by the land?” To learn more, find us in-game near Nevaehlen, or join our discord: https://discord.gg/XYPyKPh9YB

Medli pinned the missive to the Infirmary's board, eagerly waiting to spread the word!

Journeymen have only recently marked the lanes of the Amathine forest, its canopy of leaves denying the ground beneath any light. Their broad leaves soak in the warmth above and leave beneath them a humid, greenish landscape through which thick roots interlock in complicated knots as above as they do beneath the ground. In the absence of torches, their landmarks became sensory experiences: start where the frogs ribbit the loudest, take a left until you find the bark with the sticky moss and if you feel the mud caking your ankles and a trail of rocks under your bootsoles, you’re on the right path. Humanity, better suited for concise maps and coordinates, called it a lost cause. What was there to plunder if even the lanterns were snuffed out by the nose-clogging humidity of Amathine? Dwarves, sunk waist deep in waters and unwilling to waterlog their armors and risk rusting their picks, decided the time it would take to find the mines superseded any profit they could make from them. Above all else, none could make sense of the shadows at the corners of their eyes, bristling leaves before evaporating like panthers in the undergrowth. Panthers, they presumed. There wasn’t a spear sharp enough or will stout enough to fight prowlers in this suffocating dark. Not with their expiry date. In their longevity, a displaced group of Elves bound themselves to trial and error and heeded the native journeymen's words until they too joined their ranks. Pointy ears twitched tither and dither to find ribitting toads, and lithe feet delicately – albeit knowingly, – padded against mud and stone. Bravery, and the appropriate losses to match it, were the only remedy to the nightprowling threats just out of light and sight. Their skeletal remains, today overgrown with colorful moss and their marrows painted with the tattoos that once dyed their flesh, still refuse to be eaten by the forest: the ancestral will is strong and committed to guiding its descendants to the shore. Some of them fetter shark-toothed spears between their ribs, a somber reminder that though the ancestors have forgiven the symptoms of those trying times – they can never be allowed to come about again. The path is gentler today. Nets swing from one thick branch to another, jars containing terrariums where generations of fireflies have comfortably thrived hang from them to light the way. Foreigners call them capricious, only lighting the right way forwards when a bit of their rations are sprinkled inside; but those who first ventured these lanes know the fireflies only brighten for the noblehearted and well-intentioned. Complaints, then, have long-fallen on deaf ears for better wayfinding. The Illivirans know better than to damage nature’s protective mantle. Still, with enough perseverance, anyone can find the light at the end of the tunnel. When the forest clears and roots diverge, and the distant roar of a shore tickles the ears, and the air starts to thin and smell of salt and barbacoa, and in what gaps the canopy of leaves above has allowed, the smoke of cookery and ceremony is in view and saliva pools in the mouth – the heavenly sunlight, possible only through the harmonious living between Elfkind and the oceanic elements, welcomes wanderers with a maternal warmth and an open sky whose wind whispers: ‘it was worth it, wasn’t it?’ ⋅ •⋅⊰ ₊ ⋆ ☽ ༓ ☾ ⋆ ⁺ ⊱⋅• ⋅ Few people have gone there, and fewer still have left. Those that have speak of bejeweled, tall Elves who jingle like wind chimes surrounded by cross-legged apprentices, dyeing seaweed papers with the words of a foreign tongue. In Ancient Elven, those sparkly-eyed wanderers speak of a great missive to come; of an impossibly large and colorful map, artistically sewing together visuals of islands untold and treasures to the ground tethered. Of men streaked in orange and black smears of paint, standing vigil over the tidepooled shore; of women with wide collections of mortars and pestles, their innards containing pastes that seal wounds and make food tender. The most important reports stem from the outside, though. Navymen of Kingdoms abroad speak of mossy ropes underwater the fish avoid, stretching impossible distances – miles and miles into the horizon and back, and the almond shaped canoes with colorfully-tattooed Elves who occasionally arrive to sink beneath the waves and tend to them. Descendantkind hammers signs writ in Common with directions to their capitals into the ground, and a fleet-footed Elf of these makes a net instead, dotted with a variety of knots that none seem to understand – and someway, somehow, with the help of one of these strange children of Malin, always leads them to a pearly settlement by a shore, standing on sandstone. “Have you come through the sea, or by the land?” Ready yourself to be asked, and to answer, say the journeymen. It is all Illivira, that rumored patch of sand and culture, will ask of you.

love you bestie. thanks for always keeping it real <3 proud of you miss thang :')

Medli Oranor looked to her husband as he emerged, easing into his frame as the ‘ker joined her by the flames. “Thank you.” She murmured, returning his grin with one of her own. For the first time in a long while, the ‘ame felt at peace once again.

Honest to god had some of my favorite rp out here. I miss it everyday LOL. Maybe that's just pure nostalgia, but nice to see the build on showcase. That little treehouse/burrow showed at the end was revamped by myself with help here and there. If it were up to me, I'd take free build again without a doubt. You can really get some good rp out of it if you have the right people around you. Then again, I see the argument for "Why not just make a settlement, or live under a nation." It's just not the same <3 Personally, I just liked being able to my own thing with little interruption. Made some good memories there thanks to @DragonofTaters, @Lockages, and @Bhased.

Medli Oranor begins to carve out a new name plate for her desk.

Eli'jor sat within the Bard's College of Elvenesse, staring at the note he had ripped from a lonely message board. The mal's pale hands grasped the sheet, staring at the writing. "Ain't the last one, Miss Skylar." Tucking the note away, he turned to a piano, continuing on with his day as planned.