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Moda i ve Kort: Veils ag Sashes


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Moda i ve Kort

Published by the Mistress of the Wardrobe

12th of Tov ag Yermey, 411 E.S.

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VEILS ag SASHES

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A Barclay girl donning a veil, circa 410 E.S.

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Dearest Readers,

 

Haeseni fashion has escalated to new heights since the rule of Koenas Annika and her efforts to encourage the resurgence of Ruskan Fashion. As the newly appointed Mistress of the Wardrobe within the household of Koenas Emma, Her Highness Nikoleta and her assistants shall continue to build upon Annika’s legacy and provide a new revitalization and regulation of fashion standards, breathing in new life to the Haeseni court and exploring our culture. Without further ado, we present Moda i ve Kort: Veils ag Sashes.


 

A Nikirala handmaiden runs around from room to room, handing out Moda i ve Kort to any lady or gentleman that was in sight! No one was safe from the news of the Mistress of the Wardrobe.

 

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Veils

 

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"A sign of piety and modesty, the veil is a staple for all Ruskan women's wardrobes.”

 

Veils and hair coverings have always been a long standing tradition within Haeseni culture, originating from many generations past. It’s usually a symbol of one’s connection to Canonism, and for others, it is meant to demonstrate their modesty to the courts.

 

Colors and Embroidery

 

The colors and embroidery styles of these headdresses often vary. Depending on how lavish the fabric of the veil is, it may be a way for a lady to showcase her wealth and status.

 

However, certain veil embroidery is off limits, depending on what the lady’s status is. Roses and extravagant blooms are highly encouraged for the ladies of Ducal houses, while smaller, more modest blooms are encouraged for Margravial and Komital houses. Simpler designs, like leaves and fruits are encouraged for the ladies of Viskomital and Baronial houses. Gold embroidery, the most lavish of them all, is reserved for royal women and Duchesses only. 

 

Black is the most frequently seen due to its religious significance and symbolism of one’s devotion to Godan. It is often worn during funerals and times of mourning, but is befitting of any woman of status. White bears the symbolism of purity and is mostly worn by ladies during their debutantes and wedding days, though royals and Duchesses can wear this shade whenever they please. However, if a formal ball or event in particular has a certain theme in which white is a requirement, it is not seen as improper to don.

 

Pastels are mostly seen in young women, though children rarely adorn them as they are not encouraged to wear veils. Darker colors are often seen donned by older women, though it is not uncommon or improper for either to wear the other. 

 

When to Wear

 

In recent years, married women have reverted back to older traditions of donning veils. It would not be uncommon to do so, after having borne children. While the youth are encouraged for different reasons, whether that be their religion or noble house, it is not as important for them to don one daily. 

 

If a woman of child birthing and marriage age, and has done neither it is less important for them to don a headdress. Once they start to show signs of aging, then it is more appropriate.

 

Length

 

Furthermore, the length of the veil is often used as a way to demonstrate a lady’s wealth and status, where long veils are traditionally worn by Queens, Princesses and Duchesses. On the other hand, Baronesses, Viscountesses, Countesses, and untitled noble ladies would adorn themselves with shorter ones, some as measly as a common napkin to quickly cover their hair before entering a religious sight. 

 

"The Ripping of Impropiety”

 

Were a harlot to be seen adorning a veil, it is expected of others to rip it off her head unless she has done penance for her sins, which only a priest can truly confirm, not the woman in question. A veil is a primary symbol of a lady’s piety and therefore, it would of course be unnatural for someone of such a sinful background to wear such.

Spoiler

Veil Examples

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Sashes

 

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"A well-worn sash is a woman’s badge of honor. A poorly worn one is her embarrassment.”

 

Unlike the veil, the sash is a garment often worn only for special occasions. As tighter clothing is undesirable in the ever-present Ruskan cold, the wearing of a sash too is seen as a rarity. A common woman would never be seen in one - that would be entirely inappropriate. While a noble woman would likely not have reason to wear such a garment beyond her own wedding, a Baroness or any lady of a higher status may be seen in a sash at balls and debutantes, or, should she be at one of the lucky few, meetings of the Queen’s Council. 

 

When and How to Wear

 

The wearing of a sash at an inappropriate time is not such a terrible offense as to have it ripped from one’s shoulders, although any woman who wishes to appear as if she has taste should seek caution.

 

Indeed, the greatest embarrassment when wearing a sash would be to drape it over the improper shoulder. According to Haeseni tradition, a woman wearing her sash draped over the right shoulder would indicate that she was married, whereas wearing it over her left would indicate that she was single, and perhaps even looking for a husband. For this reason it’s often rare to find a young girl wearing a sash, as neither meaning would befit her age.

 

Colors

 

Alongside the drape of the sash is, of course, the meaning of the colors. In majority, the color of the sash will correspond to the traditional symbolism of colors in Ruskan culture. A red sash is the emblem of Hanseti-Ruska. It is commonly worn by high ranking nobles and royalty alike - for it’s complementary scheme with most sorts of dresses, and its darker colouring befits the Haeseni style of dressing. If one refers to the color symbolism study, they might take inspiration for the hidden meaning of their own sashes.

Spoiler

Skin Examples!

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*Skins made before shoulder indication was decided, just as a reminder right shoulder means you are married and left means you are looking to be married

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Notable Heirlooms

 

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Sashes and veils have been prevalent in the history of Haeseni fashion, yet they have made a grand resurgence within the last few years in particular! Thus, it is not uncommon for families of great renown to possess heirlooms, such as elegant sashes or veils passed down from generation to generation. 

 

Princess Katerina Ceciliya, for instance, was one of the first to popularize the sash around the time of her debut. She had adorned herself with an elegant robin’s egg blue sash, symbolizing her grace and elegance. 

 

Following Princess Katerina was Princess Petra Emma, who donned a light red sash to symbolize her openness to courtship. Both of these sashes are honored within the House of Barbanov. It is advised that other families who possess heirlooms such as these don them appropriately so as to honor their meaning in a similar way. We encourage families who own heirlooms, such as historically significant sashes or veils, to inform the Mistress of the Wardrobe of their existence so that she may include them in future informative publishing's like this one. 

 

Closing Words

 

We thank you for reading, and we do hope that the ladies of the royal courts heed our advice. Fashion etiquette is what symbolizes a respectable lady’s elegance and poise, as well as her own self-awareness and manners, after all. 

 

Be wary and be well, ladies of the courts!


Signed,

 

Her Royal Majesty, Emma Karenina, Queen-Consort of Hanseti-Ruska

 

Her Highness, Nikoleta Barbara Morovar

Mistress of the Wardrobe

 

Her Grace, Lady Marie Ruthern, Duchess-Consort of Vidaus

Lady Chamberlain of the Royal Courts

 

Her Ladyship, Erika Renate Barclay

Head Assistant to the Mistress of the Wardrobe

 

Miss Agnieszka Petrova

Assistant to the Mistress of the Wardrobe

 

Spoiler

OOC:

Thank you everyone who worked on this and edited the writing!

Skin examples by zuziee, sarahbarah, and misstoni

 

If you have any questions, DM zuziee#4323

 

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Agneiszka Petrova proudly admires her handiwork, and then gets back to work on the next Moda i ve Kort publication.

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[!] Analiesa gave a soft smile to the first project she'd ever got to see.. The young lady sighed "Dobry job ladies.. vy did wonderful work.. took awhile but vy got it." she nodded with a growing smile  

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Nikoleta smiled faintly as the next Moda i ve Kort was published, she was proud of the woman who worked with her. 

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