ON ARCHITECTS AND ARCHITECTURE OF HANSETI-RUSKA: THE DUCHY OF REINMAR

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ON ARCHITECTS AND ARCHITECTURE OF HANSETI-RUSKA:

THE DUCHY OF REINMAR

 

 

The Path to Sankt Johannsburg, 502 E.S.

 

Penned by 

THONDORUS THIGES STAFYR

On this 12th day of TOV AG YERMEY of 503 E.S.

 

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PREFACE

The Manors and Keeps surrounding the Capital City of Valdev are nothing less than a representation of the House itself. Apart from their function to protect the lands they reside above they are often utilized to represent the families cultural roots, too. My mother Elia Eryka, a master architect herself, successfully made sure that this interest was passed onto me. This series of missives will be my account on the Seats of Houses that represent the Haeseni nobility. 

 

 

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The Barclay Rosefields

 

LOCATION

The Castle Sankt Johannsburg is a testament to both the architectural prowess and indomitable spirit of its architect. Established in 493 E.S. by the Visionary Josefina Barclay it is perched atop the tallest hill of the region, guarding the King’s road from those who wish to reach the realms capital Valdev. 

 

Constructed from solid stone, the castle’s imposing walls exude an air of invincibility, much like the castle itself, standing as a guardian and monument to the unwavering spirit of the House Barclay. 

 

The courtyard can only be reached by climbing the staircase to the portcullis, underlining the defensive character of Sankt Johannsburg. Each step serves as a reminder of the resilience enemies will have to muster to reach the heart of this stronghold.

 

Amidst the castle’s imposing structure, the southeast hillside offers an enchanting spectacle of roses. The Barclay’s family’s famous trademark carried over from their Seat in Karosgrad. This garden blooms vividly, adding a touch of delicate beauty to the castle’s stern visage. This enduring contrast between strength and elegance further solidifies Johannsburg’s unique character.

 

 

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The Great Hall ceilings

 

INTERIOR

Upon entering the courtyard guests are greeted by a display of flowerbeds and solider going about their day. It is here that the transformation from stern stone exterior to opulent wood, fine carpets and exquisite chandeliers becomes evident. The shift from the stony shell to its richly appointed interior showcases the meticulous attention to detail of the architect.

 

The interior is a harmonious blend between grandeur and homeliness. Wooden ceilings, masterfully woven carpets and well-placed greenery create an inviting atmosphere. Sankt Johannsburg is not merely a fortress but a place where life unfolds. 

Josefina Barclay understands to utilize layout and design to make effective use of the available space. Clear divisions within the courtyard lead visitor through a sequence of areas. The great and feast hall offer a suitable space for hosting lavish gatherings, and the relic gallery serves as a poignant reminder of the Barclay’s rich past. The chapel, on the other hand, provides a serene and reflective sanctuary.

 

 

The Library

 

 

One of he most striking features during the tour is the castle’s celebration of its own history. The use of family colours within the interior design is particularly well-exectued, offering a seamless connection between the past and present, creating a profound sense of continuity and identity. 

 

Nevertheless, the crown jewel of Sankt Johannsburg is undoubtedly the library. Surpassing even Valdev’s renowned collection, it houses over four hundred books. The library’s design, marked by symmetry and detailed wooden panneling, imparts a sense of quiet dignity and intellectual pursuit. The shift in colour scheme to a rich, inviting red makes the underground library cozy and enticing, a place where one could easily spend hours.

 

 

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ARCHITECT’S COMMENT

The Architect Josefina Barclay, 500 E.S.

The decision to use stone as the primary building material for Sankt Johannsburg is a testament to Josefinas Barclay’s deep commitment to her family and their legacy. She explained, “Ea adore colour as much as the next person, but there is nothing better than stone for protection. This is mea gift to mea family, mea Lord. The best ea can offer. It will protect them long after Ea am gone [...]”. Her choice to build with stone, instead of the traditional red brick and terracotta used by the Haeseni was driven by the desire to provide the utmost security, ensuring that the castle would stand as an impenetrable fortress against any potential threat. 

 

Sankt Johannsburg is a great start into this series. The perfect example to show that the Seats of the Haeseni nobility are not simply a castle, keep or manor, they are a living monument, where the past and present intertwine seamlessly, offering a glimpse into the rich tapestry of our subcultures.

 

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DLUM VE EDLERVIK AG VE BIRODAL,

His Lordship, Thondorus Thiges Stafyr, Artist Extraordinaire

 

[GoodGuyMatt 7065]

Reinmar von Katzanik sings the most legendary song "REINMARIA" as he reads through the analytical journal, most proud of his Reinmaren heritage.

 

 

[marikandaperc 1165]

The little historian Elia Stafyr smiled proudly for her father's work.

[crazedpudding 2124]

Josefina Barclay smiled as she set the paper down, picking up a cup of tea next as she enjoyed the fresh scent of roses from the fields below.

[sarahbarah 5021]

Amaya adds the work to the extensive Royal Compendium, offering a wide grin as she surveys the fine penmanship of the former Master of the Arts. "A fine work by the Lord Stafyr - I would expect nothing less!"