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Jewels of House Amador


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THE COLLECTION OF JEWELS OF HOUSE AMADOR

1350 A.H. - Present

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NOD PEPEL, ASERE PODNIMAT’SYA

From Ashes, We Rise

 

INTRODUCTION 

 

As a family that has accumulated vast wealth and reputation over many centuries, the House of Amador has acquired many heirlooms from their ancestors. These heirlooms have been carefully maintained and preserved so that they may be passed down to their descendents. The origin of these creations come from a vast number of backgrounds- from royalty that married into this prestigious family, to pieces that were hand-crafted for Amadors’ debuts and other important events. While this is not a complete assortment, as pieces are constantly being added, this is the first public reveal of the Amadors’ private jewellery collection.

 

 


 

 

HEAD PIECES

 

ARTEMIS’ TIARA

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Arts_Tiara.png

This tiara was first commissioned by Duke Romanos Palaiologos of Mystra for his eldest daughter, Princess Artemis Palaiologos. It was said that the young princess bore a striking resemblance to her mother, Ameliade Savin, which sparked a deep fatherly love within the Duke. The tiara was donned on only the most special occasions by Artemis, and after her marriage to Count Henrik Amador, the tiara was preserved as an Amador heirloom. Most recently, the brilliant heirloom was gifted to Liridona Amador by her twin sister, the late Baroness Nataliya Amador. The young Nataliya was so taken by her sister’s beauty that it sparked inspiration for Liridona’s moniker, The Gem of Amador. Several years after it came to be in Liridona’s possession, the young woman donned it pridefully for her Lifstala debut.

 

THE DAY’S EMBRACE

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Amelias_Tiara.png

This tiara was first made for Princess Artemis Palaiologos’ 18th birthday, and was gifted to her by her father, Duke Romanos Palaiogos of Mystra. The piece was treasured deeply by Artemis, and upon her marriage to Count Henrik I Amador, the tiara was bequeathed as an heirloom to Amador descendents. 

 

A SILVER TIARA

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Spoiler

Before you is a tiara, silver in finish. The top came up in points, looking as if they were almost icey spears of the snowy land found in the north. Nestled inside the middle of each pointed edge on the crown were sapphires - having been shaped into teardrops. The gems shined like anything, twinkling with the most minute fracture of light one could imagine. The base was lined with dozens of white pearls in a straight line. The pearls were harvested from the waters beside the Duchy of Valwyck c. 1865. The tiara was bestowed to the fourth daughter of Eirik Baruch, Duke of Valwyck, on her thirteenth birthday - Lady Eileen Marcella Baruch.

This radiant head piece was first commissioned for the fourth daughter of Duke Eirik Baruch of Valwyck, Lady Eileen Marcella. The gift was bestowed upon her by a dear friend, Jovianne de Ashley, for Eileen’s thirteenth nameday. It has since been passed down to Eileen’s niece, Caoimhe Amador née Baruch, and to Caoimhe’s own niece , Liridona Amador, as a gift for the Amador treasury.

 

SILVER TIARA

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Eddys_Tiara.png

This tiara was originally a gift to Princess Artemis Palaiologos from an unknown suitor. While he may have wished to court the beautiful Princess of Santegia, Artemis did not return his feelings, and deemed him “dramatic.” Nonetheless, Artemis still kept the headpiece, and upon her marriage to Count Henrik I Amador, it was donated to House Amador and its descendents.

 

THE DEBUTANTE’S KOKOSHNIK

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Spoiler

A beautiful kokonishk that was first worn by Ilaria Amador for her debut. Crafted by only the highest quality aurum and the finest ruby-hued satin, the accessory was embroidered by a glimmering golden thread, to depict elaborate swirling patterns throughout the headpiece. Now, this kokonishk is a souvenir from the only Amador debutante of the fifth Lifstala season, and is been passed down to new Amador debutantes.

This kokoshnik was crafted for Ilaria Amador’s debut during the fifth Lifstala season in Haense. It was created by her eldest sister, former Matriarch Olessya Amador. Just a few years prior to this social season, House Amador had lost its noble status and was reduced to a family of commoners. Despite this, the young Ilaria carried herself proudly and presented herself with grace before the courts. She was also the only Amador to debut during this season, making her kokoshnik all the more special. It has since been passed down to Ilaria’s eldest daughter, Nicolette Amador, for her own Lifstala debut, and will continue to make its appearance during future social seasons for young Amador debutantes.

