La Corte De Girasol 119 Share Posted March 3 LA CORTE DE GIRASOL The Soberano’s Court Issued by the Soberano-Consort of Hyspia 11th of Carlos Strength, 92 D.R. A depiction of the Hyspian people. Within the history of Hyspia and its changing trends, brief accounts of its peoples' fashion has been given, but never anything more in-depth. This is showcased in a previous missive on the Hyspian culture and its fashion during the Hyspian schism era, the next missive to be found on Hyspias fashion being found during the Hanso-Hyspian era in which a section was touched on within a Haense fashion missive. The most recent missive is under the late Vicereine Karyna of Malkova's reign, speaking briefly on the common peoples form of dress. What the three have in common is that they are brief blurbs of what the Hyspian fashion is, in which we wish to elucidate the understanding of today in this in-depth missive of what the Hyspian people wear in today's era. Hyspian fashion today has come to be encompassed in two words, fabrics and layers. While status can change the meaning of those entirely, you would find more often than not this common denominator showcased amongst the Hyspian people. Breathable fabrics such as linen, silk and lightweight cotton are most primarily used for the underlayers of the Hyspian outfit - Gone unseen for the most part. It is the overlayers that the people see, that are paired together with vests, ponchos, shawls, belts and the like that make up the vibrant blend that is Hyspian fashion. Light, flowy clothing is seen, allowing for an ease of movement and protection from the Hyspian sun. Dyes and pigments dominate the fashion landscape, vibrant colors contrasting greatly against the desert sands, aquas, pinks and deep greens making their rounds. A depiction of a common Hyspian outfit. In the depiction above, you can see a Hyspian couple stand side by side. On the right, a common Hyspian woman is shown, donned in vibrant fabrics. The shoes worn are closed-toed, made of suede or soft leather, the materials used due to the Hyspian environment. Above this is a vibrantly patterned skirt, this one checkered or patchwork, aiding in showcasing her status as one of the common people. Attached to the skirt is an apron of vibrant colors, embroidery and imagery upon the bottom - the imagery showcasing keeping with the fashion trends which aids in telling further of her status, being a bit more well-off. Moving towards the top, a loose long sleeve is worn, the sleeves translucent and easily able to be pinned or rolled up. Tying up the entire outfit is a vibrantly colored shawl, draped over it and pinned before her, making up the average Hyspian outfit. On the left, you have the common Hyspian man, who is not as trendy as his counterpart. He dons a pair of suede or soft leather boots, closed-toed - which leads up to a pair of breeches of a blue color, loose and soft to allow for easier movement. The breeches are high-waisted, with a vibrantly colored fabric belt cinched at the top over a simple beige underlayered vest, which has a further underlayer beneath it, a mid-sleeve top with a collar poking out. Above this all is a blue vest, made of the same fabric and color the breeches are - embroidery at the edges and simple copper buttons. The look is finished off with a draping cape, dark in color and with a lack of patterns, embroidery or imagery. “Hyspian attire can range widely depending on the wealth and social standing. While more wealthy Hyspians can afford more eloquent and traditional clothing, the more lower class Hyspians usually resort to wearing anything they can sew together.” An excerpt from the Hyspian schism era missive on fashion. A depiction of the Noble Hyspian outfit. In the depiction above, you can see a Hyspian couple stand side by side. On the right, you have the trendy noble donned in vibrant skirts, shawl and a decorative hair comb with flowers - associated with the flamenco look which has been rising in popularity. While unseen in the depiction, she dons a pair of closed-toed, crepe soled slippers with a rise to it, intricate embroidery along the edges. The skirt is bell-shaped due to the farthingale beneath it - an underskirt aiding in forming the shape the Noble lady wishes for. The overskirt, a rich green with many folds and layers is seen over top, ruffles showcased with a silver embroidery. Moving up is the square neckline along a lighter green bodice, translucent ruffles showcased along the top and a powdery fabric strung along, in which a shawl is pinned onto - the pins of a lustrous gold. The shawl is long, of a darker fabric towards the end - allowing for further drapery. The top is translucent and patterned alike, leaving it open to showcase any jewelry found beneath and the shawl left open to showcase the entirety of the outfit. On the left, you have the trendy noble man, donned in vibrant colors, embroidery and imagery, alongside that of the widely popular montera hat that the Matadors so favor. Though unseen, he wears closed-toes boots with crepe soles and golden buttons imprinted with imagery upon suede lined flaps, pinning them down. He dons vibrantly colored breeches, tighter on the bottom and looser at the top, allowing an ease of movement. A soft leather belt is worn, a buckle with imagery showcased prominently, tying the breeches together. Hidden is a simple shirt of light fabric, and above it, a doublet tailored to fit snugly. It is of a vibrant color and intricate texture, ruffles coming together in many sewn-together layers. The sleeves are long, becoming looser at the end when they flare out as bell sleeves. Tying together the entire outfit is the highly popular side-cape, of a different shade to the doublet and showcasing patterns and embroidery