ORENIAN PRACTICE, VOLUME 1

[sondher 797]

 

Penned by the Vienne Grand Mistress of Attire, 11th of the Sun's Smile, 1881

 

 

---

 

 

Modesty, a virtue that all men and women must possess, is characterized by their apparel. Honor, another persona of virtue, is often linked with material possessions such as property, jewels, and more. Honor was also linked to physical appearances, discernible through clothing. Physical appearances are principal when determining an individual’s attitude, an assumption like such would also apply to how a foreigner may perceive a kingdom. The people of the court are expected to maintain not only their position but also the finest of their appearances. Yet, fashion is not just limited to the ladies of Vienne and the court, it extends to all classes and precedes gender. A mere outline is provided to express the expectations in the guide continued below.

 

 

---

 

TABLE OF CONTENTS

I. COLORS, TEXTURES, AND TEXTILES

II. APPROPRIATE ACCESSORIES PER CLASS

III. THE IMPORTANCE OF SOCIAL SITUATIONS

IV. SILHOUETTES AND DRESS STRUCTURE

V. NOTABLE INDIVIDUALS

 

---

 

I.  COLORS, TEXTURES, AND TEXTILES

The dull and boorish colors that were popular in the past have been left behind. Right now, bright and vibrant colors are the desirable palettes for modern fashion. The idea of crossing colors, textiles, and textures alike is highly encouraged right now. Furs of many species are very popular amongst both genders, as many are worn as trophies. 

A variety of fabrics are available when it comes to choosing, but unfortunately, the fabric is not almost chosen under the pretense of comfort. Fabrics such as silk are rarer than other types, so, therefore, it is more expensive. Silk is typically worn by royalty and nobility as a sign of their class. Wool is worn by those of any class who can afford it. A cheaper alternative could be linen, which is commonly found to be worn within the common class. The combination of differing colors, fabrics and such distract from the simplicity of the silhouette that is popular in the 

 

II. APPROPRIATE ACCESSORIES PER CLASS

On the topic of accessories, there is a range of objects that fall under the category. This includes headwear, jewelry, and anything worn that isn’t attached to the clothes. Most headpieces, particularly those forged in gold, are exclusive to Oren’s nobility. Common jewels and brooches are allowed to be worn by any of the public, gentry, and all houses. As the ranks ascend, the terms of what is acceptable to be worn accessory-wise expands. Peers may find themselves donning sashes, while others may not. Circlets are only allowed to be worn by those of Ducal Houses only during certain occasions such as Debuts, Weddings, and Formal Events. The Royal Household, as long as they are main-line, themselves may don whatever they wish, aside from Crowns, Barbettes, and Diadems.  Meanwhile, the heir of the Kingdom is limited to brooches, circlets, and sashes. Barbettes are a signature piece donned by the Consort herself. Diadems are a symbol of sovereignty, therefore, it would only be appropriate for, his Majesty, the Regent to wear such an exclusive piece. Crowns are unshared with any other rank except for the Queen and King of the kingdom themselves. Outside of ranks lie a vast amount of options to decorate oneself with. Many, especially men, don belts and sheathes to place their tools and weapons, while others, particularly women and children, adorn themselves with flowers. To distract from the simplicity of the new attire, many can be seen wearing capes, mantles or shawls.

 

III. THE IMPORTANCE OF SOCIAL SITUATIONS

It is a sign of honor to dress according to one’s situation. Celebrations and family events differ in style when compared to a ball or royal party. When attending balls or parties, it is common courtesy to dress along with the assigned theme (if any) or in the finest garbs one owns. If an individual is a part of the military or owns ceremonial clothing, it is acceptable for them to arrive in such. When one is in mourning, it is socially expected for them to don black or darker clothing in general. 

 

One must also adorn themselves with the appropriate accessories per occasion, specifics can be found listed below

 

Spoiler

 

IV. SILHOUETTES AND DRESS STRUCTURE

- In contrast to the standards of previous years, the gowns aren't as structured. The feminine dress silhouette is more free-flowing and structureless while the masculine attire is less form fitting to allow less constricted movement.

- Modesty is still an important concept within society, so it is asked of the citizens of Oren to maintain an appropriate appearance by keeping their skin– particularly the shoulders, arms and legs– concealed.

 

V. NOTABLE INDIVIDUALS

Many look to prominent societal figures as a muse when it comes to updating their own garbs. There are many individuals who can be credited for establishing or inspiring the current fashion.

 

HER ROYAL MAJESTY, Vivienne of Savoy @Spicii

can be credited for popularizing the beauty of simplicity worn in modern gowns.

 

HER IMPERIAL MAJESTY, Anastasia I @Eryane

revived the use of half-head veils.

 

 HER EXCELLENCY, Maria von Preussens, the Lady Seneschal of Oren @slattador

Notable for her vast collection of simplistic, yet beautiful, dresses.

 

 Lady Mathilde de Falstaff @amyselia

Popularized the use of vibrant colors and designs.

 

 HER LADYSHIP, Aloisia of Rivia @Fie

Notable for her expansive gallery of beautiful gowns that fit this period of fashion.

 

HIS ROYAL MAJESTY, Frederick I @Lionhz

With the use of his platform, his majesty can be credited for shifting male style.

 

HIS EXCELLENCY, Conrad de Falstaff @Chennster

Notable for his vogue appearance and intricate style.

 

HIS LORDSHIP, Hannes de Vilain @Ryanark

Garbs himself in a simplistic, yet refined manner that others should follow.

 

SIR Gustaf of Acre @M1919

As longer tunics come into style, Sir Gustaf can be used as a good reference.

 

---

 

It is important to regard the fact that fashion is constantly shifting at an alarming pace that may seem impossible to keep track of. The purpose of the Orenian Practice Collection is to keep an accurate record of what is current in the terms of fashion, modesty, and procedures.

 

---

 

SIGNED,

 

THE GRAND MISTRESS OF ATTIRE,  Lady Henrietta Wilhelmine von Preussens

 

---

 

 

Spoiler

Credits to @milkyi for the spreadsheet and collage.

Credit to @Melpomenne for the mannequin base.

Credit to the creators of the skins above (IN ORDER): @ncarr@milkyi@slattador@amyselia@Fie@zuziee@venclair

 

Special thanks to @amyselia and @slattador for gathering a lot of the information.

 

 

[Franczhiz 4437]

An unborn child named Georg August likes the missive made by his kin.

[capiital 275]

The deceased Miss Evelynn Varoche frowns as her spot upon this list is no where to be found.

 

Spoiler

 

[kuerbis 3802]

Luisa blushes upon being mentioned!

 

[aldskar 842]

A certain flaming-haired Lady Chamberlain cracks a smile with a crazed glint in her eye. “What an exceptional young woman,” she then regards of the grand mistress von Preussens once concluded with her daily readings, “So detailed in her ventures for the court.”

[kujo_ 2510]

where are the credits for whoever made the skins