 

THE AMADORIAN BRIDAL KOKOSHNIK

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This beautiful kokoshnik was first worn by Ilaria Amador. It was commissioned for her wedding to her third husband, Quintus Varoche, in 486 E.S. This day was remembered by Ilaria as one of the happiest of her life, as she was finally able to marry her first lover after being separated for over thirty years. Thus, the kokoshnik she wore became a treasured heirloom, and was passed onto her family after her death.

 

THE MATRIARCH’S VEIL

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This bridal headdress was first worn by former Matriarch Olessya Amador. It was commissioned for her wedding to her second husband, Magnus Baruch, who would thereafter become the Patriarch-consort of House Amador. The union of the couple took place in the Duchy of Valwyck in 468 E.S.

 

THE VEIL OF THE PHOENIX

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This stunning headpiece was first worn by the Phoenix of Amador, Baroness Nataliya Amador. It was created as a gift for her wedding to her consort, Aleksandr Kortrevich. The ceremony took place in 481 E.S. in Valdev, Haense.


 

SEDANITE SPRING KOKOSHNIK

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This headpiece, although simple, was worn nearly daily by Ilaria Amador. The scarf was handcrafted by her sister, former Matriarch Olessya Amador, and as was the golden kokoshnik itself. Ilaria had originally donned it upon her arrival to Sedan after the fall of Mondstadt. The headpiece reminded her of her homeland of Karosgrad, and her piety. It also brought her comfort in reminder that she would always have her sister on her side. Since then, it has been passed down to Ilaria’s niece, Liridona Amador, and thus the Amador treasury.


 

NECKLACES

 

CLEMENT III’S ROSARY

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This rosary was first owned by His Holiness, High Pontiff Clement III, who was born as Jack Amador. Following his abdication, and later his death, this priceless heirloom has been kept and preserved by his Amador kin and their descendents over many years.

 

ARTEMIS’ NECKLACE

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Spoiler

Arts_Necklace.png

This necklace was first commissioned by Duke Romanos Palaiologos of Mystra for his eldest daughter, Princess Artemis Palaiologos, and bestowed upon her shortly after the passing of the Duke’s wife, Amelia de Savins. It was created to match a tiara that had been made for the young Artemis many years before, creating a matching set of jewelry for the princess. Artemis took a great love to the necklace, and wore it frequently. After her marriage to Count Henrik I Amador, this necklace joined its tiara counterpart in the Amador vault of heirlooms, where it has been passed down through the generations. Its most recent appearance was made during the Lifstala debut of Liridona Amador, who wore the matching jewellery set with grace before the Haeseni courts.

 

PEARL NECKLACE

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Spoiler

Pearl_Necklace.png

This necklace was first owned by Princess Amelia de Savin of Santegia. After her death, the piece was passed down to her daughter, Princess Artemis Palaiologos. After Artemis’ marriage to Count Henrik I Amador, the necklace was donated to the Amador treasury and kept within the House’s care.

 

AMELIA’S LOCKET

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Spoiler

Amelias_Locket.png

This necklace was first owned by Princess Amelia de Savin of Santegia. After her death, the piece was passed down to her daughter, Princess Artemis Palaiologos. After Artemis’ marriage to Count Henrik I Amador, the necklace was donated to the Amador treasury and kept within the House’s care. It is unknown what message or portrait may have originally been held within this locket.


 

RINGS

 

ARTEMIS’ ENGAGEMENT RING

 

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This beautiful ring was commissioned by Count Henrik I Amador for his bride, Princess Artemis Palaiologos, and created by the smiths of Adelburg. The Count proposed to his fiancee following a party at the Orenian palace. The ring was well cared for by the Countess-consort until her death, upon which she bequeathed the item to her daughter, Katherine Amelia Amador. Since then, the ring has been passed down as a relic of the Amadors, and is now preserved within its treasury. 