of flower based imagery. A depiction of the further layering of the Hyspian outfit. “Cardigans with embroidered flowers and ponchos with intricate designs became a staple, silver or aurum chains tying the pieces together. Added layers of vibrant fabrics, belts, buckles, pins, and the like became more notable in turn. Each adornment becomes a fashion statement of their own; the quality of a brooch or pin and its grandeur helps those to tell the individual's status.” An excerpt from a missive on Hanso-Hyspian fashion. In the previous section, we spoke on fabrics and the importance of layering, going in-depth as to the social classes' way of doing so. In this section, we will touch further on layers that go into creating each artistic Hyspian ensemble. Many options can be found when creating the Hyspian outfit, ranging from side-skirts to ponchos. The way of wearing each piece is open to change. The three ranges seen in skirts and capes being that of shape and length. Side, half and full. Side-skirts or capes are used as more of a statement piece, layers peeking out from beneath and of vibrant color, embroidery and imagery as it is the top-most piece seen by all. Half-skirts and capes are much the same, but allowing for a further cover and protection from the desert sun - the full lengths doing naturally as expected with these articles of clothing. Other articles of clothing often seen used are the shawl and cardigan, embroidered or with loose and translucent fabrics. Ponchos are much the same as the above, though often longer in length, with deep-set imagery of a deeper contrast of color to the base color. A depiction showcasing a particularly pious Hyspian woman. “Furthermore, Hyspian clothing holds a common theme of square necklines, various jewelry, and embroidery holding symbolism to that of the Hyspian people and of the church, and each layer of fabric is more colorful than the last.” An excerpt from the Hanso-Hyspian on fashion. Spoken of frequently during this missive is that of embroidery and imagery, which will be touched on further in this section. Each piece of embroidery and imagery holds a symbolism in the Hyspian culture, more often than not, being used to show their piety and nationalism. Religious iconography is most prevalent, imagery of Blessed Francisco, favored Saints and the Lorraine cross found most often. Alongside this, thin, aurum detailings are found in embroidery. Nationalism can be found in the beads of embroidery, and upon ones skirts, doublets or veils. Sapphires and blue based jewels are thus used to showcase the love for Hyspia, with use of its colors. Veils when used can be of varying styles, from the translucent veil growing in popularity, short and delicate - and used to better signify youth. These would be attached most often to some form of head piece, of golds or silvers. Longer veils of a non-translucent fabric tells an entire story of its own, detailed imagery and embroidery showcased upon it - jewels pocketed throughout to make up the piece. The base color is of a simpler nature most often, so as to not detract from the imagery used. Crosses, pins, buttons, belts, buckles and the like each are something added onto any Hyspian ensemble to keep the varying layers together, each adornment further telling a story of the individual in question and their livelihood. A depiction of a Hyspian bride and groom. The wedding outfits of Hyspians range and vary wildly, and cannot be pinpointed to any specific style or color. From the more pious dresses, donned in a cross and veil - the only luxury being that of a rich, pigmented color to that of the exotic, in which the grandest display the individual may ever wear is showcased, in vibrant colors, embroidery and imagery. From heirloom dresses, to ones of no expense wasted, wedding outfits - for men and women alike, range widely from one couple to the next. The one thing in common between each is the showcasing of pigmented colors, long flowing fabrics and religious iconography somewhere upon their person. A depiction of a Hyspian woman in mourning. On the opposite end of the spectrum, there is the traditional Hyspian mourning garb. This comes in blacks and yellows, with the uncommon splash of color amongst their person. It is perhaps the only time in a Hyspians wardrobe that one would see an abject lack of color, patterns and embroidery. This by no means makes the outfit simple, for what it lacks, it makes up for with intricate and lengthy veils, aurum and silver crosses, beads and pins - and deep, flowing garments. It is heavily frowned upon to wear anything vibrant during a time of mourning, and once someone is to remove the mourning garb and wear something anew, they are thus considered out of mourning. Hyspian fashion is not just about clothing; it’s a celebration of heritage, creativity, and the vibrant spirit of its people. It's an art form that interweaves tradition with modernity, functionality with elegance. As Hyspia continues to embrace its roots while looking forward, the evolution of its fashion remains a captivating journey to observe and participate in. En El Nombre De Dios HIS ROYAL HIGHNESS, Dimitri Otto of Koravia, Soberano-Consort of Hyspia, Duke-Consort of Pacazu, Baron-Consort of Arenisca and Del’mar, Lord of Ladorada, Lord of Niseep, Gereon's Hold, and Ciudad de Plata, Gran Maestre of El Orden de Francisco, Protector of the Hyspian People, Protector of the Farfolk HER HIGHNESS, Renata Alba de Pelear, Infanta of Hyspia Spoiler CREDIT: @tadabug2000@ElvenHuntress 7 Link to post Share on other sites More sharing options...
teeylin 996 Share Posted March 3 Spoiler I love fashion 2 Link to post Share on other sites More sharing options...
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