 

DIAMOND WEDDING RING

 

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Same as its engagement counterpart, this elegant piece was commissioned by Count Henrik I Amador for his wife, Princess Artemis Palaiologos. It was created by the talented smiths of Adelberg, and bestowed upon Artemis on her wedding. Since then, this piece has been bequeathed to Artemis and Henrik’s descendents, and cared for by House Amador.

 

WEDDING RING

 

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Regrettably, not much is known about this stunning ring. However, based on its craftsmanship, it seems to have been made around 1620, which would have been during the lifetime of Count Ruslan II Amador. However, as Ruslan never wed, one cannot be entirely sure whom this ring was meant for. Nonetheless, it is still a treasured piece that has remained within House Amador for hundreds of years.

 

BLUEFLAME OF DEVOTION

 

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~

This stunning wedding ring was commissioned by Aleksandr Kortrevich for his bride, Baroness Nataliya Amador, and created by the Grand King Garedyn of Urguan. The ceremony took place in 481 E.S. in the Basilica in Valdev, Haense.

 

CLOAK OF WOVEN DREAMS

 

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~

This ring was given to Liridona Amador by an odd, unknown elf. Not much else is known about its origin, except that now it has since been passed down to Liridona’s youngest son, Benedict Amador, and preserved within the Amador treasury.


 

OTHER PIECES

 

OPAL EARRINGS

 

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This beautiful pair of earrings were purchased by Marquis Sterling Whitewood, previously known as Ser Sterling Amador, for his cousin, Liridona Amador. The gift was bestowed upon Liridona at Haense’s Lords Festival, and have since been a treasured possession of hers.

 

THE GEM OF AMADOR

 

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This gorgeous statue was hand-carved by Nicolette Amador for her cousin, Liridona Amador. It was presented to Liridona on the day of Nicolette’s Lifstala debut as a token of appreciation. Since then, it has been maintained and kept in pristine condition within Liridona’s care.

 

CUFF OF CARRYING

 

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This handy bracelet was made by Princess Juniper Rose of Lurin for Nicolette Amador. The elven princess was a mage, and as a gift for her friend, Juniper created this enchanted bracelet. Since then, it has been kept in good care by the Amadors.

 

REMARKABLY EFFECTIVE MATCHBOX

 

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This odd contraption was first given to Liridona Amador by an unknown elf. Not much is known about its origin.

 

 


 

 

IV JOVEO MAAN,

 

Her Ladyship, Liridona Ingrid Amador, The Gem of Amador, Lady Regent of Mondstadt, 

Lady Chamberlain of Hanseti-Ruska

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His Lordship, Henrik III Edvard Amador, 11th Baron of Mondstadt

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Lord Murtagh Amador, Protector of the Phoenix, Master of the Wardrobe of Hanseti-Ruska

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Professor Albus Amador, Chronologist of House Amador

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Spoiler

CREDITS!

 

@clonky for  making Artemis’ silver tiara

@Gutz for making Artemis’ tiara, Artemis’ necklace, and ALL of the kokoshniks!

@lalosia for donating Eileen’s Silver Tiara

@Lirinyafor donating like half of this collection (ilysm)

@sam33497 for being the unknown elf and giving me silly magic things

@Apotolofofor making the adorable gem of amador statue

 

Everyone else who made things or donated to this collection <3

 

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A long dead Artemis was content to see that those screenshots she saved in 2017 were finally of use.

 

Spoiler

You've put so much effort into this, into making the items into skins and researching lore. Thank you for all your effort, Cheese. It's a beautiful post.

 

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The Marquis of Whitewood felt a pang in his heart seeing his gift upon the list. "Perhaps ea should reach out again. Yam being too stubborn." He'd look  to his own private assortment of jewels, not being particularly fond of fancy objects himself he looked at them for a while. "Perhaps I'll give more gifts, I really do miss them."

 

The Grand King of Urguan had a scribe left the missive for him, he read it quickly as there was much paperwork to do. "That famileh always appreciated good craftwork. Oi wonder if they still use teh swords n' maces oi made for their guard?" He pondered briefly, before returning to his work, chewing on rocks, hammering and writing in heavy tomes, as a dwarf does. 

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